Kendrick Oliver – författare

Investigates the dynamic relationship between experiences of profound social and cultural disruption, and human memory. Critical comparisons are made across a wide variety of catastrophic experiences and memories; not just of war, but also of massacre, genocide, rebellion, famine, partition, shipwreck and fire. The book is an accessible showcase for a wide range of methodological approaches to the study of memory, including literary studies, cultural studies, participant-observation and historical studies, and uses a variety of oral, visual and written sources. Offers a diverse chronological and geographical range of catastrophic cases, from seventeenth-century England to the recent conflicts in the former Yugoslavia, from Ireland to the Indian sub-continent, from Mexico to wartime Leningrad. Well-written and accessible – a fascinating read.

On 16 March 1968, two US infantry companies entered a Vietnamese village and in the course of a single morning killed over 400 of its unarmed, unresisting inhabitants . . .This is the first book to examine the response of American society to the My Lai massacre and its ambiguous place in American national memory. Kendrick Oliver argues that the massacre revelations left many Americans untroubled. It was only when the soldiers most immediately responsible came to be tried that opposition to the conflict grew, for these prosecutions were regarded by supporters of the war as evidence that the national leaders no longer had the will to do what was necessary to win.Oliver goes on to show that, contrary to interpretations of the Vietnam conflict as an unhealed national trauma or wound, many Americans have assimilated the war and its violence rather too well, and they were able to do so even when that violence was most conspicuous and current. US soldiers have been presented as the conflict’s principal victims, and this was true even in the case of My Lai. It was the American perpetrators of the massacre and not the Vietnamese they brutalized who became the central object of popular concern. Both the massacre and its reception reveal the problem of human empathy in conditions of a counter-revolutionary war – a war, moreover, that had always been fought for geopolitical credibility, not for the sake of the Vietnamese.This incisive enquiry into the moral history of the Vietnam war should be essential reading for all students of the conflict, as well as others interested in the war and its cultural legacies.

"In the beginning God created the heavens and the earth..." In 1968 the world watched as Earth rose over the moonscape, televised from the orbiting Apollo 8 mission capsule. Radioing back to Houston on Christmas Eve, astronauts recited the first ten verses from the book of Genesis. In fact, many of the astronauts found space flight to be a religious experience. "To Touch the Face of God" is the first book-length historical study of the relationship between religion and the U.S. space program. Kendrick Oliver explores the role played by religious motivations in the formation of the space program and discusses the responses of religious thinkers such as Paul Tillich and C. S. Lewis. Examining the attitudes of religious Americans, Oliver finds that the space program was a source of anxiety as well as inspiration. It was not always easy for them to tell whether it was a godly or godless venture. Grounded in original archival research and the study of participant testimonies, this book also explores one of the largest petition campaigns of the post-war era. Between 1969 and 1975, more than eight million Americans wrote to NASA expressing support for prayer and bible-reading in space.Oliver's study is rigorous and detailed but also contemplative in its approach, examining the larger meanings of mankind's first adventures in "the heavens."