Jonathan Sheehan – författare

A synthesis of eighteenth-century intellectual and cultural developments that offers an original explanation of how Enlightenment thought grappled with the problem of divine agency. Why is the world orderly, and how does this order come to be? Human beings inhabit a multitude of apparently ordered systems—natural, social, political, economic, cognitive, and others—whose origins and purposes are often obscure. In the eighteenth century, older certainties about such orders, rooted in either divine providence or the mechanical operations of nature, began to fall away. In their place arose a new appreciation for the complexity of things, a new recognition of the world’s disorder and randomness, new doubts about simple relations of cause and effect—but with them also a new ability to imagine the world’s orders, whether natural or manmade, as self-organizing. If large systems are left to their own devices, eighteenth-century Europeans increasingly came to believe, order will emerge on its own without any need for external design or direction. In Invisible Hands, Jonathan Sheehan and Dror Wahrman trace the many appearances of the language of self-organization in the eighteenth-century West. Across an array of domains, including religion, society, philosophy, science, politics, economy, and law, they show how and why this way of thinking came into the public view, then grew in prominence and arrived at the threshold of the nineteenth century in versatile, multifarious, and often surprising forms. Offering a new synthesis of intellectual and cultural developments, Invisible Hands is a landmark contribution to the history of the Enlightenment and eighteenth-century culture.

Why is the world orderly, and how does order occur? Humans inhabit many systems - natural, social, political, economic, cognitive, and others - with seemingly obscure origins. In the eighteenth century, older certainties, rooted in divine providence or mechanistic explanations, began to fall away. In their place arose a new appreciation for complexity and randomness along with an ability to see the world's orders - whether natural or manmade - as self-organizing. If large systems were left to their own devices, eighteenth-century Europeans came to believe, order would emerge on its own without any need for external design or direction. In Invisible Hands, Jonathan Sheehan and Dror Wahrman trace the versatile language of self-organization in the eighteenth-century West. Across an array of domains, including religion, philosophy, science, politics, economy, and law, they show how and why this way of thinking entered the public view and then spread in diverse and often surprising forms. Offering a new synthesis of intellectual and cultural developments, Invisible Hands is a landmark contribution to the history of the Enlightenment.

A synthesis of eighteenth-century intellectual and cultural developments that offers an original explanation of how Enlightenment thought grappled with the problem of divine agency.Why is the world orderly, and how does this order come to be? Human beings inhabit a multitude of apparently ordered systems—natural, social, political, economic, cognitive, and others—whose origins and purposes are often obscure. In the eighteenth century, older certainties about such orders, rooted in either divine providence or the mechanical operations of nature, began to fall away. In their place arose a new appreciation for the complexity of things, a new recognition of the world’s disorder and randomness, new doubts about simple relations of cause and effect—but with them also a new ability to imagine the world’s orders, whether natural or manmade, as self-organizing. If large systems are left to their own devices, eighteenth-century Europeans increasingly came to believe, order will emerge on its own without any need for external design or direction.In Invisible Hands, Jonathan Sheehan and Dror Wahrman trace the many appearances of the language of self-organization in the eighteenth-century West. Across an array of domains, including religion, society, philosophy, science, politics, economy, and law, they show how and why this way of thinking came into the public view, then grew in prominence and arrived at the threshold of the nineteenth century in versatile, multifarious, and often surprising forms. Offering a new synthesis of intellectual and cultural developments, Invisible Hands is a landmark contribution to the history of the Enlightenment and eighteenth-century culture.

How did the Bible survive the Enlightenment? In this book, Jonathan Sheehan shows how Protestant translators and scholars in the eighteenth century transformed the Bible from a book justified by theology to one justified by culture. In doing so, the Bible was made into the cornerstone of Western heritage and invested with meaning, authority, and significance even for a secular age. The Enlightenment Bible offers a new history of the Bible in the century of its greatest crisis and, in turn, a new vision of this century and its effects on religion. Although the Enlightenment has long symbolized the corrosive effects of modernity on religion, Sheehan shows how the Bible survived, and even thrived in this cradle of ostensible secularization. Indeed, in eighteenth-century Protestant Europe, biblical scholarship and translation became more vigorous and culturally significant than at any time since the Reformation. From across the theological spectrum, European scholars--especially German and English--exerted tremendous energies to rejuvenate the Bible, reinterpret its meaning, and reinvest it with new authority.Poets, pedagogues, philosophers, literary critics, philologists, and historians together built a post-theological Bible, a monument for a new religious era. These literati forged the Bible into a cultural text, transforming the theological core of the Judeo-Christian tradition. In the end, the Enlightenment gave the Bible the power to endure the corrosive effects of modernity, not as a theological text but as the foundation of Western culture.

How Christianity both abolished and absorbed sacrificeFrom the beginning, sacrifice lived a double life in Christianity, both abandoned and essential. Christ’s death on the cross was the sacrifice to end all sacrifice, eclipsing the temple sacrifices of Judaism and paganism. And yet at the center of the lived faith was the repetition of sacrifice: the offering of Christ’s body, the sacrifices of ancient patriarchs, and the sacrifices of martyrs woven through liturgy, theology, and popular devotion.But this double life collapsed in the Reformation. Quarreling heirs to Christian truth discovered that the sacrifices they once called Christian might be nothing of the sort. To build their new faiths—to discover the truth of Christian sacrifice—they turned to the past, learning from Christianity as it was how Christianity ought to be.In On the Altar, Jonathan Sheehan offers a new account of sacrifice both sacred and secular. His story is in part a history of the Christian imagination across the centuries of the Reformation, when new martyrs and holy warriors fought for the truth of their sacrifices, when the empire of New World sacrifice was recruited to settle Christian conflicts, and when the sacrifices of the ancient Hebrews were weaponized for orthodoxy. But it is a history of the secular imagination as well, as the vast archive of Christian sacrifice was dispersed and applied to things that humans make, their religions, politics, and societies. With On the Altar, Sheehan reveals a new history of both Christianity and the secular world in which we still live.