Kathleen Forni – författare
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4 produkter
4 produkter
764 kr
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Beowulf's presence on the popular cultural radar has increased in the past two decades, coincident with cultural crisis and change. Why? By way of a fusion of cultural studies, adaptation theory, and monster theory, Beowulf's Popular Afterlife examines a wide range of Anglo-American retellings and appropriations found in literary texts, comic books, and film. The most remarkable feature of popular adaptations of the poem is that its monsters, frequently victims of organized militarism, male aggression, or social injustice, are provided with strong motives for their retaliatory brutality. Popular adaptations invert the heroic ideology of the poem, and monsters are not only created by powerful men but are projections of their own pathological behavior. At the same time there is no question that the monsters created by human malfeasance must be eradicated.
407 kr
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This study explores Chaucer's present-day cultural reputation by way of popular culture. In just the past two decades his texts have been adapted to a wide variety of popular genres, including television, stage, comic book, hip-hop, science fiction, horror, romance, and crime fiction. This cultural recycling involves a variety of functions but Chaucer's primary association is with the idea of pilgrimage and the prevailing tenor is populist satire. The target is not only cultural elitism but also the dominant discourse of professional Chaucerians. Academics in turn may have doubts about the value of popular Chaucer; popular culture theory, however, would maintain that such skepticism has less to do with critical discrimination than the assertion of social distinction. Nonetheless, the fact that Chaucer has a popular afterlife, and remains an ideological product over which competing groups lay claim, attests to his current cultural vitality.
2 456 kr
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Beowulf's presence on the popular cultural radar has increased in the past two decades, coincident with cultural crisis and change. Why? By way of a fusion of cultural studies, adaptation theory, and monster theory, Beowulf's Popular Afterlife examines a wide range of Anglo-American retellings and appropriations found in literary texts, comic books, and film. The most remarkable feature of popular adaptations of the poem is that its monsters, frequently victims of organized militarism, male aggression, or social injustice, are provided with strong motives for their retaliatory brutality. Popular adaptations invert the heroic ideology of the poem, and monsters are not only created by powerful men but are projections of their own pathological behavior. At the same time there is no question that the monsters created by human malfeasance must be eradicated.
200 kr
Skickas inom 5-8 vardagar
This edition samples from Chaucerian apocrypha, works wrongly attributed to, inspired by, or associated with Geoffery Chaucer, the father of English poetry. These fourteenth- and fifteenth-century Middle English texts reflect the extent of Chaucer’s “brand name” appeal. The sixteen poems, united by courtly themes, are organized by Kathleen Forni into four sections. The Court of Love, an allegorical dream-vision, follows Philogenet who sues for the favor of Rosiall. Literature of Courtly Love includes John Lydgate’s Valentine poem Floure of Curtesye and The Lovers’ Mass, a satire that eroticizes Latin liturgy. The Antifeminist Tradition explores a misogynistic strain in Chaucerian poetry, including parodic catalogs of a woman’s faults rather than her charms. Good Counsel, Wisdom, and Advice depicts a preoccupation with traditional ethics and political guidance; a highlight is Scogan’s Moral Balade, which expands on Boethian ideas from Chaucer’s Gentillesse that nobility stems from one’s character, not birth. Forni brings to light a literary corpus which has long suffered critical neglect.