Kathryn Welch – författare

Sextus Pompeius Magnus Pius, son of Pompey the Great, fits uneasily - or not at all - into the grand narrative of the civil war of 49-31 BC. Modern scholars tend to exclude him or mention him without asking what or whom he represented. Ronald Syme, the father of international orthodoxy in this field, famously remarked that Sextus was 'in reality an adventurer' who was 'easily represented as a pirate'. He was wrong. Sextus Pompeius plays havoc with key elements of the accepted narrative. His military success destroys the myth of continuous Caesarian victory. His commitment to rescuing the victims of Triumviral violence belies claims that only the Caesarian side represented clementia and justice. The naval strategy by which he conducted the war demonstrates his commitment to the same cause and ethics as his father and his father's allies. Welch argues that, far from being a 'side-show' or a 'bit player', Sextus Pompeius was integral to the fight for the respublica. She solves the 'problem' by placing him at the centre of the story of Rome's transition from Republic to Empire and so reveals a very different landscape that emerges as a result.

The princeps Augustus (63 BCE - 14 CE), recognized as the first of the Roman emperors, looms large in the teaching and writing of Roman history. Major political, literary, and artistic developments alike are attributed to him. This book deliberately and provocatively shifts the focus off Augustus while still looking at events of his time. Contributors uncover the perspectives and contributions of a range of individuals other than the princeps. Not all thought they were living in the "Augustan Age." Not all took their cues from Augustus. In their self-display or ideas for reform, some anticipated Augustus. Others found ways to oppose him that also helped to shape the future of their community. The volume challenges the very idea of an "Augustan Age" by breaking down traditional turning points and showing the continuous experimentation and development of these years to be in continuity with earlier Roman culture. In showcasing absences of Augustus and giving other figures their due, the papers here make a seemingly familiar period startlingly new.

The princeps Augustus (63 BCE - 14 CE), recognized as the first of the Roman emperors, looms large in the teaching and writing of Roman history. Major political, literary, and artistic developments alike are attributed to him. This book deliberately and provocatively shifts the focus off Augustus while still looking at events of his time. Contributors uncover the perspectives and contributions of a range of individuals other than the princeps. Not all thought they were living in the "Augustan Age." Not all took their cues from Augustus. In their self-display or ideas for reform, some anticipated Augustus. Others found ways to oppose him that also helped to shape the future of their community. The volume challenges the very idea of an "Augustan Age" by breaking down traditional turning points and showing the continuous experimentation and development of these years to be in continuity with earlier Roman culture. In showcasing absences of Augustus and giving other figures their due, the papers here make a seemingly familiar period startlingly new.

The princeps Augustus (63 BCE - 14 CE), recognized as the first of the Roman emperors, looms large in the teaching and writing of Roman history. Major political, literary, and artistic developments alike are attributed to him. This book deliberately and provocatively shifts the focus off Augustus while still looking at events of his time. Contributors uncover the perspectives and contributions of a range of individuals other than the princeps. Not all thought they were living in the "Augustan Age." Not all took their cues from Augustus. In their self-display or ideas for reform, some anticipated Augustus. Others found ways to oppose him that also helped to shape the future of their community. The volume challenges the very idea of an "Augustan Age" by breaking down traditional turning points and showing the continuous experimentation and development of these years to be in continuity with earlier Roman culture. In showcasing absences of Augustus and giving other figures their due, the papers here make a seemingly familiar period startlingly new.

The writings of Julius Caesar have beguiled by their apparent simplicity. Generations of readers have been encouraged to see them as a limpid record of positive achievement. The contributors to this volume demonstrate that the appearance of simplicity is achieved by devious and accomplished art. In nine original studies, focussing mainly on the Gallic War, the contributors trace systems of justification and omission, of measured praise and subtle criticism, which served to promote Caesar and to leave Roman enemies empty-handed. It is shown that Caesar's writing has an ingenuity of description which might seduce the casual Roman sceptic, and an artfulness of focus which now recalls the cinematographic. Even the notorious regularity of Caesar's syntax and his economy of vocabulary are revealed as pointed elements of a political manifesto. Far from being a plain and traditional record of warfare, Caesar's Commentaries are here shown to illuminate the political thinking of a man on his way to reshaping the world.

Appian of Alexandria lived in the early-to-mid second century AD, a time when the pax Romana flourished. His Roman History traced, through a series of ethnographic histories, the growth of Roman power throughout Italy and the Mediterranean World. But Appian also told the story of the civil wars which beset Rome from the time of Tiberius Gracchus to the death of Sextus Pompeius Magnus. The standing of his work in modern times is paradoxical. Consigned to the third rank by nineteenth-century historiographers, and poorly served by translators, Appian's Roman History profoundly shapes our knowledge of Republican Rome, its empire and its internal politics. We need to know him better. This book studies both what Appian had to say and how he said it; and engages in a dialogue about the value of Appian's text as a source of history, the relationship between that history and his own times, and the impact on his narrative of the author's own opinions - most notably that Rome enjoyed divinely-ordained good fortune. Some authors demonstrate that Appian's text (and even his mistakes) can yield significant new information; others re-open the question of Appian's use of source material in the light of recent studies showing him to be far more than a transmitter of other people's work.

Appian of Alexandria lived in the early-to-mid second century AD, a time when the pax Romana flourished. His Roman History traced, through a series of ethnographic histories, the growth of Roman power throughout Italy and the Mediterranean World. But Appian also told the story of the civil wars which beset Rome from the time of Tiberius Gracchus to the death of Sextus Pompeius Magnus. The standing of his work in modern times is paradoxical. Consigned to the third rank by nineteenth-century historiographers, and poorly served by translators, Appian''s Roman History profoundly shapes our knowledge of Republican Rome, its empire and its internal politics. We need to know him better. This collection of 15 new papers from a distinguished international team studies both what Appian had to say and how he said it. The papers engage in a dialogue about the value of Appian''s text as a source of history, the relationship between that history and his own times, and the impact on his narrative of the author''s own opinions - most notably that Rome enjoyed divinely-ordained good fortune. Some authors demonstrate that Appian''s text (and even his mistakes) can yield significant new information, others re-open the question of Appian''s use of source material in the light of recent studies showing him to be far more than a transmitter of other people''s work.

Sextus Pompeius Magnus Pius, son of Pompey the Great, fits uneasily - or not at all - into the grand narrative of the civil war of 49-31BC. Modern scholars tend to exclude him or mention him without asking what or whom he represented. Ronald Syme, the father of international orthodoxy in this field, famously remarked that Sextus was ''in reality an adventurer'' who was ''easily represented as a pirate''. He was wrong. Sextus Pompeius plays havoc with key elements of the accepted narrative. His military success destroys the myth of continuous Caesarian victory. His commitment to rescuing the victims of Triumviral violence belies claims that only the Caesarian side represented clementia and justice. The naval strategy by which he conducted the war demonstrates his commitment to the same cause and ethics as his father and his father''s allies. Welch argues that, far from being a ''side-show'' or a ''bit player'', Sextus Pompeius was integral to the fight for the res publica. She solves the ''problem'' by placing him at the centre of the story of Rome''s transition from Republic to Empire and so reveals a very different landscape that emerges as a result.

The writings of Julius Caesar have beguiled by their apparent simplicity. Generations of readers have been encouraged to see them as a limpid record of positive achievement. The contributors to this volume demonstrate that the appearance of simplicity is achieved by devious and accomplished art. In nine original studies, focussing mainly on the Gallic War, the contributors trace systems of justification and omission, of measured praise and subtle criticism, which served to promote Caesar and to leave Roman enemies empty-handed. It is shown that Caesar''s writing has an ingenuity of description which might seduce the casual Roman sceptic, and an artfulness of focus which now recalls the cinematographic. Even the notorious regularity of Caesar''s syntax and his economy of vocabulary are revealed as pointed elements of a political manifesto. Far from being a plain and traditional record of warfare, Caesar''s Commentaries are here shown to illuminate the political thinking of a man on his way to reshaping the world.