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A growing interest in myth over the last decades has brought to the fore the main mythographical manual that has came down to us from Antiquity: Apollodorus’ Bibliotheca. A number of recent editions shows this trend, like the commented translations of Carrière & Massonie (1991) and Scarpi & Ciani (1996), the translations of Guidorizzi (1995), Brodersen (2004), Dräger (2005) and Smith & Trzaskoma (2007) or the critical text by Papathomopoulos (2010). The publication of the first two volumes (2010 and 2012) of Cuartero’s massive critical and commented bilingual edition for the Fundació Bernat Metge series seemed the occasion to address this text from innovative scholarly perspectives. The origins of the present volume lay in a colloquium held at the Universitat Autònoma de Barcelona in 2013. Despite its crucial interest for the scientific study of ancient myth, no conference devoted to this engaging text was held prior to that one. And, to this date, no monographic volume on Apollodorus’ mythology exists either. To cover a broader scope of analysis, three further papers have been commissioned to other specialists. This collection of essays is meant to be a homage to Francesc J. Cuartero.
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As literacy expanded in Classical Athens, myths became increasingly fixed through textualization, fostering a more analytical and critical approach to storytelling. Euripides did not merely adapt myths for the stage but actively interrogated their origins, authority, and reliability. His tragedies engage with myth in ways that go beyond poetic retelling, incorporating elements of metanarrative reflection, myth rationalization and skeptical revision that align closely with contemporary mythographical practices. Unlike earlier poets, who treated myth in a more authoritative way, Euripides problematizes it, highlighting competing versions and inviting audiences to question what is real or fictional. This volume examines the extent to which Euripides’ engagement with myth mirrors the methods of the mythographers, positioning him as a pivotal figure in the development of myth criticism. His approach —marked by skepticism, intertextuality, and an awareness of myth as a constructed discourse— foreshadows later developments in both historiography and literary analysis. Thus, Euripides Mythographus can be of great value for those scholars interested in exploring the boundaries between genres in the tragic poet.