John Etty – författare

Help your learners discover a curiosity for exploring the past with our new history coursebook with digital access. Endorsed for Option B, the 20th Century, this resource provides comprehensive coverage of all six core Key Questions as well as five depth studies, including Germany, Russia, USA, The First World War and The Second World War. From essay writing support and highlighted key terms, to source analysis and revision tips, this clear and accessible coursebook is ideal for international learners. Access your digital resource on Cambridge GO.

This coursebook supports students as they explore global history. This edition offers a variety of activities, including source work and practice questions, to help students build a deep understanding of key historical concepts and develop essential skills. Activities throughout each chapter encourage independent learning, and with opportunities for reflection. This edition brings global history to life, with engaging features to spark discussions and deepen understanding. Suitable for the Cambridge International AS Level History syllabus (9489/9982) for examination from 2027, this coursebook also provides digital access, offering digital resources and answers on Cambridge GO.

After the death of Joseph Stalin, Soviet-era Russia experienced a flourishing artistic movement due to relaxed censorship and new economic growth. In this new atmosphere of freedom, Russia's satirical magazine Krokodil (The Crocodile) became rejuvenated. John Etty explores Soviet graphic satire through Krokodil and its political cartoons. He investigates the forms, production, consumption, and functions of Krokodil, focusing on the period from 1954 to 1964. Krokodil remained the longest-serving and most important satirical journal in the Soviet Union, unique in producing state-sanctioned graphic satirical comment on Soviet and international affairs for over seventy years. Etty's analysis of Krokodil extends and enhances our understanding of Soviet graphic satire beyond state-sponsored propaganda.For most of its life, Krokodil consisted of a sixteen-page satirical magazine comprising a range of cartoons, photographs, and verbal texts. Authored by professional and nonprofessional contributors and published by Pravda in Moscow, it produced state-sanctioned satirical comment on Soviet and international affairs from 1922 onward. Soviet citizens and scholars of the USSR recognized Krokodil as the most significant, influential source of Soviet graphic satire. Indeed, the magazine enjoyed an international reputation, and many Americans and Western Europeans, regardless of political affiliation, found the images pointed and witty. Astoundingly, the magazine outlived the USSR but until now has received little scholarly attention.