John Zilcosky – författare

From the Napoleonic Wars to the invention of the railway to the shell shock of World War I, writers tried to give voice to the suffering that war and industrial technology had wrought all around them. Yet they, like the doctors who treated these victims, repeatedly ran up against the incapacity of language to describe such anguish; those who suffered trauma, those who tried to heal it, and those who represented it were all unable to find the appropriate words. In The Language of Trauma, John Zilcosky uncovers the reactions of three major central European writers – E.T.A. Hoffmann, Sigmund Freud, and Franz Kafka – to the birth of modern trauma in the nineteenth and early twentieth centuries.

Zilcosky makes the case that Hoffmann, Freud, and Kafka managed to find the language of trauma precisely by not attempting to name the trauma conclusively and instead allowing their writing to mimic the experience itself. Just as the victims’ symptoms seemed not to correspond to a physical cause, the writers’ words did not connect directly to the objects of the world. While doctors attempted to overcome this indeterminacy, these writers embraced and investigated it; they sought a language that described language’s tragic limits and that, in so doing, exemplified the wider literary and philosophical crisis of their time. Zilcosky boldly argues that this linguistic scepticism emerged together with the medical inability to name the experience of trauma. He thereby places trauma where it belongs: at the heart of both medicine’s diagnostic predicament and modern literature’s most daring experiments.

From the Napoleonic Wars to the invention of the railway to the shell shock of World War I, writers tried to give voice to the suffering that war and industrial technology had wrought all around them. Yet they, like the doctors who treated these victims, repeatedly ran up against the incapacity of language to describe such anguish; those who suffered trauma, those who tried to heal it, and those who represented it were all unable to find the appropriate words. In The Language of Trauma, John Zilcosky uncovers the reactions of three major central European writers – E.T.A. Hoffmann, Sigmund Freud, and Franz Kafka – to the birth of modern trauma in the nineteenth and early twentieth centuries.

Zilcosky makes the case that Hoffmann, Freud, and Kafka managed to find the language of trauma precisely by not attempting to name the trauma conclusively and instead allowing their writing to mimic the experience itself. Just as the victims’ symptoms seemed not to correspond to a physical cause, the writers’ words did not connect directly to the objects of the world. While doctors attempted to overcome this indeterminacy, these writers embraced and investigated it; they sought a language that described language’s tragic limits and that, in so doing, exemplified the wider literary and philosophical crisis of their time. Zilcosky boldly argues that this linguistic scepticism emerged together with the medical inability to name the experience of trauma. He thereby places trauma where it belongs: at the heart of both medicine’s diagnostic predicament and modern literature’s most daring experiments.

Whether it is our love of chance and vicarious thrill, our need to release anxiety and aggression, or our appreciation of the arc traced by a ball at a crucial moment – sports draw us in.

The Allure of Sports in Western Culture contributes to contemporary debates about the attraction of sports in the West by providing a historical grounding as well as theoretical perspectives and contextualization. Bringing together the work of literary theorists, historians, and athletes, the volume’s dual emphasis allows us to better understand the historical and ideological reasons for the changing nature of sports’ allure from Ancient Greece and Rome to the modern Olympics. The findings show that allure is shaped by larger forces such as poverty, wealth, and status; changing moral standards; and political and cultural indoctrination. On the other hand, personal and psychological factors play an equally important, if less tangible role: our love for scandal, the seduction of deception and violence, and the physiological intoxication of watching and participating in sports keep us hooked. At the heart of the volume lies the tension between our love of sport and our knowledge of its only barely hidden cruelty, exploitation, and manipulation.

Whether it is our love of chance and vicarious thrill, our need to release anxiety and aggression, or our appreciation of the arc traced by a ball at a crucial moment – sports draw us in.

The Allure of Sports in Western Culture contributes to contemporary debates about the attraction of sports in the West by providing a historical grounding as well as theoretical perspectives and contextualization. Bringing together the work of literary theorists, historians, and athletes, the volume’s dual emphasis allows us to better understand the historical and ideological reasons for the changing nature of sports’ allure from Ancient Greece and Rome to the modern Olympics. The findings show that allure is shaped by larger forces such as poverty, wealth, and status; changing moral standards; and political and cultural indoctrination. On the other hand, personal and psychological factors play an equally important, if less tangible role: our love for scandal, the seduction of deception and violence, and the physiological intoxication of watching and participating in sports keep us hooked. At the heart of the volume lies the tension between our love of sport and our knowledge of its only barely hidden cruelty, exploitation, and manipulation.

Alternative temporalities have often emerged as a reaction to the normativizing force of time, demonstrating that time can be used as an instrument of power and oppression, but also as a means to resist this very oppression. Alternative Temporalities draws on analyses of modern literature to examine this often-neglected role of time. By exploring forms of temporal resistance in artistic representation, such as short stories and novels, that challenge the imposition of colonial, gender, or capitalist temporal orders, the book reveals how storytelling can be an essential tool in questioning and pushing back against coercive temporal structures.

The book analyses literary representations of time that challenge dominant temporalities and intersect different disciplines such as gender and sexuality studies, trauma and Indigenous studies, race and identity, and religion. It features narrative analyses proposing alternative embodied experiences of time, focusing on topics including the temporality of the AIDS-affected body, the experience of time in prison, and slowness in opposition to modern acceleration. Ultimately, Alternative Temporalities aims to create new theories as well as practices that may foster more diverse and inclusive ways of perceiving and embodying time.