Joseph McAleer – författare

Jack London (1876-1916) is one of the most popular American authors in the world today. Two novels, The Call of the Wild and White Fang, are regarded as literary classics and have never been out of print. His forty-four published books, and hundreds of short stories and essays have been translated into more than 100 languages and hailed by critics worldwide. A vigorous self-promoter and the kind of media celebrity we would recognize today, Londonwas America''s first novelist to earn more than one million dollars a year from his writing (in today''s currency).Call of the Atlantic reveals a side of London''s life that has been largely overlooked by academics and critics, yet is essential to understanding the character, drive, and success of this extraordinary man — namely, London''s publishing odyssey overseas. Joseph McAleer considers how London achieved international fame, and the part that he played in engineering his own success. What makes London''s dealings overseas especially interesting is that he made his own decisions, unlike manyof his contemporaries who depended upon the good will of their agents and publishers. Through correspondence, McAleer reveals London''s conversations and transactions, as well as the misunderstandings caused when letters (which could take up to three weeks to arrive) crossed in the mail. Emotions ran high, asdid the constant need for money, and the picture that emerges of London is not a pretty one. It was his way or nothing as he played what he called the ''writing game'' right through to his premature death, aged forty.

The life of Sir Harry Perry Robinson (1859-1930) unfolds like a Boy''s Own adventure. Born in India and educated at Oxford, Harry fled to the United States to make his name and fortune. After a stint in the gold mines of the American West, he became a major force in the railroad industry and helped to elect a U.S. President. Returning to England, Harry had a celebrated career as a book publisher (discovering the American author Jack London) and as a journalist for The Times, serving as the oldest correspondent during the First World War and going on to have one of the scoops of the century: the discovery of the tomb of Tutankhamun in 1923. Harry''s incredible journey unfolds against the background of his equally adventurous and accomplished family. His father, Julian, was an Indian Army chaplain and newspaper editor. His aunt was a suffragette and personal friend of both Disraeli and Gladstone. Brother Philip was a dashing foreign correspondent, arrested as a spy during the Spanish-American War. Brother Edward (''Kay''), founder of the British Empire Naturalists'' Association, gave Rudyard Kipling his first writing job. And troubled sister Valence was rumoured to end her days living in a barrel on a roadside in Bulawayo. From the White House to Buckingham Palace, the American West to the Western Front, the sands of Egypt to the shores of India, the board room to the bedroom, Harry was a master of reinvention, and each of the nine ''lives'' he assumed allowed an ''escape'' from one experience into the next. His innate wanderlust was both a blessing and a curse, but it made for a splendid adventure, and Harry''s was a grand life lived in history''s shadow.

The life of Sir Harry Perry Robinson (1859-1930) unfolds like a Boy''s Own adventure. Born in India and educated at Oxford, Harry fled to the United States to make his name and fortune. After a stint in the gold mines of the American West, he became a major force in the railroad industry and helped to elect a U.S. President. Returning to England, Harry had a celebrated career as a book publisher (discovering the American author Jack London) and as a journalist for The Times, serving as the oldest correspondent during the First World War and going on to have one of the scoops of the century: the discovery of the tomb of Tutankhamun in 1923. Harry''s incredible journey unfolds against the background of his equally adventurous and accomplished family. His father, Julian, was an Indian Army chaplain and newspaper editor. His aunt was a suffragette and personal friend of both Disraeli and Gladstone. Brother Philip was a dashing foreign correspondent, arrested as a spy during the Spanish-American War. Brother Edward (''Kay''), founder of the British Empire Naturalists'' Association, gave Rudyard Kipling his first writing job. And troubled sister Valence was rumoured to end her days living in a barrel on a roadside in Bulawayo. From the White House to Buckingham Palace, the American West to the Western Front, the sands of Egypt to the shores of India, the board room to the bedroom, Harry was a master of reinvention, and each of the nine ''lives'' he assumed allowed an ''escape'' from one experience into the next. His innate wanderlust was both a blessing and a curse, but it made for a splendid adventure, and Harry''s was a grand life lived in history''s shadow.

Before the advent of television, reading was among the most popular of leisure activities. `Light' fiction - romances, thrillers, westerns - was the sustenance of millions in wartime and in peace. This lively and scholarly study examines the size and complexion of the reading public and the development of an increasingly commercialized publishing industry in the early twentieth century.Joseph McAleer uses a wide variety of sources, including the Mass Observation Archive and previously confidential publishers' records, to explore the nature of popular fiction and its readers. He analyses the editorial policies which created the success of Mills & Boon and D. C. Thomson, and also charts the rise and fall of the Religious Tract Society as a popular publisher.

This is the first history of Mills & Boon, the British publishing phenomenon which has become a household name, synonymous with romantic fiction. On the firm's 90th anniversary, Joseph McAleer has written the first history of Mills & Boon, drawing upon a long-lost archive of over 50,000 letters which reveal the intricate relationship between editorial policy, social attitudes, and sales. McAleer examines the dictates of the Mills & Boon formula and demonstrates how novels were 'Managed' by the firm to ensure maximum sales and to nurture a cadre of loyal readers in Britain and throughout the Commonwealth. The result is a cultural phenomenon whose 'product' reflected the attitudes and morals of the age while offering women an addictive escape from everyday life. It's a fascinating read for anyone who's ever wondered about writing a Mills & Boon, or wants to understand the story behind one of the most successful British firms of the twentieth century.

Jack London (1876-1916) is one of the most popular American authors in the world today. Two novels, The Call of the Wild and White Fang, are regarded as literary classics and have never been out of print. His forty-four published books, and hundreds of short stories and essays have been translated into more than 100 languages and hailed by critics worldwide. A vigorous self-promoter and the kind of media celebrity we would recognize today, London was America's first novelist to earn more than one million dollars a year from his writing (in today's currency).Call of the Atlantic reveals a side of London's life that has been largely overlooked by academics and critics, yet is essential to understanding the character, drive, and success of this extraordinary man -- namely, London's publishing odyssey overseas. Joseph McAleer considers how London achieved international fame, and the part that he played in engineering his own success. What makes London's dealings overseas especially interesting is that he made his own decisions, unlike many of his contemporaries who depended upon the good will of their agents and publishers. Through correspondence, McAleer reveals London's conversations and transactions, as well as the misunderstandings caused when letters (which could take up to three weeks to arrive) crossed in the mail. Emotions ran high, as did the constant need for money, and the picture that emerges of London is not a pretty one. It was his way or nothing as he played what he called the 'writing game' right through to his premature death, aged forty.