Kenn Kaufman – författare

Critically acclaimed for its innovative design, the Kaufman guide introduced a new generation to birding. The Kaufman Field Guide to Birds of North America includes the official names of birds and range maps. Additional information helps beginning birdwatchers get started, all in the same compact format that has made this guide the easiest to use for fast identification in the field.

At sixteen, Kenn Kaufman dropped out of the high school where he was student council president and hit the road, hitching back and forth across America, from Alaska to Florida, Maine to Mexico. Maybe not all that unusual a thing to do in the seventies, but what Kenn was searching for was a little different: not sex, drugs, God, or even self, but birds. A report of a rare bird would send him hitching nonstop from Pacific to Atlantic and back again. When he was broke he would pick fruit or do odd jobs to earn the fifty dollars or so that would last him for weeks. His goal was to set a record - most North American species seen in a year - but along the way he began to realize that at this breakneck pace he was only looking, not seeing. What had been a game became a quest for a deeper understanding of the natural world. Kingbird Highway is a unique coming-of-age story, combining a lyrical celebration of nature with wild, and sometimes dangerous, adventures, starring a colorful cast of characters.

A close study of one season along Lake Erie that reveals the amazing science and magic of spring bird migration, and the perils of human encroachment. “Kenn Kaufman knows his birds and their miraculous journeys—and he feels them deeply, too. An enlightening, thought-provoking, and poignant read.” —Jennifer Ackerman, author of The Genius of BirdsEvery spring, billions of birds sweep north, driven by ancient instincts to return to their breeding grounds. This vast parade often goes unnoticed, except in a few places where these small travelers concentrate in large numbers. One such place is along Lake Erie in northwestern Ohio. There, the peak of spring migration is so spectacular that it attracts bird watchers from around the globe, culminating in one of the world’s biggest birding festivals. Millions of winged migrants pass through the region, some traveling thousands of miles, performing epic feats of endurance and navigating with stunning accuracy. Now climate change threatens to disrupt patterns of migration and the delicate balance between birds, seasons, and habitats. But wind farms—popular as green energy sources—can be disastrous for birds if built in the wrong places. This is a fascinating and urgent study of the complex issues that affect bird migration.“Kaufman soars above his Ohio home place and artfully shares the world of birds and the miraculous feats of migration that persist amidst constant conservation struggles and hard-won successes.” —J. Drew Lanham, author of The Home Place“A Season on the Wind will transform the way we see birds and the season of spring!” —Melissa Groo, wildlife photographer and conservationist

Renowned naturalist Kenn Kaufman examines the scientific discoveries of John James Audubon and his artistic and ornithologist peers to show how what they saw (and what they missed) reflects how we perceive and understand the natural world.Raging ambition. Towering egos. Competition under a veneer of courtesy. Heroic effort combined with plagiarism, theft, exaggeration, and fraud. This was the state of bird study in eastern North America during the early 1800s, as a handful of intrepid men raced to find the last few birds that were still unknown to science. The most famous name in the bird world was John James Audubon, who painted spectacular portraits of birds. But although his images were beautiful, creating great art was not his main goal. Instead, he aimed to illustrate (and write about) as many different species as possible, obsessed with trying to outdo his rival, Alexander Wilson. George Ord, a fan and protégé of Wilson, held a bitter grudge against Audubon for years, claiming he had faked much of his information and his scientific claims. A few of Audubon’s birds were pure fiction, and some of his writing was invented or plagiarized. Other naturalists of the era, including Charles Bonaparte (nephew of Napoleon), John Townsend, and Thomas Nuttall, also became entangled in the scientific derby, as they stumbled toward an understanding of the natural world—an endeavor that continues to this day. Despite this intense competition, a few species—including some surprisingly common songbirds, hawks, sandpipers, and more—managed to evade discovery for years. Here, renowned bird expert and artist Kenn Kaufman explores this period in history from a new angle, by considering the birds these people discovered and, especially, the ones they missed. Kaufman has created portraits of the birds that Audubon never saw, attempting to paint them in that artist’s own stunning style, as a way of examining the history of natural sciences and nature art. He shows how our understanding of birds continues to gain clarity, even as some mysteries persist from Audubon’s time until ours.

Renowned naturalist Kenn Kaufman examines the scientific discoveries of John James Audubon and his artistic and ornithologist peers in this fascinating “blend of history, science, art, biography, and memoir” (Booklist, starred review) that is “a bird lovers’ delight” (Kirkus Reviews).Raging ambition. Towering egos. Competition under a veneer of courtesy. Heroic effort combined with plagiarism, theft, exaggeration, and fraud. This was the state of bird study in eastern North America during the early 1800s, as a handful of intrepid men raced to find the last few birds that were still unknown to science. The most famous name in the bird world was John James Audubon, who painted spectacular portraits of birds. But although his images were beautiful, creating great art was not his main goal. Instead, he aimed to illustrate (and write about) as many different species as possible, obsessed with trying to outdo his rival, Alexander Wilson. George Ord, a fan and protégé of Wilson, held a bitter grudge against Audubon for years, claiming he had faked much of his information and his scientific claims. A few of Audubon’s birds were pure fiction, and some of his writing was invented or plagiarized. Other naturalists of the era, including Charles Bonaparte (nephew of Napoleon), John Townsend, and Thomas Nuttall, also became entangled in the scientific derby, as they stumbled toward an understanding of the natural world—an endeavor that continues to this day. Despite this intense competition, a few species—including some surprisingly common songbirds, hawks, sandpipers, and more—managed to evade discovery for years. Here, renowned bird expert and artist Kenn Kaufman explores this period in history from a new angle, by considering the birds these people discovered and, especially, the ones they missed. Kaufman has created portraits of the birds that Audubon never saw, attempting to paint them in that artist’s own stunning style, showing how our understanding of birds continues to gain clarity, even as some mysteries persist from Audubon’s time until ours.

Renowned naturalist Kenn Kaufman examines the scientific discoveries of John James Audubon and his artistic and ornithologist peers in this fascinating “blend of history, science, art, biography, and memoir” (Booklist, starred review) that is “a bird lovers’ delight” (Kirkus Reviews).Raging ambition. Towering egos. Competition under a veneer of courtesy. Heroic effort combined with plagiarism, theft, exaggeration, and fraud. This was the state of bird study in eastern North America during the early 1800s, as a handful of intrepid men raced to find the last few birds that were still unknown to science. The most famous name in the bird world was John James Audubon, who painted spectacular portraits of birds. But although his images were beautiful, creating great art was not his main goal. Instead, he aimed to illustrate (and write about) as many different species as possible, obsessed with trying to outdo his rival, Alexander Wilson. George Ord, a fan and protégé of Wilson, held a bitter grudge against Audubon for years, claiming he had faked much of his information and his scientific claims. A few of Audubon’s birds were pure fiction, and some of his writing was invented or plagiarized. Other naturalists of the era, including Charles Bonaparte (nephew of Napoleon), John Townsend, and Thomas Nuttall, also became entangled in the scientific derby, as they stumbled toward an understanding of the natural world—an endeavor that continues to this day. Despite this intense competition, a few species—including some surprisingly common songbirds, hawks, sandpipers, and more—managed to evade discovery for years. Here, renowned bird expert and artist Kenn Kaufman explores this period in history from a new angle, by considering the birds these people discovered and, especially, the ones they missed. Kaufman has created portraits of the birds that Audubon never saw, attempting to paint them in that artist’s own stunning style, showing how our understanding of birds continues to gain clarity, even as some mysteries persist from Audubon’s time until ours.