Katie Goh – författare

WINNER OF SCOTLAND'S NATIONAL BOOK AWARDS FOR DEBUT NON-FICTIONWINNER OF THE FORTNUM & MASON DEBUT FOOD BOOK AWARD SHORTLISTED FOR THE JHALAK PRIZE 2026A DEBUTIFUL BEST NON-FICTION BOOK OF THE YEAR'A bold new voice' IRISH TIMES'Visceral . . . I could feel every word' ANGELA HUI'Thoughtful, poetic and clear-sighted' CECILE PINThe orange is a souvenir of history. Across time, it has been a harbinger of God and doom, fortune and failure, pleasure and suffering. It is a fruit containing metaphors, dreams, mythologies, superstitions, parables and histories within its tough rind. So, what happens when the fruit is peeled and each segment - each moment of history, each meaning in time - is pulled apart?In this distinct, subversive and intimate hybrid memoir, Katie Goh explores the orange as a means of understanding the world, and herself within it. What she reveals is violence, colonialism, resilience, survival, adaptation - and unexpected beauty and sweetness against all odds.

WINNER OF SCOTLAND'S NATIONAL BOOK AWARDS FOR DEBUT NON-FICTIONWINNER OF THE FORTNUM & MASON DEBUT FOOD BOOK AWARDSHORTLISTED FOR THE JHALAK PRIZE 2026A DEBUTIFUL BEST NON-FICTION BOOK OF THE YEAR'A bold new voice' IRISH TIMES'Visceral . . . I could feel every word' ANGELA HUI'Thoughtful, poetic and clear-sighted' CECILE PINThe orange is a souvenir of history. Across time, it has been a harbinger of God and doom, fortune and failure, pleasure and suffering. It is a fruit containing metaphors, dreams, mythologies, superstitions, parables and histories within its tough rind. So, what happens when the fruit is peeled and each segment - each moment of history, each meaning in time - is pulled apart?In this distinct, subversive and intimate hybrid memoir, Katie Goh explores the orange as a means of understanding the world, and herself within it. What she reveals is violence, colonialism, resilience, survival, adaptation - and unexpected beauty and sweetness against all odds.

Throughout history, apocalypse fiction has explored social injustice through fantasy, sci-fi and religious imagery, but what can we learn from it? Why do we escape very real disaster via dystopia? Why do we fantasise about the end of the world?The word “apocalypse” has roots in ancient Greek, with apo (“off”) and kalýptein (“cover”) combining to form apokálypsis, meaning to uncover or reveal. In considering apocalypse fiction across culture and its role in how we manage, manifest and imagine social, economic and political crises, Goh navigates what this genre reveals about our contemporary anxieties, and why we turn to disaster time and again.From blockbusters like War of the Worlds to The Handmaid’s Tale and far beyond, we venture through global pandemics to the climate crisis, seeking real answers in the midst of our fictional destruction.Let’s journey to the end.