Kenneth Burke – författare

As critic, Kenneth Burke's preoccupations were at the beginning purely aesthetic and literary; but after "Counter-Statement" (1931), he began to discriminate a 'rhetorical' or persuasive component in literature, and thereupon became a philosopher of language and human conduct. In "A Grammar of Motives" (1945) and "A Rhetoric of Motives" (1950), Burke's conception of 'symbolic action' comes into its own: all human activities - linguistic or extra-linguistic - are modes of symbolizing; man is defined as the symbol-using (and -misusing) animal. The critic's job becomes one of the interpreting human symbolizing wherever he finds it, with the aim of illuminating human motivation. Thus the reach of the literary critic now extends to the social and ethical. "A Grammar of Motives" is a 'methodical meditation' on such complex linguistic forms as plays, stories, poems, theologies, metaphysical systems, political philosophies, and constitutions. "A Rhetoric of Motives" expands the field to human ways of persuasion and identification.Persuasion, as Burke sees it, 'ranges from the bluntest quest of advantage, as in sales promotion or propaganda, through courtship, social etiquette, education, and the sermon, to a 'pure' form that delights in the process of appeal for itself alone, without ulterior purpose. And identification ranges from the politician who, addressing an audience of farmers, says, 'I was a farm boy myself,' through the mysteries of social status, to the mystic's devout identification with the sources of all being.'

Mr. Burke contributes an introductory and summarizing remark, "What is involved, when we say what people are doing and why they are doing it? An answer to that question is the subject of this book. The book is concerned with the basic forms of through which, in accordance with the nature of the world as all men necessarily experience it, are exemplified in the attributing of motives. These forms of though can be embodied profoundly or trivially, truthfully or falsely. They are equally present in systematically elaborated or metaphysical structures, in legal judgements, in poetry and fiction, in political and scientific works, in news and in bits of gossip offered at random."

Kenneth Burke's innovative use of dramatism and dialectical method have made him a powerful critical force in an extraordinary variety of disciplines—education, philosophy, history, psychology, religion, and others. While most widely acclaimed as a literary critic, Burke has elaborated a perspective toward the study of behavior and society that holds immense significance and rich insights for sociologists. This original anthology brings together for the first time Burke's key writings on symbols and social relations to offer social scientists access to Burke's thought. In his superb introductory essay, Joseph R. Gusfield traces the development of Burke's approach to human action and its relationship to other similar sources of theory and ideas in sociology; he discusses both Burke's influence on sociologists and the limits of his perspective. Burke regards literature as a form of human behavior—and human behavior as embedded in language. His lifework represents a profound attempt to understand the implications for human behavior based on the fact that humans are "symbol-using animals." As this volume demonstrates, the work that Burke produced from the 1930s through the 1960s stands as both precursor and contemporary key to recent intellectual movements such as structuralism, symbolic anthropology, phenomenological and interpretive sociology, critical theory, and the renaissance of symbolic interaction.

From the Preface: The title for this collection was the title of a course in literary criticism that I gave for many years at Bennington College. And much of the material presented here was used in that course. The title should serve well to convey the gist of these various pieces. For all of them are explicitly concerned with the attempt to define and track down the implications of the term "symbolic action," and to show how the marvels of literature and language look when considered form that point of view.

A valuable feature of the second edition (1953) of Counter-Statement was the Curriculum Criticum in which the author placed the book in terms of his later work. For this new paperback edition, Mr. Burke continues his "curve of development" in an Addendum which surveys the course of his though in subsequent books (up to the publication of his Collected Poems, 1915 - 1967) and work-in-progress.

"But the point of Burke's work, and the significance of his achievement, is not that he points out that religion and language affect each other, for this has been said before, but that he proceeds to demonstrate how this is so by reference to a specific symbolic context. After a discussion 'On Words and The Word,' he analysess verbal action in St. Augustine's Confessions. He then discusses the first three chapters of Genesis, and ends with a brilliant and profound 'Prologue in Heaven,' an imaginary dialogue between the Lord and Satan in which he proposes that we begin our study of human motives with complex theories of transcendence,' rather than with terminologies developed in the use of simplified laboratory equipment...Burke now feels, after some forty years of search, that he has created a model of the symbolic act which breaks through the rigidities of the 'sacred-secular' dichotomy, and at the same time shows us how we get from secular and sacred realms of action over the bridge of language...Religious systems are systems of action based on communication in society. They are great social dramas which are played out on earth before an ultimate audience, God.But where theology confronts the developed cosmological drama in the 'grand style,' that is, as a fully developed cosmological drama for its religious content, the 'logologer' can be further studied not directly as knowledge but as anecdotes that help reveal for us the quandaries of human governance." (Hugh Dalziel Duncan from Critical Responses to Kenneth Burke, 1924 - 1966, edited by William H. Rueckert (Minneapolis: University of Minnesota Press, 1969)).

From the ForewordThese pieces are selections from work done in the Thirties, a decade so changeable that I at first thought of assembling them under the title, "While Everything Flows." Their primary interest is in speculation on the nature of linguistic, or symbolic, or literary action--and in a search for more precise ways of locating or defining such action. Words are aspects of a much wider communicative context, most of which is not verbal at all. Yet words also have a nature peculiarly their own. And when discussing them as modes of action, we must consider both this nature as words in themselves and the nature they get from the non-verbal scenes that support their acts. I shall be happy if the reader can say of this book that, while always considering words as acts upon a scene, it avoids the excess of environmentalist schools which are usually so eager to trace the relationships between act and scene that they neglect to trace the structure of the act itself.

Permanence and Change was written and first published in the depths of the Great Depression. Attitudes Toward History followed it two years later. These were revolutionary texts in the theory of communication, and, as classics, they retain their surcharge of energy. Permanence and Change treats human communication in terms of ideal cooperation, whereas Attitudes Towards History characterizes tactics and patterns of conflict typical of actual human associations. It is in Permanence and Change that Burke establishes in path-breaking fashion that form permeates society just as it does poetry and the arts. Hence, his master idea that forms of art are not exclusively aesthetic: the cycles of a storm, the gradations of a sunrise, the stages of an epidemic, the undoing of Prince Hamlet are all instances of progressive form. This new edition of Permanence and Change reprints Hugh Dalziel Duncan's long sociological introduction and includes a substantial new afterward in which Burke reexamines his early ideas in light of subsequent developments in his own thinking and in social theory.

This book marks Kenneth Burke's breakthrough in criticism from the literary and aesthetic into social theory and the philosophy of history. In this volume we find Burke's first entry into what he calls his theory of Dramatism; and, here also is an important section on the nature of ritual.

On Human Nature: A Gathering While Everything Flows brings together the late essays, autobiographical reflections, an interview, and a poem by the eminent literary theorist and cultural critic Kenneth Burke (1897-1993). Burke, author of Language as Symbolic Action, A Grammar of Motives, and Rhetoric of Motives, among other works, was an innovative and original thinker who worked at the intersection of sociology, psychology, literary theory, and semiotics. This book, a selection of fourteen representative pieces of his productive later years, addresses many important themes Burke tackled throughout his career such as logology (his attempt to find a universal language theory and methodology), technology, and ecology. The essays also elaborate Burke's notions about creativity and its relation to stress, language and its literary uses, the relation of mind and body, and more. Provocative, idiosyncratic, and erudite, On Human Nature makes a significant statement about cultural linguistics and is an important rounding-out of the Burkean corpus.

When Kenneth Burke conceived his celebrated “Motivorum” project in the 1940s and 1950s, he envisioned it in three parts. Whereas the third part, A Symbolic of Motives, was never finished, A Grammar of Motives (1945) and A Rhetoric of Motives (1950) have become canonical theoretical documents.  A Rhetoric of Motives was originally intended to be a two-part book. Here, at last, is the second volume, the until-now unpublished War of Words, where Burke brilliantly exposes the rhetorical devices that sponsor war in the name of peace. Discouraging militarism during the Cold War even as it catalogues belligerent persuasive strategies and tactics that remain in use today, The War of Words reveals how popular news media outlets can, wittingly or not, foment international tensions and armaments during tumultuous political periods. This authoritative edition includes an introduction from the editors explaining the compositional history and cultural contexts of both The War of Words and A Rhetoric of Motives. The War of Words illuminates the study of modern rhetoric even as it deepens our understanding of post–World War II politics.

When Kenneth Burke conceived his celebrated “Motivorum” project in the 1940s and 1950s, he envisioned it in three parts. Whereas the third part, A Symbolic of Motives, was never finished, A Grammar of Motives (1945) and A Rhetoric of Motives (1950) have become canonical theoretical documents.  A Rhetoric of Motives was originally intended to be a two-part book. Here, at last, is the second volume, the until-now unpublished War of Words, where Burke brilliantly exposes the rhetorical devices that sponsor war in the name of peace. Discouraging militarism during the Cold War even as it catalogues belligerent persuasive strategies and tactics that remain in use today, The War of Words reveals how popular news media outlets can, wittingly or not, foment international tensions and armaments during tumultuous political periods. This authoritative edition includes an introduction from the editors explaining the compositional history and cultural contexts of both The War of Words and A Rhetoric of Motives. The War of Words illuminates the study of modern rhetoric even as it deepens our understanding of post–World War II politics.

From the Preface: The title for this collection was the title of a course in literary criticism that I gave for many years at Bennington College. And much of the material presented here was used in that course. The title should serve well to convey the gist of these various pieces. For all of them are explicitly concerned with the attempt to define and track down the implications of the term "symbolic action," and to show how the marvels of literature and language look when considered form that point of view.From the Preface: The title for this collection was the title of a course in literary criticism that I gave for many years at Bennington College. And much of the material presented here was used in that course. The title should serve well to convey the gi

From the Foreword These pieces are selections from work done in the Thirties, a decade so changeable that I at first thought of assembling them under the title, "While Everything Flows."    Their primary interest is in speculation on the nature of linguistic, or symbolic, or literary action--and in a search for more precise ways of locating or defining such action.   Words are aspects of a much wider communicative context, most of which is not verbal at all. Yet words also have a nature peculiarly their own. And when discussing them as modes of action, we must consider both this nature as words in themselves and the nature they get from the non-verbal scenes that support their acts. I shall be happy if the reader can say of this book that, while always considering words as acts upon a scene, it avoids the excess of environmentalist schools which are usually so eager to trace the relationships between act and scene that they neglect to trace the structure of the act itself.From the Foreword These pieces are selections from work done in the Thirties, a decade so changeable that I at first thought of assembling them under the title, "While Everything Flows."    Their primary interest is in speculation on the nature of linguis

About this book Mr. Burke contributes an introductory and summarizing remark, "What is involved, when we say what people are doing and why they are doing it? An answer to that question is the subject of this book. The book is concerned with the basic forms of thought which, in accordance with the nature of the world as all men necessarily experience it, are exemplified in the attributing of motives. These forms of thought can be embodied profoundly or trivially, truthfully or falsely. They are equally present in systematically elaborated or metaphysical structures, in legal judgments, in poetry and fiction, in political and scientific works, in news and in bits of gossip offered at random."About this book Mr. Burke contributes an introductory and summarizing remark, "What is involved, when we say what people are doing and why they are doing it? An answer to that question is the subject of this book. The book is concerned with the basic form

On Human Nature: A Gathering While Everything Flows brings together the late essays, autobiographical reflections, an interview, and a poem by the eminent literary theorist and cultural critic Kenneth Burke (1897-1993). Burke, author of Language as Symbolic Action, A Grammar of Motives, and Rhetoric of Motives, among other works, was an innovative and original thinker who worked at the intersection of sociology, psychology, literary theory, and semiotics. This book, a selection of fourteen representative pieces of his productive later years, addresses many important themes Burke tackled throughout his career such as logology (his attempt to find a universal language theory and methodology), technology, and ecology. The essays also elaborate Burke''s notions about creativity and its relation to stress, language and its literary uses, the relation of mind and body, and more. Provocative, idiosyncratic, and erudite, On Human Nature makes a significant statement about cultural linguistics and is an important rounding-out of the Burkean corpus.

Previously unpublished writings by and about Kenneth Burke plus essays by such Burkean luminaries as Wayne C. Booth, William H. Rueckert, Robert Wess, Thomas Carmichael, and Michael Feehan make the publication of Unending Conversations a significant event in the field of Burke studies and in the wider field of literary criticism and theory. Editors Greig Henderson and David Cratis Williams have divided their material into three parts: ""Dialectics of Expression, Communication, and Transcendence,""""Criticism, Symbolicity, and Tropology,"" and ""Transcendence and the Theological Motive."" In the first part, Williams's textual introduction and Rueckert's essay analyze the genesis and composition of Burke's A Symbolic of Motives and Poetics, Dramatistically Considered. Henderson opens part two by showing how these two essays' concerns with literary form hearken back to Burke's first book of criticism, Counter-Statement. Thomas Carmichael discusses Burke's relationship to thinkers such as Paul de Man, Jacques Derrida, Stanley Fish, Fredric Jameson, Jean-Francois Lyotard, and Richard Rorty. Wess analyzes the relation between Burke's dramatistic pentad of act, agent, scene, agency, and purpose and his four master tropes - metaphor, metonymy, synecdoche, and irony. In the third part, Booth mines his unpublished correspondence with Burke to demonstrate that Burke is a coy theologian. Michael Feehan discusses Burke's revelation in a 1983 interview that rather than rebounding from a naive kind of Marxism in Permanence and Change, he was rebounding from what he had ""learned as a Christian Scientist.

Significantly deepening our understanding of two key figures from the modernist period, The Humane Particulars collects the letters between William Carlos Williams and Kenneth Burke. Written during forty-two years of close friendship and literary debate, these nearly 250 letters span two long lives, two complicated personalities, and two brilliantly productive careers. The animated exchange between a canonical poet and the leading American rhetorical critic of the twentieth century offers a more complete vision of their outlooks and their contributions to the shape and tenor of the modernist scene. Set in context by James H. East's introduction and explanatory notes, the letters begin just after Burke and Williams's initial meeting in 1921 during a tramp through a New Jersey swamp and surrounding meadowlands. Their written exchange follows the maturing of their friendship and professional regard. The correspondence shows that Williams and Burke were fast friends during the experimental twenties, preoccupied by individual and divergent projects in the thirties and early forties, and reunited as enthusiastic correspondents after the Second World War. The letters refer to happy times spent together - walks in the woods, picnics and swimming, and visits to Burke's farm in Andover, New Jersey. They reveal, among other interesting personal matters, Burke's fascination with Williams's double life as physician and poet, Burke's hypochondria, and Williams's at times chastising medical advice to Burke. But, more important, the letters preserve the continual wrangling over the origin and nature of literary form that enlightened the pair's many disagreements. Of particular interest, the correspondence documents a largely unexplored aspect of Burke's career - his reciprocally influential relationship with the writers of the late modern and midcentury periods.

Permanence and Change: An Anatomy of Change, written by American literary theorist Kenneth Burke, was first published in 1935, at the height of the Great Depression. Burke followed this with Attitudes Toward History followed just two years later. His texts proved to be revolutionary in the theory of communication, and, as classics, retain their surcharge of energy.Permanence and Change: An Anatomy of Change treats human communication in terms of ideal cooperation, and in this book, Burke establishes, in ground-breaking fashion, that form permeates society, just as it does poetry and the arts.This present volume is the Second Edition, first published in 1954, and includes an Introduction by Hugh Dalziel Duncan.“Unquestionably the most brilliant and suggestive critic now writing in America.”—W. H. Auden“One of the truly speculative American thinkers of his era.”—Malcolm Cowley“The foremost critic of our time and perhaps the greatest critic since Coleridge.”—Stanley Edgar Hyman“What Burke has done better than anyone else is to find a way of connecting literature to life without reducing either. He’s had far less attention than he deserves because he’d been so far ahead of his time. But he’s one of the major minds of the twentieth century, and he’s sure to be read in the future.”—Wayne Booth