John M Hill – författare

Beowulf is one of the most important poems in Old English and the first major poem in European vernacular language. It dramatizes behavior in a complex social world-a martial, aristocratic world that we often distort by imposing on it our own biases and values. In this cross-disciplinary study, John Hill looks at Beowulf from a comparative ethnological point of view. He provides a thorough examination of the socio-cultural dimensions of the text and compares the social milieu of Beowulf to that of similarly organized cultures. Through examination of historical analogs in northern Europe and France, as well as past and present societies on the Pacific rim in Southeast Asia, a complex and extended society is uncovered and an astonishingly different Beowulf is illuminated.The study is divided into five major essays: on ethnology and social drama, the temporal world, the legal world, the economy of honour, and the psychological world. Hill presents a realm where genealogies incorporate social and political statements: in this world gift giving has subtle and manipulative dimensions, both violent and peaceful exchange form a political economy, acts of revenge can be baleful or have jural force, and kinship is as much a constructible fact as a natural one. Family and kinship relations, revenge themes, heroic poetry, myth, legality, and political discussions all bring the importance of the social institutions in Beowulf to the foreground, allowing for a fuller understanding of the poems and its implications for Anglo-Saxon society.

One of the most consistent critiques levelled against Beowulf is that it lacks a steady narrative advance and that its numerous digressions tend to complicate if not halt the poem's movement. As those passages often look backward or far ahead in narrative time, they seem to transform the poem into a meditative pastiche. The Narrative Pulse of Beowulf counters this assertion, examining Beowulf as a social drama with a strong, forward-moving narrative momentum.John M. Hill discerns a distinctive 'narrative pulse' arising out of the poem's many scenes of arrival and departure. He argues that such scenes, far from being fixed or 'type' scenes, are socially dramatic and a key to understanding the structural density of the poem. Bolstering his analysis with a strong understanding of the epic, Hill looks at Beowulf in relation to other stories such as The Odyssey and The Iliad, epics that, though they may appear to have a certain narrative elasticity, use scenes of arrival and departure to create a cohesive social world in which stories unfold. As a new and comprehensive study of one of the most important Old English texts, The Narrative Pulse of Beowulf sheds new light on this famous poem and the epic tradition itself.

Beowulf is one of the most important poems in Old English and the first major poem in European vernacular language. It dramatizes behavior in a complex social world-a martial, aristocratic world that we often distort by imposing on it our own biases and values. In this cross-disciplinary study, John Hill looks at Beowulf from a comparative ethnological point of view. He provides a thorough examination of the socio-cultural dimensions of the text and compares the social milieu of Beowulf to that of similarly organized cultures. Through examination of historical analogs in northern Europe and France, as well as past and present societies on the Pacific rim in Southeast Asia, a complex and extended society is uncovered and an astonishingly different Beowulf is illuminated.The study is divided into five major essays: on ethnology and social drama, the temporal world, the legal world, the economy of honour, and the psychological world. Hill presents a realm where genealogies incorporate social and political statements: in this world gift giving has subtle and manipulative dimensions, both violent and peaceful exchange form a political economy, acts of revenge can be baleful or have jural force, and kinship is as much a constructible fact as a natural one. Family and kinship relations, revenge themes, heroic poetry, myth, legality, and political discussions all bring the importance of the social institutions in Beowulf to the foreground, allowing for a fuller understanding of the poems and its implications for Anglo-Saxon society.

Beowulf is one of the most important poems in Old English and the first major poem in European vernacular language. It dramatizes behavior in a complex social world-a martial, aristocratic world that we often distort by imposing on it our own biases and values. In this cross-disciplinary study, John Hill looks at Beowulf from a comparative ethnological point of view. He provides a thorough examination of the socio-cultural dimensions of the text and compares the social milieu of Beowulf to that of similarly organized cultures. Through examination of historical analogs in northern Europe and France, as well as past and present societies on the Pacific rim in Southeast Asia, a complex and extended society is uncovered and an astonishingly different Beowulf is illuminated.The study is divided into five major essays: on ethnology and social drama, the temporal world, the legal world, the economy of honour, and the psychological world. Hill presents a realm where genealogies incorporate social and political statements: in this world gift giving has subtle and manipulative dimensions, both violent and peaceful exchange form a political economy, acts of revenge can be baleful or have jural force, and kinship is as much a constructible fact as a natural one. Family and kinship relations, revenge themes, heroic poetry, myth, legality, and political discussions all bring the importance of the social institutions in Beowulf to the foreground, allowing for a fuller understanding of the poems and its implications for Anglo-Saxon society.

One of the most consistent critiques levelled against Beowulf is that it lacks a steady narrative advance and that its numerous digressions tend to complicate if not halt the poem's movement. As those passages often look backward or far ahead in narrative time, they seem to transform the poem into a meditative pastiche. The Narrative Pulse of Beowulf counters this assertion, examining Beowulf as a social drama with a strong, forward-moving narrative momentum.John M. Hill discerns a distinctive 'narrative pulse' arising out of the poem's many scenes of arrival and departure. He argues that such scenes, far from being fixed or 'type' scenes, are socially dramatic and a key to understanding the structural density of the poem. Bolstering his analysis with a strong understanding of the epic, Hill looks at Beowulf in relation to other stories such as The Odyssey and The Iliad, epics that, though they may appear to have a certain narrative elasticity, use scenes of arrival and departure to create a cohesive social world in which stories unfold. As a new and comprehensive study of one of the most important Old English texts, The Narrative Pulse of Beowulf sheds new light on this famous poem and the epic tradition itself.

One of the most consistent critiques levelled against Beowulf is that it lacks a steady narrative advance and that its numerous digressions tend to complicate if not halt the poem's movement. As those passages often look backward or far ahead in narrative time, they seem to transform the poem into a meditative pastiche. The Narrative Pulse of Beowulf counters this assertion, examining Beowulf as a social drama with a strong, forward-moving narrative momentum.John M. Hill discerns a distinctive 'narrative pulse' arising out of the poem's many scenes of arrival and departure. He argues that such scenes, far from being fixed or 'type' scenes, are socially dramatic and a key to understanding the structural density of the poem. Bolstering his analysis with a strong understanding of the epic, Hill looks at Beowulf in relation to other stories such as The Odyssey and The Iliad, epics that, though they may appear to have a certain narrative elasticity, use scenes of arrival and departure to create a cohesive social world in which stories unfold. As a new and comprehensive study of one of the most important Old English texts, The Narrative Pulse of Beowulf sheds new light on this famous poem and the epic tradition itself.

What makes one Anglo-Saxon poem better than another? Why does Beowulf still have the power to move us after so many centuries? What might have been aesthetically pleasing to Old English readers and writers of poetry?While there is an apparent consensus by scholars on a core of poems considered to be exceptional literary achievements - Beowulf, Judith, the Vercelli book - there has been little systematic investigation of the basis for these appraisals. With new essays on rhetoric, wordplay, meter, structure, irony, form, psychology, ethos, and reader response, the contributors to this collection aim to find objective aesthetic qualities in Anglo-Saxon poetry. Posing questions of quality and beauty as discoverable in artefacts, On the Aesthetics of Beowulf and Other Old English Poems significantly advances our understanding not only of aesthetics and Old English poetry, but also of Old English attitudes towards literature as an art form.

Although centrally focused on varieties of friendship and love in Troilus and Criseyde, the discussion in Chaucer’s Neoplatonism includes the dream visions as well as aspects of The Canterbury Tales. It lays out Chaucer’s Boethian-inspired, cognitive approach, drawn mainly from Book V of the Consolatio, to whatever subject he treats. Far from courting skepticism, Chaucer gathers many variants of such matters as love, friendship, and community within a meditative mode that assess better and worse instances. He does so to illuminate a fuller sense of the forms that respectively underlie particular manifestations of love, joy, friendship or community. That process is both cognitive and aesthetic in that beauty and truth appear more fully as one assess both better and worse instances of an idea or of an experience. Chapters on the dream visions establish Chaucer’s reasonable belief in the truth-value of fictions, however grounded on exaggerated and mixed tidings of truth and falsehood. Chapters on Troilus and Criseyde examine relationships between the main characters given the place of noble friendship within an initially promising but then tragic love story. The drama of those relationships become Chaucer’s major claim to fame before the tales of Canterbury, where, for meditative purposes, he gathers various gestures toward community among the dramatically interacting pilgrims, while also exploring the dynamics of reconciliation.

In 1964, I had the opportunity to share several luncheons with the Polish inventor of a chemical that had an unusual configuration and targeted the site of action in the human brain, the limbic system. This chemical, which was stolen by Hitlers men and used as a secret weapon at the start of World War II while the supply lasted, was an antifear drug. This started a chase to find, kill, or capture the inventor at a time when he lost his assistant and fianc, the daughter of a prominent Jewish family, to capture by the Nazis while she was trying to find them in the Warsaw Ghetto. A Swiss national, and therefore a neutral person, helped him with the search as a representative of a large Swiss pharmaceutical research company, but he never saw his lost love again. While searching the Warsaw Ghetto, he was able to help the inhabitants and witness their prosecution as well as aid them with pharmaceuticals. I promised to tell the world his story some day.