Marie Mulvey-Roberts - Böcker

This revised new edition of The Handbook of the Gothic contains over one hundred entries on Gothic writers, themes, terms, concepts, contexts and locations, featuring new entries on writers including Stephen King and Wilkie Collins, new genres and a new Preface which situates the handbook within current studies of the Gothic.

This revised new edition of The Handbook of the Gothic contains over one hundred entries on Gothic writers, themes, terms, concepts, contexts and locations, featuring new entries on writers including Stephen King and Wilkie Collins, new genres and a new Preface which situates the handbook within current studies of the Gothic.

Going well beyond graphic descriptions of death row's madness and suicide-inducing realities, Writing for Their Lives offers powerful, compassionate, and harrowing accounts of prisoners rediscovering the value of life from within the brutality and boredom of the row. Editor Marie Mulvey-Roberts brings together the writings of prisoners (many of whom are also prize-winning authors) and the words of those who work in the field of capital punishment, whose roles have included defense attorney, prison psychiatrist, chaplain and warden, spiritual advisor, abolitionist and executioner, as well as a Nobel Prize nominee and a murder victim family member. The material is presented through articles, journal extracts, letters, short stories, and poems. Exposing little-known facts about the five modes of execution practiced in the United States today, Writing for Their Lives documents the progress of life on death row from a capital trial to execution and beyond, through the testimony of the prisoners themselves as well as those who watch, listen, and write to them. What emerges are stories of the survival of the human spirit under even the most unimaginable circumstances, and the ways in which some prisoners find penitence and peace in the most unlikely surroundings. In spite of the uniformity of their prison life and its nearly inevitable conclusion, prisoners able to read and write letters are shown to retain and develop their individuality and humanity as their letters become poems and stories. Writing for Their Lives serves ultimately as an affirmation of the value of life and provides bountiful evidence that when a state executes a prisoner, it takes a life that still had something to give. This edition features an introduction by the editor as well as a foreword by Jan Arriens. Dr. Mulvey-Roberts will be donating her profits from the sale of this volume to the legal charity Amicus, which assists in capital defense in the United States."

What were the sources of pleasure during the eighteenth century? The range of pleasurable activities from the bawdy and perverse to the refined are brought together in this collection of essays, which is the first to look at both the philosophy and practice of the pleasure-seeking Georgians. Experts on the arts of pleasure will luxuriate over Italian opera, gastronomic delights, the pleasures of Gothic terror, seduction, and the revellers of the bizarre London clubs.

'Not just another handbook, this volume will be of great benefit to those interested in literary Gothicism...Mulvey-Roberts deserves congratulations for magisterial editing...A must for all types of libraries.' - B.F. Fisher, Choice 'Not just another handbook, this volume will be of great benefit to those interested in literary Gothicism...The editor has distinguished herself as a leading specialist in Gothicism, and her own entries...are predictably first-rate. Her contributors evince like authority; the 'best' have been chosen to present their topics...A must for all types of libraries.' - B.B. Fisher, Choice What do we mean by the term 'Gothic'? How does it differ from such classifications as 'terror' and 'horror' and where do its parameters lie? In an attempt to define such an elusive term, this A-Z unearths the terminologies associated with Gothic through a variety of short essays written by leading scholars. Not only does it plot the national characteristics of Gothic as in the French school of terror, Frenetique to American Gothic, but it also spans the period from Ann Radcliffe to Anne Rice.

Some of the key primary source texts central to the history of British feminism are now being made available in the six volumes of Sources of British Feminism. These anthologies are intended to signal a tribute to the collective and collaborative efforts of writers whose work has effected profound social and political change. Writings compiled here include socialist manifestoes, miscellaneous pamphlets, personal reminiscences, full length biographies, histories of the various movements and impassioned treatises on the cause of women's rights by leading advocates like Mary Astell, Barbara Bodichon and Emmeline Pankhurst.

Following on from Sources of British Feminism, the present six volumes contain primary source material on radicalism, marriage, motherhood, sexuality and militancy.

Through an investigation of the body and its oppression by the church, the medical profession and the state, this book reveals the actual horrors lying beneath fictional horror in settings as diverse as the monastic community, slave plantation, operating theatre, Jewish ghetto and battlefield trench. The book provides original readings of canonical Gothic literary and film texts including The Castle of Otranto, The Monk, Frankenstein, Dracula and Nosferatu. This collection of fictionalised dangerous bodies is traced back to the effects of the English Reformation, Spanish Inquisition, French Revolution, Caribbean slavery, Victorian medical malpractice, European anti-Semitism and finally warfare, ranging from the Crimean up to the Vietnam War. The endangered or dangerous body lies at the centre of the clash between victim and persecutor and has generated tales of terror and narratives of horror, which function to either salve, purge or dangerously perpetuate such oppositions. This ground-breaking book will be of interest to academics and students of Gothic studies, gender and film studies and especially to readers interested in the relationship between history and literature.

From Anne Rice's best-selling novels to our recurrent interest in vampires and the occult, the Gothic has an unyielding hold on our imagination. But what exactly does "Gothic" mean? How does it differ from "terror" or "horror," and where do its parameters lie? Through a wide and eclectic range of brief essays written by leading scholars, The Handbook to Gothic Literature provides a virtual encyclopedia of things Gothic. From the Demonic to the Uncanny, the Bronte sisters to Melville, this volume plots the characteristics of Gothic's vastly different schools and manifestations, offering a comprehensive guide of Gothic writing and culture. Among the many topics and literary figures discussed are: American Gothic, Ambrose Bierce, the Bronte Sisters, Angela Carter, the Demonic, Female Gothic, the Frenetique School, Ghost Stories, Gothic Film, the Graveyard School, Horror, Imagination, Washington Irving, Henry James, H.P. Lovecraft, Madness, Herman Melville, Monstrosity, Occultism, Orientalism, Post-Colonial Gothic, Anne Radcliffe, Anne Rice, Romanticism, Sado-Masochism, Mary and P. B. Shelley, Bram Stoker, the Sublime, the Uncanny, Vampires, Werewolves, Oscar Wilde, and Zerrissenheit.

Pleasure, wrote Oscar Wilde, is the only thing worth having a theory about. In Pleasure in the Eighteenth Century, Roy Porter and Marie Mulvey Roberts question the idea of pleasure as unmediated, natural experience. To what extent was pleasure stage-managed to make it socially, morally, and politically acceptable? Taking its cue from Michel Foucault, this volume represents a stunning example of the pleasures of analysis, a place where discourse about pleasure is a pleasure in its own right. From cross-dressing to feasting, music to charity work, the essays in this volume probe the foundations of eighteenth-century society while entertaining the reader vicariously with their tales of vanished delights.

From Anne Rice's best-selling novels to our recurrent interest in vampires and the occult, the Gothic has an unyielding hold on our imagination. But what exactly does "Gothic" mean? How does it differ from "terror" or "horror," and where do its parameters lie? Through a wide range of brief essays written by leading scholars, The Handbook of the Gothic, second edition, provides a virtual encyclopedia of things Gothic. From the Demonic to the Uncanny, the Bronte sisters to Melville, this volume plots the characteristics of Gothic's vastly different schools and manifestations, offering a comprehensive guide of Gothic writing and culture. Among the many topics and figures discussed are: American Gothic, the Bronte Sisters, Angela Carter, the Demonic, Female Gothic, Ghost Stories, Film, Washington Irving, Henry James, H. P. Lovecraft, Madness, Herman Melville, Monstrosity, Orientalism, Post-Colonial Gothic, Anne Rice, Romanticism, Sado-Masochism, Bram Stoker, the Sublime, the Uncanny, Vampires, and Werewolves.This revised edition of The Handbook of the Gothic contains over twenty new entries on Gothic writers such as Stephen King and Daphne Du Maurier, new genres such as African-American Gothic, new terms like Gothic Graphic Novel and Comic, and a new preface which situates the handbook within current studies of the Gothic.

First published in 1993, Literature & Medicine During the Eighteenth Century analyses the close interplay of medicine and literature by paying special attention to questions of body language and the representation of inner life. Although today, medicine and literature are widely seen as falling on different sides of the ‘two cultures’ divide, this was not so in the eighteenth century when doctors, scientists, writers, and artists formed a well-integrated educated elite. Locke, Smollett and Goldsmith were doctors, and physicians such as Erasmus Darwin doubled as poets. Written by leading historians of medicine and eighteenth-century literary critics, this book uncovers the interconnections between medical and psychological theory and ideas of taste, beauty, and genius. Its contributors explore the rich cultural milieu of the period and investigate the ways in which medicine itself contributed to informing a gendered discourse of the world. This book will be of interest to historians, literary scholars and medical historians.

First published in 1993, Literature & Medicine During the Eighteenth Century analyses the close interplay of medicine and literature by paying special attention to questions of body language and the representation of inner life. Although today, medicine and literature are widely seen as falling on different sides of the ‘two cultures’ divide, this was not so in the eighteenth century when doctors, scientists, writers, and artists formed a well-integrated educated elite. Locke, Smollett and Goldsmith were doctors, and physicians such as Erasmus Darwin doubled as poets. Written by leading historians of medicine and eighteenth-century literary critics, this book uncovers the interconnections between medical and psychological theory and ideas of taste, beauty, and genius. Its contributors explore the rich cultural milieu of the period and investigate the ways in which medicine itself contributed to informing a gendered discourse of the world. This book will be of interest to historians, literary scholars and medical historians.

First published in 1990, this book represents the first full-length study of into the group of novels designated ‘Rosicrucian’ and traces the emergence of this distinct fictional genre, revealing a continuous occult tradition running through seemingly diverse literary texts. Taking the Enlightenment as a starting point, the author shows how the physician’s secular appropriation of the idea of eternal life, through the study of longevity and physical decay, attracted writers like William Godwin. It focuses on the bodily immortality of the Rosicrucian hero and investigates the novels of five major writers — Godwin, Percy Bysshe Shelley, Mary Shelley, Maturin, and Bulwer-Lytton.

First published in 1990, this book represents the first full-length study of into the group of novels designated ‘Rosicrucian’ and traces the emergence of this distinct fictional genre, revealing a continuous occult tradition running through seemingly diverse literary texts. Taking the Enlightenment as a starting point, the author shows how the physician’s secular appropriation of the idea of eternal life, through the study of longevity and physical decay, attracted writers like William Godwin. It focuses on the bodily immortality of the Rosicrucian hero and investigates the novels of five major writers — Godwin, Percy Bysshe Shelley, Mary Shelley, Maturin, and Bulwer-Lytton.

In 1858, Rosina Bulwer Lytton was incarcerated in a lunatic asylum by her husband, the eminent Victorian politician and novelist, Edward Bulwer Lytton. After the disintegration of their marriage, Rosina wrote letters to prominent figures in which she revealed details about Edward's mistresses and illegitimate children.

In 1858, Rosina Bulwer Lytton was incarcerated in a lunatic asylum by her husband, the eminent Victorian politician and novelist, Edward Bulwer Lytton. After the disintegration of their marriage, Rosina wrote letters to prominent figures in which she revealed details about Edward's mistresses and illegitimate children.

In 1858, Rosina Bulwer Lytton was incarcerated in a lunatic asylum by her husband, the eminent Victorian politician and novelist, Edward Bulwer Lytton. After the disintegration of their marriage, Rosina wrote letters to prominent figures in which she revealed details about Edward's mistresses and illegitimate children.

This is the first volume of a three volume collection of the correspondence of Caroline Norton, covering the period July 1828-Deember 1837. The collection also includes an introduction and five commentaries by the editor, contextualising and embedding Caroline’s literary and political achievements within the narrative of her letters.

This is the second volume of a three volume collection of the correspondence of Caroline Norton, covering the period January 1838-November 1857. The collection also includes an introduction and five commentaries by the editor, contextualising and embedding Caroline’s literary and political achievements within the narrative of her letters.

This is the third volume of a three volume collection of the correspondence of Caroline Norton, covering the period February 1858-June 1877. The collection also includes an introduction and five commentaries by the editor, contextualising and embedding Caroline’s literary and political achievements within the narrative of her letters.

A surprisingly large number of English poets have either belonged to a secret society, or been strongly influenced by its tenets. One of the best known examples is Christopher Smart’s membership of the Freemasons, and the resulting influence of Masonic doctrines on A Song to David. However, many other poets have belonged to, or been influenced by not only the Freemasons, but the Rosicrucians, Gormogons and Hell-Fire Clubs. First published in 1986, this study concentrates on five major examples: Smart, Burns, William Blake, William Butler Yeats and Rudyard Kipling, as well as a number of other poets. Marie Roberts questions why so many poets have been powerfully attracted to the secret societies, and considers the effectiveness of poetry as a medium for conveying secret emblems and ritual. She shows how some poets believed that poetry would prove a hidden symbolic language in which to reveal great truths.The beliefs of these poets are as diverse as their practice, and this book sheds fascinating light on several major writers.

A surprisingly large number of English poets have either belonged to a secret society, or been strongly influenced by its tenets. One of the best known examples is Christopher Smart’s membership of the Freemasons, and the resulting influence of Masonic doctrines on A Song to David. However, many other poets have belonged to, or been influenced by not only the Freemasons, but the Rosicrucians, Gormogons and Hell-Fire Clubs. First published in 1986, this study concentrates on five major examples: Smart, Burns, William Blake, William Butler Yeats and Rudyard Kipling, as well as a number of other poets. Marie Roberts questions why so many poets have been powerfully attracted to the secret societies, and considers the effectiveness of poetry as a medium for conveying secret emblems and ritual. She shows how some poets believed that poetry would prove a hidden symbolic language in which to reveal great truths.The beliefs of these poets are as diverse as their practice, and this book sheds fascinating light on several major writers.

Representing a shift in Carter studies for the 21st century, this book critically explores her legacy and showcases the current state of Angela Carter scholarship. It gives new insights into Carter’s pyrotechnic creativity and pays tribute to her incendiary imagination in a reappraisal of Angela Carter’s work, her influences and influence. Drawing attention to the highly constructed artifice of Angela Carter’s work, it brings to the fore her lesser-known collection of short stories, Fireworks: Nine Profane Pieces to reposition her as more than just the author of The Bloody Chamber. On the way, it also explores the impact of her experiences living in Japan, in the light of Edmund Gordon’s 2016 biography and Natsumi Ikoma’s translation of Sozo Araki’s Japanese memoirs of Carter.

Representing a shift in Carter studies for the 21st century, this book critically explores her legacy and showcases the current state of Angela Carter scholarship. It gives new insights into Carter’s pyrotechnic creativity and pays tribute to her incendiary imagination in a reappraisal of Angela Carter’s work, her influences and influence. Drawing attention to the highly constructed artifice of Angela Carter’s work, it brings to the fore her lesser-known collection of short stories, Fireworks: Nine Profane Pieces to reposition her as more than just the author of The Bloody Chamber. On the way, it also explores the impact of her experiences living in Japan, in the light of Edmund Gordon’s 2016 biography and Natsumi Ikoma’s translation of Sozo Araki’s Japanese memoirs of Carter.

From her unique standpoint as singer-songwriter-scholar, Polly Paulusma examines the influences of Carter’s 1960s folk singing, unknown until now, on her prose writing. Recent critical attention has focused on Carter’s relationship with folk/fairy tales, but this book uses a newly available archive containing Carter’s folk song notes, books, LPs and recordings to change the debate, proving Carter performed folk songs. Placing this archive alongside the album sleeve notes Carter wrote and her diaries and essays, it reimagines Carter’s prose as a vehicle for the singing voice, and reveals a writing style imbued with ‘songfulness’ informed by her singing praxis.Reading Carter’s texts through songs she knew and sang, this book shows, from influences of rhythm, melodic shape, thematic focus, imagery, ‘voice’ and ‘breath’, how Carter steeped her writing with folk song’s features to produce ‘canorography’: song-infused prose. Concluding with a discussion of Carter’s profound influence on songwriters, focusing on the author's interview with Emily Portman, this book invites us to reimagine Carter’s prose as audial event, dissolving boundaries between prose and song, between text and reader, between word and sound, in an ever-renewing act of sympathetic resonance.

From her unique standpoint as singer-songwriter-scholar, Polly Paulusma examines the influences of Carter’s 1960s folk singing, unknown until now, on her prose writing. Recent critical attention has focused on Carter’s relationship with folk/fairy tales, but this book uses a newly available archive containing Carter’s folk song notes, books, LPs and recordings to change the debate, proving Carter performed folk songs. Placing this archive alongside the album sleeve notes Carter wrote and her diaries and essays, it reimagines Carter’s prose as a vehicle for the singing voice, and reveals a writing style imbued with ‘songfulness’ informed by her singing praxis.Reading Carter’s texts through songs she knew and sang, this book shows, from influences of rhythm, melodic shape, thematic focus, imagery, ‘voice’ and ‘breath’, how Carter steeped her writing with folk song’s features to produce ‘canorography’: song-infused prose. Concluding with a discussion of Carter’s profound influence on songwriters, focusing on the author's interview with Emily Portman, this book invites us to reimagine Carter’s prose as audial event, dissolving boundaries between prose and song, between text and reader, between word and sound, in an ever-renewing act of sympathetic resonance.

Exploring the poetic fictions of prominent French, feminist writer Hélène Cixous, this open access book highlights rich and timely ideas of selfhood in her work. With careful elaboration of the writer’s relationship with Algeria, Birgit M. Kaiser shows how Cixous reflects on experiences of colonial and patriarchal othering. More than that, she crafts a voice – an autofictive "I" – that takes the figure of Echo as a guiding mythology to portray selfhood as diffractive, always already exceeding binary models of self/other that remain central to conceptions of subjectivity. Putting forward the notion of ‘echology’, Kaiser examines how Cixous performs selfhood within ecologies of cohabitation, thereby critiquing and revising key tenets of psychoanalysis and its narrative of the subject.Drawing from famous texts such as The Laugh of the Medusa, The Newly Born Woman, and The Portrait of Dora, but also more recent titles like Osnabrück, So Close, Death Shall be Dethroned or Cixous's collaborations with Adel Abdessemed, Hélène Cixous's Poetics of Voice: Echo - Subjectivity - Diffraction offers fresh variations on familiar psychoanalytic and semiotic axes, and new ventures into dialogue with feminist new materialisms.Elegant, politically dynamic and providing exciting news ways into Cixous’s work and poetics, the concept of ‘echology’ lends new perspectives for feminist and postcolonial formations of selfhood and new imaginations of what it means to be human within planetary life.The eBook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by Utrecht University.

Exploring the poetic fictions of prominent French, feminist writer Hélène Cixous, this open access book highlights rich and timely ideas of selfhood in her work. With careful elaboration of the writer’s relationship with Algeria, Birgit M. Kaiser shows how Cixous reflects on experiences of colonial and patriarchal othering. More than that, she crafts a voice – an autofictive "I" – that takes the figure of Echo as a guiding mythology to portray selfhood as diffractive, always already exceeding binary models of self/other that remain central to conceptions of subjectivity. Putting forward the notion of ‘echology’, Kaiser examines how Cixous performs selfhood within ecologies of cohabitation, thereby critiquing and revising key tenets of psychoanalysis and its narrative of the subject.Drawing from famous texts such as The Laugh of the Medusa, The Newly Born Woman, and The Portrait of Dora, but also more recent titles like Osnabrück, So Close, Death Shall be Dethroned or Cixous's collaborations with Adel Abdessemed, Hélène Cixous's Poetics of Voice: Echo - Subjectivity - Diffraction offers fresh variations on familiar psychoanalytic and semiotic axes, and new ventures into dialogue with feminist new materialisms.Elegant, politically dynamic and providing exciting news ways into Cixous’s work and poetics, the concept of ‘echology’ lends new perspectives for feminist and postcolonial formations of selfhood and new imaginations of what it means to be human within planetary life.The eBook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by Utrecht University.