Joanna Brück – författare

The Bronze Age is frequently framed in social evolutionary terms. Viewed as the period which saw the emergence of social differentiation, the development of long-distance trade, and the intensification of agricultural production, it is seen as the precursor and origin-point for significant aspects of the modern world. This book presents a very different image of Bronze Age Britain and Ireland. Drawing on the wealth of material from recent excavations, as well as a long history of research, it explores the impact of the post-Enlightenment 'othering' of the non-human on our understanding of Bronze Age society. There is much to suggest that the conceptual boundary between the active human subject and the passive world of objects, so familiar from our own cultural context, was not drawn in this categorical way in the Bronze Age; the self was constructed in relational rather than individualistic terms, and aspects of the non-human world such as pots, houses, and mountains were considered animate entities with their own spirit or soul. In a series of thematic chapters on the human body, artefacts, settlements, and landscapes, this book considers the character of Bronze Age personhood, the relationship between individual and society, and ideas around agency and social power. The treatment and deposition of things such as querns, axes, and human remains provides insights into the meanings and values ascribed to objects and places, and the ways in which such items acted as social agents in the Bronze Age world.

The Bronze Age is frequently framed in social evolutionary terms. Viewed as the period which saw the emergence of social differentiation, the development of long-distance trade, and the intensification of agricultural production, it is seen as the precursor and origin-point for significant aspects of the modern world. This book presents a very different image of Bronze Age Britain and Ireland. Drawing on the wealth of material from recent excavations, as well as a long history of research, it explores the impact of the post-Enlightenment 'othering' of the non-human on our understanding of Bronze Age society. There is much to suggest that the conceptual boundary between the active human subject and the passive world of objects, so familiar from our own cultural context, was not drawn in this categorical way in the Bronze Age; the self was constructed in relational rather than individualistic terms, and aspects of the non-human world such as pots, houses, and mountains were considered animate entities with their own spirit or soul. In a series of thematic chapters on the human body, artefacts, settlements, and landscapes, this book considers the character of Bronze Age personhood, the relationship between individual and society, and ideas around agency and social power. The treatment and deposition of things such as querns, axes, and human remains provides insights into the meanings and values ascribed to objects and places, and the ways in which such items acted as social agents in the Bronze Age world.

The 1916 Rising is the pivotal yet highly contested moment in Irish history when militant republicans sought to seize political power from Britain, and declared - though unsuccessfully in the short term – an independent state. Credited with inspiring independence movements in other former colonies, the Rising has been the subject of histories from the political to the literary. Yet, the rich variety of objects and images associated with the Rising – from buttons and medals to souvenir postcards – have not formed a focus of academic research. This volume of essays will examine the material and visual culture of the Rising to consider how these illuminate changing ways of engaging with and understanding this iconic event. Family keepsakes such as autograph books from Frongoch internment camp, informal souvenirs such as pieces of rubble from Dublin’s General Post Office, and ‘official’ souvenirs such as photo booklets each played a significant role in the construction of individual and collective memory. In placing material and visual culture centre stage, this book will examine how the spaces, objects and images associated with the Rising are caught up in processes of identity production in both public and private space as changing socio-political conditions generated new understandings of 1916 and its aftermath. It addresses the ‘things’ of 1916 not as mere illustrations of history, but as having agency and effect on material practices central to contested concepts of identity and the creation of social memory.

Discussing theoretical perspectives on the archaeological study of settlements, this volume revisits a central topic of study in archaeology and anthropology, which should be of interest to historical geographers and others.