Katherine West Scheil – författare

In the late nineteenth century hundreds of clubs formed across the United States devoted to the reading of Shakespeare. From Pasadena, California, to the seaside town of Camden, Maine; from the isolated farm town of Ottumwa, Iowa, to Mobile, Alabama, on the Gulf coast, Americans were reading Shakespeare in astonishing numbers and in surprising places. Composed mainly of women, these clubs offered the opportunity for members not only to read and study Shakespeare but also to participate in public and civic activities outside the home. In She Hath Been Reading, Katherine West Scheil uncovers this hidden layer of intellectual activity that flourished in American society well into the twentieth century. Shakespeare clubs were crucial for women's intellectual development because they provided a consistent intellectual stimulus (more so than was the case with most general women's clubs) and because women discovered a world of possibilities, both public and private, inspired by their reading of Shakespeare. Indeed, gathering to read and discuss Shakespeare often led women to actively improve their lot in life and make their society a better place. Many clubs took action on larger social issues such as women's suffrage, philanthropy, and civil rights. At the same time, these efforts served to embed Shakespeare into American culture as a marker for learning, self-improvement, civilization, and entertainment for a broad array of populations, varying in age, race, location, and social standing. Based on extensive research in the archives of the Folger Shakespeare Library and in dozens of local archives and private collections across America, She Hath Been Reading shows the important role that literature can play in the lives of ordinary people. As testament to this fact, the book includes an appendix listing more than five hundred Shakespeare clubs across America.

The Shakespeare family occupies five gravesites on the chancel steps at Holy Trinity Church in Stratford-upon-Avon. Anne Shakespeare's grave is the only one commemorated with a brass plaque and an epitaph in original Latin poetry, eulogizing her as a beloved mother, pious woman, and 'so great a gift'. For nearly four hundred years, this epitaph has remained largely unreadable to visitors, enabling a long history of undervaluing Anne's significant maternal role in the Shakespeare family. Anne Shakespeare's Epitaph offers a new reading of the content and the related material conditions and interpersonal connections behind this text. It provides new evidence about the identity of the engraver and suggests several possible scenarios for how the Shakespeare family came to memorialize Anne as a cherished maternal figure. This Element reinscribes the original significance of Anne's epitaph, and reclaims it as an important Shakespearean text that offers traces of a lost documentary record.

What has been the appeal of Anne Hathaway, both globally and temporally, over the past four hundred years? Why does she continue to be reinterpreted and reshaped? Imagining Shakespeare's Wife examines representations of Hathaway, from the earliest depictions and details in the eighteenth century, to contemporary portrayals in theatre, biographies and novels. Residing in the nexus between Shakespeare's life and works, Hathaway has been constructed to explain the women in the plays but also composed from the material in the plays. Presenting the very first cultural history of Hathaway, Katherine Scheil offers a richly original study that uncovers how the material circumstances of history affect the later reconstruction of lives.