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This carefully edited collection of essays explores, in greater diversity and depth than has been attempted before, the relationship between film and religion. Combining perspectives from traditional film criticism and from religious studies, Religion in Film asserts that it is no longer possible to view films simply in terms of their moral impact, nor is it reasonable to limit religious meaning only to those films that make and explicit appeal to religious elements.The essays offer a variety of theoretical reflections on the religious interpretation of film, explore particular cinematic variations on the archetypal images of savior and demon, analyze significant cultural trends of a religious nature related to film, and assess thirteen sensibilities – Altman, Bergman, Bunuel, Chaplin, Coppola, Fellini, Hitchcock, Jutra, Kubrick, Peckinpah, Russell, Truffaut, and Wertmuller. The contributors provide a firm basis for analysis while respecting a variety in interpretation.As the overall structure of the book leads from the universal to the particular, from theory to individual directors and films, so its concern with religious interpretation flows naturally from the universally religious to particular religious worldviews. Among world religions, Christianity claims attention in proportion to its dominant cultural influence in the West where film has more obviously flourished.The insights and interpretations presented in these essays will be of importance to cinema scholars, film critics, and students of religion and of interest to film buffs, particularly those who are sensible of the religious dimension of films.
Nourishing Faith Through Fiction
Reflections of the Apostles' Creed in Literature and Film
Häftad, Engelska, 2001
371 kr
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In Nourishing Faith through Fiction, John May passionately shows us that alongside religious tradition and Sacred Scripture, the books we read and films we see profoundly affect who we are and how we view the world, By exploring nearly one hundred works of fiction, this book invites us to see how stories both carry religious meaning and affect our whole being at the intellectual, emotional, and spiritual levels.May uses the Apostles' Creed - the most universally accepted creed within Western Christian churches - as his foundation for understanding faith as "a personal commitment to God's initiative of salvation revealed in Jesus Christ and sustained today by their life-giving spirit." He then divides his book into three parts according to the persons of the Trinity - "Stories of the Creator," "Stories of the Savior," and "Stories of the Lifegiver" - and looks deeply into works of literary and cinematic imagination that fit into each category to see if and how they reflect Christianity's distinct worldview in how we relate to God, others, and ourselves.