Jonathan Russell Clark - Böcker

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.How did the skateboard go from a menacing fad to an Olympic sport? Writer and skateboarder Jonathan Russell Clark answers this question by going straight to the sources: the skaters, photographers, commentators, and industry insiders who made such an unlikely rise to worldwide juggernaut possible. Skateboarders are their own historians, which means the real history of skating exists not in archives or texts but in a hodgepodge of random and iconic videos, tattered photographs, and, mostly, in the blurry memories of the people who lived through it all. From California beaches to Tokyo 2020, the skateboard has outlasted its critics to form a global community of creativity, camaraderie, and unceasing progression.Object Lessons is published in partnership with an essay series in The Atlantic.

A minute-by-minute analysis of Francis Ford Coppola’s paranoid thriller The Conversation (1974). Blending film criticism with creative nonfiction, each book in the Timecodes series focuses on one film, exploring it minute by minute beginning with minute one, and ending with the final minute before the closing credits.When it was released, The Conversation depicted the isolation and loneliness caused by a surveillance state we ourselves, unwittingly or not, are agents in. It examined the ways in which technological progress can outpace the culture it ostensibly aids, and how our increased awareness of these increasingly undetectable innovations doesn’t necessarily help us avoid their lenses. Harry Caul, in an underrated performance by Gene Hackman, is the best in the bugging business, and yet, by the end, even he can’t figure out how he himself has been surveilled. It is a potent parable of Nixon’s America.50 years later, Coppola’s masterpiece didn’t just record the spirit of the age, he also had an ear toward the future, as The Conversation also managed to prefigure the isolated reactionaries of the internet, with Gene Hackman’s Harry Caul as a kind of pre-digital online troll whose self-righteousness and interpersonal failings shape his reactionary interpretation of events in which he’s only a peripheral participant. Harry both predicts the behavior of social media bullies and bots but also definitively shows that the internet did not create these characters; it merely amplifies them.Ultimately, The Conversation: Movies Minute by Minute shows how Coppola’s taut narrative of ambiguity, paranoia, and subjectivity is utterly a movie of its moment and yet has reverberated long after its release in a way few films ever do.