Juan Signes Codoñer – författare

Modern historiography has become accustomed to portraying the emperor Theophilos of Byzantium (829-842) in a favourable light, taking at face value the legendary account that makes of him a righteous and learned ruler, and excusing as ill fortune his apparent military failures against the Muslims. The present book considers events of the period that are crucial to our understanding of the reign and argues for a more balanced assessment of it. The focus lies on the impact of Oriental politics on the reign of Theophilos, the last iconoclast emperor. After introductory chapters, setting out the context in which he came to power, separate sections are devoted to the influence of Armenians at the court, the enrolment of Persian rebels against the caliphate in the Byzantine army, the continuous warfare with the Arabs and the cultural exchange with Baghdad, the Khazar problem, and the attitude of the Christian Melkites towards the iconoclast emperor. The final chapter reassesses the image of the emperor as a good ruler, building on the conclusions of the previous sections. The book reinterprets major events of the period and their chronology, and sets in a new light the role played by figures like Thomas the Slav, Manuel the Armenian or the Persian Theophobos, whose identity is established from a better understanding of the sources.

Modern historiography has become accustomed to portraying the emperor Theophilos of Byzantium (829-842) in a favourable light, taking at face value the legendary account that makes of him a righteous and learned ruler, and excusing as ill fortune his apparent military failures against the Muslims. The present book considers events of the period that are crucial to our understanding of the reign and argues for a more balanced assessment of it. The focus lies on the impact of Oriental politics on the reign of Theophilos, the last iconoclast emperor. After introductory chapters, setting out the context in which he came to power, separate sections are devoted to the influence of Armenians at the court, the enrolment of Persian rebels against the caliphate in the Byzantine army, the continuous warfare with the Arabs and the cultural exchange with Baghdad, the Khazar problem, and the attitude of the Christian Melkites towards the iconoclast emperor. The final chapter reassesses the image of the emperor as a good ruler, building on the conclusions of the previous sections.The book reinterprets major events of the period and their chronology, and sets in a new light the role played by figures like Thomas the Slav, Manuel the Armenian or the Persian Theophobos, whose identity is established from a better understanding of the sources.

The Routledge Handbook of Rewriting in Byzantium presents an overview of the various rewriting processes involved in the production of Byzantine literature. Due to the lack of recent systematic research on the totality of Byzantine literature, which embraces a long millennium of texts, the fluid concept of ‘rewriting’, here studied for the first time in all its complexity, serves as a unifying criterion for understanding the literary task of the Byzantines. Literature in Byzantium went well beyond the problems of language and genre and was adapted according to the audience and the expectations of the readers, which varied greatly in different periods.With contributions from 25 scholars, this book analyses and discusses a variety of topics, including the rewriting of the past, modes of persuasion as a driving force behind rewriting, changing muses, the adaptation of hagiography to changing patterns of behaviour, updating of technical texts, and the necessity for theological and philosophical reinterpretation of inherited texts.This book will appeal to students and scholars alike interested in Byzantine literature, culture, and literary methods.