Joanna Hearne – författare
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7 produkter
7 produkter
316 kr
Skickas inom 10-15 vardagar
Smoke Signals is a historical milestone in Native American filmmaking. Released in 1998 and based on a short-story collection by Sherman Alexie, it was the first wide-release feature film written, directed, coproduced, and acted by Native Americans. The most popular Native American film of all time, Smoke Signals is also an innovative work of cinematic storytelling that demands sustained critical attention in its own right. Embedded in Smoke Signals's universal story of familial loss and renewal are uniquely Indigenous perspectives about political sovereignty, Hollywood's long history of misrepresentation, and the rise of Indigenous cinema across the twentieth and twenty-first centuries. Joanna Hearne's work foregrounds the voices of the filmmakers and performers—in interviews with Alexie and director Chris Eyre, among others—to explore the film's audiovisual and narrative strategies for speaking to multiple audiences. In particular, Hearne examines the filmmakers' appropriation of mainstream American popular culture forms to tell a Native story. Focusing in turn on the production and reception of the film and issues of performance, authenticity, social justice, and environmental history within the film's text and context, this in-depth introduction and analysis expands our understanding and deepens our enjoyment of a Native cinema landmark.
1 336 kr
Skickas inom 7-10 vardagar
Born in Oklahoma into the Chickasaw Nation, Wallace Fox directed films over the span of four decades. Known primarily for Westerns and mystery films, his output starred such famed actors as Bela Lugosi, Bob Steele, and Lon Chaney. ReFocus: The Films of Wallace Fox includes analysis of some of his best known films, including Wild Beauty, Gun Town, The Corpse Vanishes, Bowery at Midnight, Career Girl and Brenda Starr, Reporter. It reclaims the history and artistry of this major talent.
353 kr
Skickas inom 7-10 vardagar
Born in Oklahoma into the Chickasaw Nation, Wallace Fox directed films over the span of four decades. Known primarily for Westerns and mystery films, his output starred such famed actors as Bela Lugosi, Bob Steele, and Lon Chaney. ReFocus: The Films of Wallace Fox includes analysis of some of his best known films, including Wild Beauty, Gun Town, The Corpse Vanishes, Bowery at Midnight, Career Girl and Brenda Starr, Reporter. It reclaims the history and artistry of this major talent.
1 216 kr
Skickas inom 5-8 vardagar
Offers a new interpretation of the century-long relationship between the Western film genre and Native American filmmaking.In Native Recognition, Joanna Hearne persuasively argues for the central role of Indigenous image-making in the history of American cinema. Across the twentieth and into the twenty-first centuries, Indigenous peoples have been involved in cinema as performers, directors, writers, consultants, crews, and audiences, yet both the specificity and range of this Native participation have often been obscured by the on-screen, larger-than-life images of Indians in the Western. Not only have Indigenous images mattered to the Western, but Westerns have also mattered to Indigenous filmmakers as they subvert mass culture images of supposedly "vanishing" Indians, repurposing the commodity forms of Hollywood films to envision Native intergenerational continuity. Through their interventions in forms of seeing and being seen in public culture, Native filmmakers have effectively marshaled the power of visual media to take part in national discussions of social justice and political sovereignty for North American Indigenous peoples.Native Recognition brings together a wide range of little-known productions, from the silent films of James Young Deer, to recovered prints of the 1928 Ramona and the 1972 House Made of Dawn, to the experimental and feature films of Victor Masayesva and Chris Eyre. Using international archival research and close visual analysis, Hearne expands our understanding of the complexity of Native presence in cinema both on screen and through the circuits of film production and consumption.
477 kr
Skickas inom 5-8 vardagar
Offers a new interpretation of the century-long relationship between the Western film genre and Native American filmmaking.In Native Recognition, Joanna Hearne persuasively argues for the central role of Indigenous image-making in the history of American cinema. Across the twentieth and into the twenty-first centuries, Indigenous peoples have been involved in cinema as performers, directors, writers, consultants, crews, and audiences, yet both the specificity and range of this Native participation have often been obscured by the on-screen, larger-than-life images of Indians in the Western. Not only have Indigenous images mattered to the Western, but Westerns have also mattered to Indigenous filmmakers as they subvert mass culture images of supposedly "vanishing" Indians, repurposing the commodity forms of Hollywood films to envision Native intergenerational continuity. Through their interventions in forms of seeing and being seen in public culture, Native filmmakers have effectively marshaled the power of visual media to take part in national discussions of social justice and political sovereignty for North American Indigenous peoples.Native Recognition brings together a wide range of little-known productions, from the silent films of James Young Deer, to recovered prints of the 1928 Ramona and the 1972 House Made of Dawn, to the experimental and feature films of Victor Masayesva and Chris Eyre. Using international archival research and close visual analysis, Hearne expands our understanding of the complexity of Native presence in cinema both on screen and through the circuits of film production and consumption.
1 317 kr
Skickas inom 5-8 vardagar
A first-of-its-kind collection to transform our understanding of digital media from Indigenous women creatorsIndigenous women form a vital force in digital media production now and have over the past several decades—in fact, nearly three quarters of the projects at the 2017 imagineNATIVE Film and Media Arts Festival were created by women. By Their Work highlights the prismatic nature of Indigenous women's digital media, connecting the digital arts with their creative labor and adaptive activism.Joanna Hearne and Karrmen Crey bring together a collection of essays and interviews to highlight the voices of powerful and important media makers, from Indigenous video game creators to animators to social media influencers and from theorists of early Indigenous digital media to current practitioners, including trans and nonbinary creators often left out of public narratives about the digital. Creating a space to hear critical voices on Indigenous media history, theory, and production, the contributors share stories, genealogies, and practices behind Indigenous women's power and presence in the digital world.Focusing on the history of digital media as a whole, this collection presents a compelling case for Indigenous women's crucial roles across the history of digital forms and platforms. In doing so, By Their Work transforms digital Indigenous studies in the twenty-first century.Contributors: Nanobah Becker; Reilley Bishop-Stall, McGill U; Meagan Byrne; Tawny Trottier Cale; Dana Claxton; Crystal Harrison Collin; Elizabeth Day; Kristin L. Dowell, Florida State U; Miranda Due; Heid E. Erdrich; Marcella Ernest, U of New Mexico; Marisa Erven; David Gaertner, U of British Columbia; Carol Geddes; Faye Ginsburg, New York U; Patuk N. Glenn; Lisa Jackson; Jacqueline Land, William Jewell College; Jason Edward Lewis, Concordia University, Montreal; Joshua D. Miner, U of Kansas; Salma Monani, Gettysburg College; Jas M. Morgan, Simon Fraser U; Archer Pechawis, York U; Mikhel Proulx, Queen's U Canada; Ryan Rice; Jolene Rickard, Cornell U; Channette Romero, U of Georgia; Wendi Sierra, Texas Christian U; Skawennati.
321 kr
Skickas inom 5-8 vardagar
A first-of-its-kind collection to transform our understanding of digital media from Indigenous women creatorsIndigenous women form a vital force in digital media production now and have over the past several decades-in fact, nearly three quarters of the projects at the 2017 imagineNATIVE Film and Media Arts Festival were created by women. By Their Work highlights the prismatic nature of Indigenous women’s digital media, connecting the digital arts with their creative labor and adaptive activism. Joanna Hearne and Karrmen Crey bring together a collection of essays and interviews to highlight the voices of powerful and important media makers, from Indigenous video game creators to animators to social media influencers and from theorists of early Indigenous digital media to current practitioners, including trans and nonbinary creators often left out of public narratives about the digital. Creating a space to hear critical voices on Indigenous media history, theory, and production, the contributors share stories, genealogies, and practices behind Indigenous women’s power and presence in the digital world. Focusing on the history of digital media as a whole, this collection presents a compelling case for Indigenous women’s crucial roles across the history of digital forms and platforms. In doing so, By Their Work transforms digital Indigenous studies in the twenty-first century. Contributors: Nanobah Becker; Reilley Bishop-Stall, McGill U; Meagan Byrne; Tawny Trottier Cale; Dana Claxton; Crystal Harrison Collin; Elizabeth Day; Kristin L. Dowell, Florida State U; Miranda Due; Heid E. Erdrich; Marcella Ernest, U of New Mexico; Marisa Erven; Skawennati Tricia Fragnito; David Gaertner, U of British Columbia; Carol Geddes; Faye Ginsburg, New York U; Patuk N. Glenn; Lisa Jackson; Jacqueline Land, William Jewell College; Jason Edward Lewis, Concordia University, Montreal; Joshua D. Miner, U of Kansas; Salma Monani, Gettysburg College; Jas M. Morgan, Simon Fraser U; Archer Pechawis, York U; Mikhel Proulx, Queen’s U Canada; Jolene Rickard, Cornell U; Channette Romero, U of Georgia; Wendi Sierra, Texas Christian U.