John Edwin Mason - Böcker
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4 produkter
4 produkter
405 kr
Skickas inom 7-10 vardagar
A timely reconsideration of the history of photography that places Black studio photographers, and their subjects, at the centerFrom photography’s beginnings in the United States, Black studio photographers operated on the developing edge of popular media to produce affirming portraits for their clients, as well as a wide range of photographic work rooted in their communities. Called to the Camera offers a comprehensive history of this work, from the nineteenth-century daguerreotypes of James Presley Ball to the height of Black studios in the mid-twentieth century, and considers contemporary photographers responding to Black studio traditions today. In addition to showcasing famous photographers such as Ball, James Van Der Zee, and Addison Scurlock, this volume brings attention to dozens of other artists across the country, including Florestine Perrault Collins, Austin Hansen, and Henry Clay Anderson. The book features more than one hundred extraordinary vintage photographs, many of them unique objects and some, like those by the Hooks Brothers Studio, published here for the first time. Highlighting Black subjects on both sides of the camera, Called to the Camera presents a broader and more inclusive history of photography.Distributed for the New Orleans Museum of ArtExhibition Schedule:New Orleans Museum of Art(September 15, 2022–January 8, 2023)
295 kr
Skickas inom 11-20 vardagar
One Love, Ghoema Beat: Inside the Cape Town Carnival takes readers behind the scenes of one of the world’s least known and most colorful carnivals. Similar in many ways to Mardi Gras in New Orleans and Carnival in Rio de Janeiro, the Cape Town Carnival is unique in its history, which is rooted in South Africa’s troubled past, and in its music, which is propelled by the mesmerizing ghoema beat.In 2006, historian and photographer John Edwin Mason joined the Pennsylvanians Crooning Minstrels, one of the best known of Cape Town’s sixty-plus Carnival troupes. For the next four seasons, he took part in the troupe’s rehearsals, street marches, and competitions. He also spent time with other troupes, getting to know their members and traditions. This unprecedented access allowed him to photograph every phase of the troupe’s life—the spectacular parades and grueling late-night practice sessions, the frenetic workshops of drum makers and tailors, the rituals of donning costumes and makeup, and the joy and agony of inter-troupe competitions. His photos simultaneously dazzle the eye and engage the mind.Mason lived in Cape Town in 1989 and 1990 and has visited the city yearly ever since. One Love, Ghoema Beat is his second book about the city’s culture and history.
260 kr
Skickas inom 7-10 vardagar
The first book on Peruvian-American artist Andrea Morales, whose photographs honor her community and their activism in Memphis and the surrounding region. This vibrant catalog showcases a decade's work by Peruvian-American photographer Andrea Morales (b. 1984), whose camera captures community life and activism in the American South, particularly in her home city of Memphis, Tennessee. It accompanies her first major exhibition at the Memphis Brooks Museum of Art, represents the first scholarly publication on her work, and the first major museum exhibition dedicated to movement journalism. Memphis has long been a place bubbling with social movements. Roll Down Like Water—a nod to Dr. Martin Luther King, Jr.'s iconic last speech in the city—shows Morales's incredible ability to engage with her subjects. From intimate portraits and records of daily life to the documentation of social and environmental movements with local and national resonance, her photography builds a passionate and tender portrait of this unique part of the South. Morales centers her practice on building long-term relationships with the communities she photographs and views this relationship as one of collaboration rather than detached observation. Her approach is informed by movement journalism, which recognizes that journalism, like the camera, is not totally objective. By establishing a human connection between chronicler and people and rooting it in an ethical and rigorous framework, Morales's community-driven visual storytelling reaches beyond historical injustice to capture the liveliness and joy of the communities she photographs. For Memphis and Morales, King's words loom large. Echoing his description of collective liberation as "an inescapable network of mutuality, tied into a single garment of destiny," Morales's captivating images of the South chart new, sustainable paths in photojournalism, while reflecting upon identity, community, and the power of storytelling.
769 kr
Skickas inom 7-10 vardagar
The Infrastructure of PowerMixing seemingly deadpan architectural portraiture with poetically frozen moments of daily life, photographer Kris Graves reveals the living history of racism and elitism in the United States.In Privileged Mediocrity, Graves shows us both the brutality and beauty of American life. Each image of a person or a place tells its own complex, moving story and cumulatively capture a longing for the unfulfilled promise of a true democracy. Racism can be seen in infrastructure and planning nationwide, from the human and built environment impacts of redlining and unsustainable public housing; to spaces where homeless communities are able to exist temporarily before they are dismantled. This book seeks to explore the subtleties of the built realities and the planned experience across racial, class, and gender lines. It explores how racism, capitalism, and power have shaped the country and how that can be seen and experienced in everyday life.