Kadiatu Kanneh-Mason – författare

Meet the most musically gifted family in the world‘I was entranced... Beautifully written and hugely enjoyable.’ Bernardine Evaristo, author of Girl, Woman, OtherSeven brothers and sisters. All of them classically trained musicians. One was Young Musician of the Year and performed for the royal family. The eldest has released her first album, showcasing the works of Clara Schumann. These siblings don’t come from the rarefied environment of elite music schools, but from a state comprehensive in Nottingham. How did they do it?Their mother, Kadiatu Kanneh-Mason, opens up about what it takes to raise a musical family in a Britain divided by class and race. What comes out is a beautiful and heartrending memoir of the power of determination, camaraderie and a lot of hard work. The Kanneh-Masons are a remarkable family. But what truly sparkles in this eloquent memoir is the joyous affirmation that children are a gift and we must do all we can to nurture them.***WINNER OF THE INDIE BOOK AWARD 2022 FOR NON-FICTIONWINNER OF THE ROYAL PHILHARMONIC SOCIETY STORYTELLING AWARD 2021‘Riveting, taking in prejudice as well as sacrifice. There are 4.30am starts, lost instruments, fractured wrists, all captured with vivid flourishes. A paean to camaraderie.’ Observer‘An amazing, compelling, moving, unforgettable story...’ Lady Antonia Fraser‘[Kadiatu’s] frank memoir reveals the eye-watering level of practical, emotional, intellectual and financial commitment required to raise seven outstanding classical musicians… Her beautiful, wise writing is its own music.’ Daily Mail

What does it mean – and how does it feel – to grow up as a Black artist today?‘This exceptional book, written with a mother’s love for her seven creative children, sensitively offers profound and original insights and perspectives that enrich our culture. I feel so much wiser for reading it.’ Bernardine EvaristoWhen Kadiatu Kanneh-Mason’s eldest daughter, Isata, made her solo debut at the BBC Proms in 2023, she could not have been prouder. Watching years of hard work transform into a transcendent performance was profoundly moving, both as music-lover and parent.All fractured when her younger daughter turned to her in tears a few days later, having read online abuse about her sister. Isata, it was declared, did not deserve to be there. How do you prepare your child for the fact that no matter their talent, technique or dedication, they will be told they do not belong?Through conversations with her extraordinarily gifted family, Kanneh-Mason explores what it’s like to come of age in these turbulent times, when Black artistic self-expression is so often met with disparagement and abuse online – and offers a hopeful, powerful way through.