What were the sources of pleasure during the eighteenth century? The range of pleasurable activities from the bawdy and perverse to the refined are brought together in this collection of essays, which is the first to look at both the philosophy and practice of the pleasure-seeking Georgians. Experts on the arts of pleasure will luxuriate over Italian opera, gastronomic delights, the pleasures of Gothic terror, seduction, and the revellers of the bizarre London clubs.
Marie Mulvey-Roberts is Professor of English Literature at the University of the West of England, UK. She is the author of Dangerous Bodies: Historicising the Gothic Corporeal (MUP, 2016), winner of the Alan Lloyd Smith Memorial Prize. She has authored, edited and co-edited over 30 books. This will be her third edited book on Angela Carter. Recently she made a film on Carter’s The Bloody Chamber for Massolit, for use in schools (33,000 downloads). She was the co-curator of the Strange Worlds exhibition on Angela Carter at the Royal West Academy of Art in Bristol 2017 and co-edited the catalogue. She is the co-founder of Women’s Writing, for which she serves as Editor and runs two Carter websites with Charlotte Crofts.
Recensioner i media
'...well-conceived and interesting ...a major advance in the subject.' - Jeremy Black, The Economic History Review
Innehållsförteckning
Introduction; M.Mulvey RobertsEnlightenment and Pleasure; R.PorterMaterial Pleasures in the Consumer Society; R.PorterThe Pleasures of the Table; S.VareyPleasures Engendered by Gender: Homosociality and the Club; M.Mulvey Roberts'The Luxury of Doing Good': Benevolence, Sensibility, and the Royal Humane Society; C.D.WilliamsThe Seducations of Conduct: Pleasure and Conduct Literature; V.Jones'Strains of New Beauty': Handel and the Pleasures of Italian Opera, 1711-1728; D.AlsopThe Pleasures of Terror: Gender and the Sublime Revisited; E.J.CleryBurns and Wordsworth: Art and 'The Pleasure which There is in Life Itself'; S.ManningIndex.
