Julian W. Connolly – författare

This book traces the evolution of Vladimir Nabokov's prose fiction from the mid-1920s to the late 1930s. While individual works by Nabokov have attracted extensive commentary, the precise contours of Nabokov's development as a writer of fiction have received little attention. Julian Connolly traces this development by focusing on a crucial subject: the relationship between self and other in its various forms (including character to character, character to author, author to reader). At the core of Professor Connolly's analysis is the discovery of a powerful structure of bifurcation in Nabokov's work, between the character dimensions of a protagonist's identity and its latent authorial dimensions. As Nabokov's works grow more sophisticated, the author manipulates the relationship between these two dimensions, creating a series of memorable characters who seek to attain the status of authentic author by shedding that aspect of the self which functions as a character. Julian Connolly's investigation into the relationship between self and other in the early fiction provides an original model for approaching all of Nabokov's fictional writing, and constitutes a major contribution to Nabokov scholarship.

Published in 1999 to mark the centenary of Vladimir Nabokov's birth, this volume brings together the work of eleven of the world's foremost Nabokov scholars offering perspectives on the writer and his fiction. Their essays cover a broad range of topics and approaches, from close readings of major texts, including Speak, Memory and Pale Fire, to penetrating discussions of the significant relationship between Nabokov's personal beliefs and experiences and his art. Several of the essays attempt to uncover the artistic principles that underlie the author's literary creations, while others seek to place Nabokov's work in a variety of literary and cultural contexts. Among these essays are a first glimpse at a little-known work, The Tragedy of Mr Morn, as well as a perspective on Nabokov's most famous novel, Lolita. The volume as a whole offers valuable insight into Nabokov scholarship.

Vladimir Nabokov held the unique distinction of being one of the most important writers of the twentieth century in two separate languages, Russian and English. Known for his verbal mastery and bold plots, Nabokov fashioned a literary legacy that continues to grow in significance. This 2005 volume offers a concise and informative introduction into the author's fascinating creative world. Specially commissioned essays by distinguished scholars illuminate numerous facets of the writer's legacy, from his early contributions as a poet and short-story writer to his dazzling achievements as one of the most original novelists of the twentieth century. Topics receiving fresh coverage include Nabokov's narrative strategies, the evolution of his world-view, and his relationship to the literary and cultural currents of his day. The volume also contains valuable supplementary material such as a chronology of the writer's life and a guide to further critical reading.

Published in 1999 to mark the centenary of Vladimir Nabokov's birth, this volume brings together the work of eleven of the world's foremost Nabokov scholars offering perspectives on the writer and his fiction. Their essays cover a broad range of topics and approaches, from close readings of major texts, including Speak, Memory and Pale Fire, to penetrating discussions of the significant relationship between Nabokov's personal beliefs and experiences and his art. Several of the essays attempt to uncover the artistic principles that underlie the author's literary creations, while others seek to place Nabokov's work in a variety of literary and cultural contexts. Among these essays are a first glimpse at a little-known work, The Tragedy of Mr Morn, as well as a perspective on Nabokov's most famous novel, Lolita. The volume as a whole offers valuable insight into Nabokov scholarship.

Vladimir Nabokov held the unique distinction of being one of the most important writers of the twentieth century in two separate languages, Russian and English. Known for his verbal mastery and bold plots, Nabokov fashioned a literary legacy that continues to grow in significance. This 2005 volume offers a concise and informative introduction into the author's fascinating creative world. Specially commissioned essays by distinguished scholars illuminate numerous facets of the writer's legacy, from his early contributions as a poet and short-story writer to his dazzling achievements as one of the most original novelists of the twentieth century. Topics receiving fresh coverage include Nabokov's narrative strategies, the evolution of his world-view, and his relationship to the literary and cultural currents of his day. The volume also contains valuable supplementary material such as a chronology of the writer's life and a guide to further critical reading.

Julian W. Connolly's companion to Vladimir Nabokov's Invitation to a Beheading includes a general introduction discussing the work in the context of Nabokov's oeuvre as well as its place within the Russian literary tradition. Also included are primary sources and other background materials, as well as discussions of the work by leading scholars and an annotated bibliography. Combining the highest order of scholarship with accessibility, this critical companion illuminates a great work of literature, and will enhance is appreciation by both teachers and students.

Fyodor Dostoevsky's The Brothers Karamazov is unquestionably one of the greatest works of world literature. With its dramatic portrayal of a Russian family in crisis and its intense investigation into the essential questions of human existence, the novel has had a major impact on writers and thinkers across a broad range of disciplines, from psychology to religious and political philosophy. This proposed reader's guide has two major goals: to help the reader understand the place of Dostoevsky's novel in Russian and world literature, and to illuminate the writer's compelling and complex artistic vision. The plot of the novel centers on the murder of the patriarch of the Karamazov family and the subsequent attempt to discover which of the brothers bears responsibility for the murder, but Dostoevsky's ultimate interests are far more thought-provoking. Haunted by the question of God's existence, Dostoevsky uses the character of Ivan Karamazov to ask what kind of God would create a world in which innocent children have to suffer, and he hoped that his entire novel would provide the answer. The design of Dostoevsky's work, in which one character poses questions that other characters must try to answer, provides a stimulating basis for reader engagement. Having taught university courses on Dostoevsky's work for over twenty years, Julian W. Connolly draws upon modern and traditional approaches to the novel to produce a reader's guide that stimulate the reader's interest and provides a springboard for further reflection and study.