Kate O’Shaughnessy – författare

A swoony, heartfelt, and evocative standalone paperback original romance about first love, second chances, and finding yourself in the season of changeperfect for fans of Misty Wilson's FALLING LIKE LEAVES and anyone looking for their next Gilmore Girls-esque fall read.

This stunning limited first paperback printing features printed edges in a gorgeous autumnal design!

Some seasons change everything....

Five years ago, Claire was a child star, the goofy punchline of one of America's favorite sitcoms. Until a series of devastating betrayals by her manager-father left her broke, humiliated, and desperate to disappear.

Now she's just another high school senior in postcard-perfect Glenridge, Connecticut, determined to leave her past behind. Not even her best friend knows who she used to beor that she's scraping together every spare dollar to hopefully attend NYU.

When a movie shoot lands in Glenridgeand with it, her former co-star and exbest friend, Luke Cordovait threatens to stir up not only Claire's past, but also the dizzying crush she once had on Luke. He offers Claire a deal: let him shadow her to research his role, and he'll pay enough to make her college dreams possible.

As the woodsmoke-tinged October air grows colder, and she falls for Luke (again), Claire must confront what really drove her to hideand whether she can step back into herself without being consumed by everything she's tried to forget.

A swoony, heartfelt, and evocative standalone paperback original romance about first love, second chances, and finding yourself in the season of changeperfect for fans of Misty Wilson's FALLING LIKE LEAVES and anyone looking for their next Gilmore Girls-esque fall read.

Some seasons change everything....

Five years ago, Claire was a child star, the goofy punchline of one of America's favorite sitcoms. Until a series of devastating betrayals by her manager-father left her broke, humiliated, and desperate to disappear.

Now she's just another high school senior in postcard-perfect Glenridge, Connecticut, determined to leave her past behind. Not even her best friend knows who she used to beor that she's scraping together every spare dollar to hopefully attend NYU.

When a movie shoot lands in Glenridgeand with it, her former co-star and exbest friend, Luke Cordovait threatens to stir up not only Claire's past, but also the dizzying crush she once had on Luke. He offers Claire a deal: let him shadow her to research his role, and he'll pay enough to make her college dreams possible.

As the woodsmoke-tinged October air grows colder, and she falls for Luke (again), Claire must confront what really drove her to hideand whether she can step back into herself without being consumed by everything she's tried to forget.

This book examines gender, state and social power in Indonesia, focusing in particular on state regulation of divorce from 1965 to 2005 and its impact on women. Indonesia experienced high divorce rates in the 1950s and 1960s, followed by a remarkable decline. Already falling divorce rates were reinforced by the 1974 Marriage Law, which for the first time regulated marriage for both Muslim and non-Muslim Indonesians and restricted access to divorce. This law defined the roles of men and women in Indonesian society, vesting household leadership with husbands and the management of the household with wives. Drawing on a wide selection of primary sources, including court records, legal codes, newspaper reports, fiction, interviews and case studies, this book provides a detailed historical account of this period of important social change, exploring fully the impact and operation of state regulation of divorce, including the New Order government’s aims in enacting this legal framework, its effects in practice and how it was utilised by citizens (both men and women) to advance their own agendas. It argues that the Marriage Law was a tool of social control enacted by the New Order government in response to the social upheaval and protests experienced in the mid 1970s. However, it also shows that state power was not hegemonic: it was both contested and co-opted by citizens, with men and women enjoying different degrees of autonomy from the state. This book explores all of these issues, providing important insights on the nature of the New Order regime, social power and gender relations, both during the years of its rule and since its collapse.

This book examines gender, state and social power in Indonesia, focusing in particular on state regulation of divorce from 1965 to 2005 and its impact on women. Indonesia experienced high divorce rates in the 1950s and 1960s, followed by a remarkable decline. Already falling divorce rates were reinforced by the 1974 Marriage Law, which for the first time regulated marriage for both Muslim and non-Muslim Indonesians and restricted access to divorce. This law defined the roles of men and women in Indonesian society, vesting household leadership with husbands and the management of the household with wives. Drawing on a wide selection of primary sources, including court records, legal codes, newspaper reports, fiction, interviews and case studies, this book provides a detailed historical account of this period of important social change, exploring fully the impact and operation of state regulation of divorce, including the New Order government’s aims in enacting this legal framework, its effects in practice and how it was utilised by citizens (both men and women) to advance their own agendas. It argues that the Marriage Law was a tool of social control enacted by the New Order government in response to the social upheaval and protests experienced in the mid 1970s. However, it also shows that state power was not hegemonic: it was both contested and co-opted by citizens, with men and women enjoying different degrees of autonomy from the state. This book explores all of these issues, providing important insights on the nature of the New Order regime, social power and gender relations, both during the years of its rule and since its collapse.