Joseph R. Gusfield – författare

Kenneth Burke's innovative use of dramatism and dialectical method have made him a powerful critical force in an extraordinary variety of disciplines—education, philosophy, history, psychology, religion, and others. While most widely acclaimed as a literary critic, Burke has elaborated a perspective toward the study of behavior and society that holds immense significance and rich insights for sociologists. This original anthology brings together for the first time Burke's key writings on symbols and social relations to offer social scientists access to Burke's thought. In his superb introductory essay, Joseph R. Gusfield traces the development of Burke's approach to human action and its relationship to other similar sources of theory and ideas in sociology; he discusses both Burke's influence on sociologists and the limits of his perspective. Burke regards literature as a form of human behavior—and human behavior as embedded in language. His lifework represents a profound attempt to understand the implications for human behavior based on the fact that humans are "symbol-using animals." As this volume demonstrates, the work that Burke produced from the 1930s through the 1960s stands as both precursor and contemporary key to recent intellectual movements such as structuralism, symbolic anthropology, phenomenological and interpretive sociology, critical theory, and the renaissance of symbolic interaction.

"Everyone knows 'drunk driving' is a 'serious' offense. And yet, everyone knows lots of 'drunk drivers' who don't get involved in accidents, don't get caught by the police, and manage to compensate adequately for their 'drunken disability.' Everyone also knows of 'drunk drivers' who have been arrested and gotten off easy. Gusfield's book dissects the conventional wisdom about 'drinking-driving' and examines the paradox of a 'serious' offense that is usually treated lightly by the judiciary and rarely carries social stigma."—Mac Marshall, Social Science and Medicine "A sophisticated and thoughtful critic. . . . Gusfield argues that the 'myth of the killer drunk' is a creation of the 'public culture of law.' . . . Through its dramatic development and condemnation of the anti-social character of the drinking-driver, the public law strengthens the illusion of moral consensus in American society and celebrates the virtues of a sober and orderly world."—James D. Orcutt, Sociology and Social Research"Joseph Gusfield denies neither the role of alcohol in highway accidents nor the need to do something about it. His point is that the research we conduct on drinking-driving and the laws we make to inhibit it tells us more about our moral order than about the effects of drinking-driving itself. Many will object to this conclusion, but none can ignore it. Indeed, the book will put many scientific and legal experts on the defensive as they face Gusfield's massive erudition, pointed analysis and criticism, and powerful argumentation. In The Culture of Public Problems, Gusfield presents the experts, and us, with a masterpiece of sociological reasoning."—Barry Schwartz, American Journal of SociologyThis book is truly an outstanding achievement. . . . It is sociology of science, sociology of law, sociology of deviance, and sociology of knowledge. Sociologists generally should find the book of great theoretical interest, and it should stimulate personal reflection on their assumptions about science and the kind of consciousness it creates. They will also find that the book is a delight to read."—William B. Bankston, Social Forces

The important role of the Temperance movement throughout American history is analyzed as clashes and conflicts between rival social systems, cultures, and status groups. Sometimes the "dry" is winning the classic battle for prestige and political power. Sometimes, as in today's society, he is losing.This significant contribution to the theory of status conflict also discloses the importance of political acts as symbolic acts and offers a dramatistic theory of status politics, Gusfield provides a useful addition to the economic and psychological modes of analysis current in the study of political and social movements.

This work brings together a selection of the author's articles, written over a period of 20 years, observing the place of alcohol in American culture. The text also contains several ethnographic studies of bars in San Diego and a study of court-mandated programmes for drink drivers.

In recent years the social sciences and the humanities have drawn closer to each other in thought and method. This rapprochement has led to new perceptions of human behavior by sociologists, as well as new methodological orientations. Sociologist Joseph R. Gusfield draws upon drama and fiction to show how human action is shaped by the formal dimensions of performance. Gusfield first defines the concept of behavior as artistic performance. He then analyzes routine and classic social research reports as literary performances in qualitative and quantitative terms. Next he moves to social movements and public actions, demonstrating how objects and events are products of the interpretation and reflection of individuals. He draws upon literary and artistic conventions to deal with issues of representation and meaning. In the first and last chapters, Gusfield provides a conceptual summary examining the relation between sociology as science and art, arguing that sociological methods are neither science nor art, but partake of both. Following the philosopher Paul Ricouer, Gusfield shows how human behavior can be read as a text, always telling the participant or observer "something about something." Performing Action will be of interest to sociologists, psychologists, and students of aesthetics and critical theory.

In recent years the social sciences and the humanities have drawn closer to each other in thought and method. This rapprochement has led to new perceptions of human behavior by sociologists, as well as new methodological orientations. Sociologist Joseph R. Gusfield draws upon drama and fiction to show how human action is shaped by the formal dimensions of performance. Gusfield first defines the concept of behavior as artistic performance. He then analyzes routine and classic social research reports as literary performances in qualitative and quantitative terms. Next he moves to social movements and public actions, demonstrating how objects and events are products of the interpretation and reflection of individuals. He draws upon literary and artistic conventions to deal with issues of representation and meaning. In the first and last chapters, Gusfield provides a conceptual summary examining the relation between sociology as science and art, arguing that sociological methods are neither science nor art, but partake of both. Following the philosopher Paul Ricouer, Gusfield shows how human behavior can be read as a text, always telling the participant or observer "something about something." Performing Action will be of interest to sociologists, psychologists, and students of aesthetics and critical theory.