Karen Salyer McElmurray – författare

Surrendered Child is Karen Salyer McElmurray's raw, poignant account of her journey from her teen years, when she put her newborn child up for adoption, to adulthood and a desperate search for the son she never knew. In a patchwork narrative interwoven with dark memories from her childhood, McElmurray deftly treads where few dare-into a gritty, honest exploration of the loss a birth mother experiences.The year was 1973, a time of social upheaval, even in small-town Kentucky, where McElmurray grew up. More than a story of time and place, however, this is about a girl who, at the age of sixteen, relinquished her son at birth. Twenty-five years would pass before McElmurray began sharing this part of her past with others and actively looking for her son.McElmurray's own troubled upbringing and her quest after a now-fully-grown son are the heart of her story. With unflinching honesty, McElmurray recounts both the painful surrendering and the surprise rediscovery of her son, juxtaposed with her portrayal of her own mother, who could not provide the love she needed. The dramatic result is a story of birthright lost and found-and an exploration of the meaning of motherhood itself.

In Walk Till the Dogs Get Mean, Adrian Blevins and Karen Salyer McElmurray collect essays from today's finest established and emerging writers with roots in Appalachia. Together, these essays take the theme of silencing in Appalachian culture, whether the details of that theme revolve around faith, class, work, or family legacies.In essays that take wide-ranging forms—making this an ideal volume for creative nonfiction classes—contributors write about families left behind, hard-earned educations, selves transformed, identities chosen, and risks taken. They consider the courage required for the inheritances they carry.Toughness and generosity alike characterize works by Dorothy Allison, bell hooks, Silas House, and others. These writers travel far away from the boundaries of a traditional Appalachia, and then circle back—always—to the mountains that made each of them the distinctive thinking and feeling people they ultimately became. The essays in Walk Till the Dogs Get Mean are an individual and collective act of courage.Contributors:Dorothy Allison, Rob Amberg, Pinckney Benedict, Kathryn Stripling Byer, Sheldon Lee Compton, Michael Croley, Richard Currey, Joyce Dyer, Sarah Einstein, Connie May Fowler, RJ Gibson, Mary Crockett Hill, bell hooks, Silas House, Jason Howard, David Huddle, Tennessee Jones, Lisa Lewis, Jeff Mann, Chris Offutt, Ann Pancake, Jayne Anne Phillips, Melissa Range, Carter Sickels, Aaron Smith, Jane Springer, Ida Stewart, Jacinda Townsend, Jessie van Eerden, Julia Watts, Charles Dodd White, and Crystal Wilkinson.

In Walk Till the Dogs Get Mean, Adrian Blevins and Karen Salyer McElmurray collect essays from today's finest established and emerging writers with roots in Appalachia. Together, these essays take the theme of silencing in Appalachian culture, whether the details of that theme revolve around faith, class, work, or family legacies.In essays that take wide-ranging forms—making this an ideal volume for creative nonfiction classes—contributors write about families left behind, hard-earned educations, selves transformed, identities chosen, and risks taken. They consider the courage required for the inheritances they carry.Toughness and generosity alike characterize works by Dorothy Allison, bell hooks, Silas House, and others. These writers travel far away from the boundaries of a traditional Appalachia, and then circle back—always—to the mountains that made each of them the distinctive thinking and feeling people they ultimately became. The essays in Walk Till the Dogs Get Mean are an individual and collective act of courage.Contributors:Dorothy Allison, Rob Amberg, Pinckney Benedict, Kathryn Stripling Byer, Sheldon Lee Compton, Michael Croley, Richard Currey, Joyce Dyer, Sarah Einstein, Connie May Fowler, RJ Gibson, Mary Crockett Hill, bell hooks, Silas House, Jason Howard, David Huddle, Tennessee Jones, Lisa Lewis, Jeff Mann, Chris Offutt, Ann Pancake, Jayne Anne Phillips, Melissa Range, Carter Sickels, Aaron Smith, Jane Springer, Ida Stewart, Jacinda Townsend, Jessie van Eerden, Julia Watts, Charles Dodd White, and Crystal Wilkinson.

In Walk Till the Dogs Get Mean, Adrian Blevins and Karen Salyer McElmurray collect essays from today's finest established and emerging writers with roots in Appalachia. Together, these essays take the theme of silencing in Appalachian culture, whether the details of that theme revolve around faith, class, work, or family legacies.In essays that take wide-ranging forms—making this an ideal volume for creative nonfiction classes—contributors write about families left behind, hard-earned educations, selves transformed, identities chosen, and risks taken. They consider the courage required for the inheritances they carry.Toughness and generosity alike characterize works by Dorothy Allison, bell hooks, Silas House, and others. These writers travel far away from the boundaries of a traditional Appalachia, and then circle back—always—to the mountains that made each of them the distinctive thinking and feeling people they ultimately became. The essays in Walk Till the Dogs Get Mean are an individual and collective act of courage.Contributors:Dorothy Allison, Rob Amberg, Pinckney Benedict, Kathryn Stripling Byer, Sheldon Lee Compton, Michael Croley, Richard Currey, Joyce Dyer, Sarah Einstein, Connie May Fowler, RJ Gibson, Mary Crockett Hill, bell hooks, Silas House, Jason Howard, David Huddle, Tennessee Jones, Lisa Lewis, Jeff Mann, Chris Offutt, Ann Pancake, Jayne Anne Phillips, Melissa Range, Carter Sickels, Aaron Smith, Jane Springer, Ida Stewart, Jacinda Townsend, Jessie van Eerden, Julia Watts, Charles Dodd White, and Crystal Wilkinson.

Miracelle Loving's world comes crashing down when her mother, Ruby, is murdered during a fortune-telling session gone wrong. Not that she had much of a stable world to lose in the first place; the free-spirited mother-daughter duo had never remained in one place for very long. Without the guidance of her mother, Miracelle grows up following the only path she knows, traveling from town to town, sometimes fortune-telling, picking up odd jobs to fill the time and escape the ever-present lostness she can't seem to run far enough away from.Uncertain of what she wants and, indeed, whether she wants anything or anyone at all, the now thirty-something-year-old finds herself working as a card reader in a Knoxville dive bar, selling fictions as futures, when she is confronted with her mother's ghost voice promising to reveal the truth about her shadowy past. Desperate for answers, Miracelle sets out on a magical road trip unlike any other, in search of her own story and a father she's never known.Following snowy highways and backroads, Miracelle stumbles across a museum of oddities and a hole-in-the-road town called Radiant, ultimately wandering into the town of Smyte, where she begins waitressing at the Black Cat Diner. Here, she befriends card-playing has-been Russell Wallen, whom she joins for a series of nighttime adventures, long drives, and after-dark visits to a Holy Roller church. This mythical journey uncovers family secrets and forgotten truths, transforming a familiar story of love and betrayal to reveal the binding power of magic and memory.

I could dream in poetry, could summon words for spiritual experience, could name God in twelve ways and in ten times and places in history.  Award-winning writer Karen Salyer McElmurray details her life's journey across continents and decades in a poetic collection that is equal parts essay-as-memoir, memoir-as-Künstlerroman, and travelogue-as-meditation.  It is about the deserts of India. A hospital ward in Maryland. The blue seas of Greece. A greenhouse in Virginia. It is about the spirit houses of Thailand. The mountains of eastern Kentucky. The depths of the Grand Canyon. A creative writing classroom in Georgia. An attic in a generations-old house. It is about coming to terms with both memory and the power of writing itself. At turns lyrical, poignant, and alluring, McElmurray probes her personal history from the stance of different places, perspectives, and vulnerabilities as she tenderly and fiercely searches for acceptance and a place to call home.