Ken Hiltner – författare

Ecocriticism: The Essential Reader charts the growth of this important field. The first-wave ecocriticism section focuses on key readings from the 1960s to the 1990s. The second-wave ecocriticism section goes on to consider a range of exciting contemporary trends, including environmental justice, aesthetics and philosophy, and globalization.Readings include the work of: Raymond WilliamsJonathan BateTimothy MortonUrsula HeiseLawrence BuellKate SoperCary Wolfeand Kate Rigby.Containing seminal, representative, and contemporary work in the field, this volume and the editorial commentary is designed for use on both undergraduate and postgraduate ecocritical literature courses.

Writing a New Environmental Era first considers and then rejects back-to-nature thinking and its proponents like Henry David Thoreau, arguing that human beings have never lived at peace with nature. Consequently, we need to stop thinking about going back to what never was and instead work at moving forward to forge a more harmonious relationship with nature in the future. Using the rise of the automobile and climate change denial literature to explore how our current environmental era was written into existence, Ken Hiltner argues that the humanities—and not, as might be expected, the sciences—need to lead us there. In one sense, climate change is caused by a rise in atmospheric CO2 and other so-called greenhouse gases. Science can address this cause. However, approached in another way altogether, climate change is caused by a range of troubling human activities that require the release of these gases, such as our obsessions with cars, lavish houses, air travel and endless consumer goods. The natural sciences may be able to tell us how these activities are changing our climate, but not why we are engaging in them. That’s a job for the humanities and social sciences. As this book argues, we need to see anthropogenic (i.e. human-caused) climate change for what it is and address it as such: a human problem brought about by human actions.A passionate and personal exploration of why the Environmental Humanities matter and why we should be looking forward, not back to nature, this book will be essential reading for all those interested in the future and sustainability of our planet.

Writing a New Environmental Era first considers and then rejects back-to-nature thinking and its proponents like Henry David Thoreau, arguing that human beings have never lived at peace with nature. Consequently, we need to stop thinking about going back to what never was and instead work at moving forward to forge a more harmonious relationship with nature in the future. Using the rise of the automobile and climate change denial literature to explore how our current environmental era was written into existence, Ken Hiltner argues that the humanities—and not, as might be expected, the sciences—need to lead us there. In one sense, climate change is caused by a rise in atmospheric CO2 and other so-called greenhouse gases. Science can address this cause. However, approached in another way altogether, climate change is caused by a range of troubling human activities that require the release of these gases, such as our obsessions with cars, lavish houses, air travel and endless consumer goods. The natural sciences may be able to tell us how these activities are changing our climate, but not why we are engaging in them. That’s a job for the humanities and social sciences. As this book argues, we need to see anthropogenic (i.e. human-caused) climate change for what it is and address it as such: a human problem brought about by human actions.A passionate and personal exploration of why the Environmental Humanities matter and why we should be looking forward, not back to nature, this book will be essential reading for all those interested in the future and sustainability of our planet.

Ecocriticism: The Essential Reader charts the growth of this important field. The first-wave ecocriticism section focuses on key readings from the 1960s to the 1990s. The second-wave ecocriticism section goes on to consider a range of exciting contemporary trends, including environmental justice, aesthetics and philosophy, and globalization.Readings include the work of: Raymond WilliamsJonathan BateTimothy MortonUrsula HeiseLawrence BuellKate SoperCary Wolfeand Kate Rigby.Containing seminal, representative, and contemporary work in the field, this volume and the editorial commentary is designed for use on both undergraduate and postgraduate ecocritical literature courses.

Environmental Criticism for the Twenty-First Century showcases the recent explosive expansion of environmental criticism, which is actively transforming three areas of broad interest in contemporary literary and cultural studies: history, scale, and science. With contributors engaging texts from the medieval period through the twenty-first century, the collection brings into focus recent ecocritical concern for the long durations through which environmental imaginations have been shaped. Contributors also address problems of scale, including environmental institutions and imaginations that complicate conventional rubrics such as the national, local, and global. Finally, this collection brings together a set of scholars who are interested in drawing on both the sciences and the humanities in order to find compelling stories for engaging ecological processes such as global climate change, peak oil production, nuclear proliferation, and food scarcity. Environmental Criticism for the Twenty-First Century offers powerful proof that cultural criticism is itself ecologically resilient, evolving to meet the imaginative challenges of twenty-first-century environmental crises.

Environmental Criticism for the Twenty-First Century showcases the recent explosive expansion of environmental criticism, which is actively transforming three areas of broad interest in contemporary literary and cultural studies: history, scale, and science. With contributors engaging texts from the medieval period through the twenty-first century, the collection brings into focus recent ecocritical concern for the long durations through which environmental imaginations have been shaped. Contributors also address problems of scale, including environmental institutions and imaginations that complicate conventional rubrics such as the national, local, and global. Finally, this collection brings together a set of scholars who are interested in drawing on both the sciences and the humanities in order to find compelling stories for engaging ecological processes such as global climate change, peak oil production, nuclear proliferation, and food scarcity. Environmental Criticism for the Twenty-First Century offers powerful proof that cultural criticism is itself ecologically resilient, evolving to meet the imaginative challenges of twenty-first-century environmental crises.

In Milton and Ecology, Ken Hiltner engages with literary, theoretical, and historic approaches to explore the ideological underpinnings of our prevalent environmental crisis. Focusing on Milton's rejection of dualistic theology, metaphysical philosophy, and early-modern subjectivism, Hiltner argues that Milton anticipates certain prevailing essential ecological arguments. Even more remarkable is that Milton was able to integrate these arguments with biblical sources so seamlessly that his interpretative 'Green' reading of scripture has for over three centuries been entirely plausible. This study considers how Milton, from the earliest edition of the Poems, not only sought to tell the story of how through humanity's folly Paradise on earth was lost, but also sought to tell how it might be regained. This intriguing study will be of interest to eco-critics and Milton specialists alike.

In Milton and Ecology, Ken Hiltner engages with literary, theoretical, and historic approaches to explore the ideological underpinnings of our prevalent environmental crisis. Focusing on Milton's rejection of dualistic theology, metaphysical philosophy, and early-modern subjectivism, Hiltner argues that Milton anticipates certain prevailing essential ecological arguments. Even more remarkable is that Milton was able to integrate these arguments with biblical sources so seamlessly that his interpretative 'Green' reading of scripture has for over three centuries been entirely plausible. This study considers how Milton, from the earliest edition of the Poems, not only sought to tell the story of how through humanity's folly Paradise on earth was lost, but also sought to tell how it might be regained. This intriguing study will be of interest to eco-critics and Milton specialists alike.

Pastoral was one of the most popular literary forms of early modern England. Inspired by classical and Italian Renaissance antecedents, writers from Ben Jonson to John Beaumont and Abraham Cowley wrote in idealized terms about the English countryside. It is often argued that the Renaissance pastoral was a highly figurative mode of writing that had more to do with culture and politics than with the actual countryside of England. For decades now literary criticism has had it that in pastoral verse, hills and crags and moors were extolled for their metaphoric worth, rather than for their own qualities. In What Else Is Pastoral? Ken Hiltner takes a fresh look at pastoral, offering an environmentally minded reading that reconnects the poems with literal landscapes, not just figurative ones.Considering the pastoral in literature from Virgil and Petrarch to Jonson and Milton, Hiltner proposes a new ecocritical approach to these texts. We only become truly aware of our environment, he explains, when its survival is threatened. As London expanded rapidly during the sixteenth and seventeenth centuries, the city and surrounding rural landscapes began to look markedly different. Hiltner finds that Renaissance writers were acutely aware that the countryside they had known was being lost to air pollution, deforestation, and changing patterns of land use; their works suggest this new absence of nature through their appreciation for the scraps that remained in memory or in fact. A much-needed corrective to the prevailing interpretation of pastoral poetry, What Else Is Pastoral? shows the value of reading literature with an ecological eye.