Jonathan Conlin – författare

'History is past politics, politics is present history.' Thus observed Edward Augustus Freeman, 19th-century historian and public intellectual. He was an idiosyncratic and imaginative thinker who saw past and present as interwoven and had a way of collapsing barriers of time - a gift for making the reader feel part of history, rather than merely its student. Freeman's interests ranged widely beyond history, however, and this volume provides a biographical as well as intellectual survey of his activities. Thus chapters intersect with historical episodes such as Tractarianism, Liberal Anglicanism and the Gothic Revival, cutting across the divides that traditionally separate architectural, political, church and imperial history. New influences and nemeses emerge from this consideration of the 1830s to 1850s, providing context and added depth to the familiar view of the mature Freeman: to his historical writing as well as to the personal feuds (e.g. with Froude) for which he was equally known.This book fills a gap in the intellectual history of Victorian Britain by providing the first comprehensive, scholarly account of one of its most articulate and outspoken public intellectuals. More broadly, too, Freeman provides a historical context for current debates on multi-culturalism, race and national identity.

New York City’s Metropolitan Museum of Art is one of the world’s greatest cultural institutions. Its holdings encompass a vast range—including paintings, sculptures, costumes, instruments, and arms and armor—and span millennia, from ancient Egypt and Greece to Islamic art to European Old Masters and modern artists. How did the Met amass this trove, and what do the experiences of the people who bought, restored, catalogued, visited, and watched over these works tell us about the museum?This book is a groundbreaking bottom-up history of the Metropolitan Museum of Art, exploring both its triumphs and its failings. Jonathan Conlin tells the stories of the people who have shaped the museum—from curators and artists to museumgoers and security guards—and the communities that have made it their own. Highlighting inequalities of wealth, race, and gender, he exposes the hidden costs of the museum’s reliance on “robber barons” and oligarchs, the exclusionary immigration policies that influenced the foundation of the American Wing, and the obstacles faced by women curators. Drawing on extensive interviews with past and current staff, Conlin brings the story up to the present, including the museum’s troubled 150th anniversary in 2020. As the Met faces continued controversy, this book offers a timely account of the people behind an iconic institution and a compelling case for the museum’s vision of shared human creativity.

New York City’s Metropolitan Museum of Art is one of the world’s greatest cultural institutions. Its holdings encompass a vast range—including paintings, sculptures, costumes, instruments, and arms and armor—and span millennia, from ancient Egypt and Greece to Islamic art to European Old Masters and modern artists. How did the Met amass this trove, and what do the experiences of the people who bought, restored, catalogued, visited, and watched over these works tell us about the museum?This book is a groundbreaking bottom-up history of the Metropolitan Museum of Art, exploring both its triumphs and its failings. Jonathan Conlin tells the stories of the people who have shaped the museum—from curators and artists to museumgoers and security guards—and the communities that have made it their own. Highlighting inequalities of wealth, race, and gender, he exposes the hidden costs of the museum’s reliance on “robber barons” and oligarchs, the exclusionary immigration policies that influenced the foundation of the American Wing, and the obstacles faced by women curators. Drawing on extensive interviews with past and current staff, Conlin brings the story up to the present, including the museum’s troubled 150th anniversary in 2020. As the Met faces continued controversy, this book offers a timely account of the people behind an iconic institution and a compelling case for the museum’s vision of shared human creativity.

Novelist, poet, Anglican priest, and controversialist, Charles Kingsley (1819–75) epitomizes the bustling Victorian man of faith and letters, a prolific polymath as ready to break a lance with John Henry Newman over Christian doctrine as he was to preach to schoolchildren on the virtues of manly, physical struggle. Kingsley’s The Water-Babies and Westward Ho! were best-sellers which became classics of children’s literature. Kingsley has come to epitomize the Victorian age.On closer inspection, Kingsley is harder to categorize: a socialist who was also an imperialist, a Chartist revolutionary who was Queen Victoria’s favourite novelist, a natural theologian who popularized Darwin, a priest who celebrated sex as sacrament. Kingsley only appears straightforward if you consider him one piece at a time. The debates he shaped remain with us today: faith and sexuality, economics and exploitation, race and identity. The aim of this book is to present the whole man: to consider the public crusades for public health alongside the most private fantasies of sexual intercourse; to consider the ardent imperialist alongside the Darwinist. It will be of interest to all students of Victorian studies, as well as of British/Imperial history, church history, and especially the history of science.

Novelist, poet, Anglican priest, and controversialist, Charles Kingsley (1819–75) epitomizes the bustling Victorian man of faith and letters, a prolific polymath as ready to break a lance with John Henry Newman over Christian doctrine as he was to preach to schoolchildren on the virtues of manly, physical struggle. Kingsley’s The Water-Babies and Westward Ho! were best-sellers which became classics of children’s literature. Kingsley has come to epitomize the Victorian age.On closer inspection, Kingsley is harder to categorize: a socialist who was also an imperialist, a Chartist revolutionary who was Queen Victoria’s favourite novelist, a natural theologian who popularized Darwin, a priest who celebrated sex as sacrament. Kingsley only appears straightforward if you consider him one piece at a time. The debates he shaped remain with us today: faith and sexuality, economics and exploitation, race and identity. The aim of this book is to present the whole man: to consider the public crusades for public health alongside the most private fantasies of sexual intercourse; to consider the ardent imperialist alongside the Darwinist. It will be of interest to all students of Victorian studies, as well as of British/Imperial history, church history, and especially the history of science.

Summers at the Vauxhall pleasure garden in London brought diverse entertainments to a diverse public. Picturesque walks and arbors offered a pastoral retreat from the city, while at the same time the garden's attractions indulged distinctly urban tastes for fashion, novelty, and sociability. High- and low-born alike were free to walk the paths; the proximity to strangers and the danger of dark walks were as thrilling to visitors as the fountains and fireworks. Vauxhall was the venue that made the careers of composers, inspired novelists, and showcased the work of artists. Scoundrels, sudden downpours, and extortionate ham prices notwithstanding, Vauxhall became a must-see destination for both Londoners and tourists. Before long, there were Vauxhalls across Britain and America, from York to New York, Norwich to New Orleans.This edited volume provides the first book-length study of the attractions and interactions of the pleasure garden, from the opening of Vauxhall in the seventeenth century to the amusement parks of the early twentieth. Nine essays explore the mutual influences of human behavior and design: landscape, painting, sculpture, and even transient elements such as lighting and music tacitly informed visitors how to move within the space, what to wear, how to behave, and where they might transgress. The Pleasure Garden, from Vauxhall to Coney Island draws together the work of musicologists, art historians, and scholars of urban studies and landscape design to unfold a cultural history of pleasure gardens, from the entertainments they offered to the anxieties of social difference they provoked.

These essays draw on new research into Charles d'Eon de Beaumont's unusual life, exploring how a gender identity could come to be negotiated over time. Cross-dressing author, envoy, soldier and spy Charles d'Eon de Beaumont's unusual career fascinated his contemporaries and continues to attract historians, novelists, playwrights, filmmakers, image makers, cultural theorists and those concerned with manifestations of the extraordinary. D'Eon's significance as a historical figure was already being debated more than 45 years before his death. Not surprisingly, such sensational material has attracted the attention of enthusiasts, scholars and literateurs to 'the strange case of the chevalier d'Eon'. He has also attracted the attention of psychologists and sexologists, and for most of the last century his gender transformation has been viewed through a Freudian lens. His cross-dressing, it was usually assumed, must have a psychosexual explanation. The essays in this collection contribute to d'Eon's rehabilitation as a figure worthy of scholarly attention and display a variety of disciplinary approaches.Drawing on new research into d'Eon's life, this volume offers original and nuanced readings of how a gender identity could come to be negotiated over time.

Charles Darwin’s discovery of evolution by natural selection was the greatest scientific discovery of all time. The publication of his 1859 book, On the Origin of Species, is normally taken as the point at which evolution erupted as an idea, radically altering how the Victorians saw themselves and others. This book tells a very different story. Darwin's discovery was part of a long process of negotiation between imagination, faith and knowledge which began long before 1859 and which continues to this day. Evolution and the Victorians provides historians with a survey of the thinkers and debates implicated in this process, from the late 18th century to the First World War. It sets the history of science in its social and cultural context. Incorporating text-boxes, illustrations and a glossary of specialist terms, it provides students with the background narrative and core concepts necessary to engage with specialist historians such as Adrian Desmond, Bernard Lightman and James Secord. Conlin skilfully synthesises material from a range of sources to show the ways in which the discovery of evolution was a collaborative enterprise pursued in all areas of Victorian society, including many that do not at first appear "scientific".

Charles Darwin’s discovery of evolution by natural selection was the greatest scientific discovery of all time. The publication of his 1859 book, On the Origin of Species, is normally taken as the point at which evolution erupted as an idea, radically altering how the Victorians saw themselves and others. This book tells a very different story. Darwin's discovery was part of a long process of negotiation between imagination, faith and knowledge which began long before 1859 and which continues to this day. Evolution and the Victorians provides historians with a survey of the thinkers and debates implicated in this process, from the late 18th century to the First World War. It sets the history of science in its social and cultural context. Incorporating text-boxes, illustrations and a glossary of specialist terms, it provides students with the background narrative and core concepts necessary to engage with specialist historians such as Adrian Desmond, Bernard Lightman and James Secord. Conlin skilfully synthesises material from a range of sources to show the ways in which the discovery of evolution was a collaborative enterprise pursued in all areas of Victorian society, including many that do not at first appear "scientific".

Winner of the BAC Wadsworth Prize for Business History 2020When Calouste Gulbenkian died in 1955 at the age of 86, he was the richest man in the world, known as 'Mr Five Per Cent' for his personal share of Middle East oil. The son of a wealthy Armenian merchant in Istanbul, for half a century he brokered top-level oil deals, concealing his mysterious web of business interests and contacts within a labyrinth of Asian and European cartels, and convincing governments and oil barons alike of his impartiality as an 'honest broker'. Today his name is known principally through the Gulbenkian Foundation in Lisbon, to which his spectacular art collection and most of his vast wealth were bequeathed.Gulbenkian's private life was as labyrinthine as his business dealings. He insisted on the highest 'moral values', yet ruthlessly used his wife's charm as a hostess to further his career, and demanded complete obedience from his family, whom he monitored obsessively. As a young man he lived a champagne lifestyle, escorting actresses and showgirls, and in later life - on doctor's orders - he slept with a succession of discreetly provided young women. Meanwhile he built up a superb art collection which included Rembrandts and other treasures sold to him by Stalin from the Hermitage Museum.Published to mark the 150th anniversary of his birth, Mr Five Per Cent reveals Gulbenkian's complex and many-sided existence. Written with full access to the Gulbenkian Foundation's archives, this is the fascinating story of the man who more than anyone else helped shape the modern oil industry.

Great Economic Thinkers presents an accessible introduction to the lives and works of the most influential economists of modern times. Free from confusing jargon and equations, the book describes and discusses key economic concepts – from the role played by the division of labour to wages and rents, cognitive biases, saving, entrepreneurship, game theory, liberalism, laissez-faire and welfare economics – showing how they have come to shape how we see ourselves and our society today.All of the thirteen economists featured – Adam Smith, David Ricardo, John Stuart Mill, Karl Marx, Alfred Marshall, Joseph Schumpeter, John Maynard Keynes, and Nobel Prize winners Friedrich Hayek, Milton Friedman, John Forbes Nash Jr, Daniel Kahneman, Amartya Sen and Joseph Stiglitz – have had a profound influence on our attitudes towards market intervention and regulation, taxation, trade and monetary policy. Each chapter by a noted economics historian combines a biographical outline of a single thinker with critical analysis of their contribution to economic thought. The book features an introduction by historian D’Maris Coffman.If you’ve ever wanted to find out more about the theorists who gave us the ‘invisible hand’, Keynesianism, ‘creative destruction’, behavioural economics and other concepts, this book is the perfect place to start.

Great Economic Thinkers presents an accessible introduction to the lives and works of the most influential economists of modern times: Adam Smith, David Ricardo, John Stuart Mill, Karl Marx, Alfred Marshall, Joseph Schumpeter, John Maynard Keynes, and Nobel Prize winners Friedrich Hayek, Milton Friedman, John Forbes Nash Jr, Daniel Kahneman, Amartya Sen and Joseph Stiglitz.Free from jargon and equations, the book describes key economic concepts – from the role played by the division of labour to wages and rents, cognitive biases, game theory and liberalism – showing how they have come to shape our society today.

Kenneth Clark's Civilisation (1969), was a landmark documentary series, pioneering the 'presenter as hero' model. Jonathan Conlin draws on interviews with the original crew and archival research to reveal a series that combined scepticism towards traditional ideas of progress with an inclusive approach to its audience.

Published in the National Gallery’s Bicentenary year, this is the story of how one of the world’s finest collections of paintings was formed by (and for) the people of Britain  For two hundred years the National Gallery has been at the heart of the nation’s life. Established in 1824 and situated in the centre of London with a commitment to free admission, it was conceived as a gallery to be enjoyed by all, while also serving as a place of refuge in times of war and crisis.  The National Gallery: A History tells the story of an institution that holds education, social cohesion, and national heritage at its core, and whose outstanding collection has shaped the art historical canon over two centuries. Special focus on fifteen highlight paintings affords an opportunity to explore changes in taste over the decades, as well as the reactions of visitors to the Gallery’s great works of art.Published by National Gallery Global/Distributed by Yale University Press