Lawrence A. Kreiser Jr. – författare

The Civil War tore America apart. The ensuing era of Reconstruction sewed it back together. In this vivid look at the popular culture of the era, Browne and Kreiser examine how Americans coped with the trials and tribulations of this cataclysmic period.Narrative essays examine the lives of everyday Americans—young and old, Northern and Southern, soldier and civilian—along with the major traditions and trends in every facet of the time's popular culture. Dime novels, illustrated newspapers, iceboxes, patriotic hymns and rebel rhythms, minstrel shows, and professional baseball teams were just some of the cultural phenomena that thrived during this period. Readers will benefit from the chapter bibliographies, a timeline, a cost comparison, and suggestions for further reading. This latest addition to Greenwood's ^IAmerican Popular Culture Through History^R series is an invaluable contribution to the study of American popular culture.

Letting ordinary people speak for themselves, this book uses primary documents to highlight daily life among Americans—Union and Confederate, black and white, soldier and civilian—during the Civil War and Reconstruction.Focusing on routines as basic as going to school and cooking and cleaning, Voices of Civil War America: Contemporary Accounts of Daily Life explores the lives of ordinary Americans during one of the nation's most tumultuous eras. The book emphasizes the ordinary rather than the momentous to help students achieve a true understanding of mid-19th-century American culture and society.Recognizing that there is no better way to learn history than to allow those who lived it to speak for themselves, the authors utilize primary documents to depict various aspects of daily life, including politics, the military, economics, domestic life, material culture, religion, intellectual life, and leisure. Each of the documents is augmented by an introduction and aftermath, as well as lists of topics to consider and questions to ask.

In countries around the world, the rise of class divisions and unbridled capitalism are changing the conventional definitions of art and esthetics. Historically, the philanthropy of the elite has played a leading role in supporting, funding, and distributing artistic works. While such measures may be pure in intent, many worry that private funding may be gentrifying the arts and creating a situation in which art will only be valued for its prestige or, worse, its price tag.This collection of essays examines the current movement to democratize the arts and make the world of artistic endeavor open and accessible to all.Instructors considering this book for use in a course may request an examination copy here.

Lawrence A. Kreiser, Jr.'s Marketing the Blue and Gray analyzes newspaper advertising during the American Civil War. Newspapers circulated widely between 1861 and 1865, and merchants took full advantage of this readership. They marketed everything from war bonds to biographies of military and political leaders; from patent medicines that promised to cure almost any battlefield wound to ""secession cloaks"" and ""Fort Sumter"" cockades. Union and Confederate advertisers pitched shopping as its own form of patriotism, one of the more enduring legacies of the nation's largest and bloodiest war. However, unlike important-sounding headlines and editorials, advertisements have received only passing notice from historians. As the first full-length analysis of Union and Confederate newspaper advertising, Kreiser's study sheds light on this often overlooked aspect of Civil War media. Kreiser argues that the marketing strategies of the time show how commercialization and patriotism became increasingly intertwined as Union and Confederate war aims evolved. Yankees and Rebels believed that buying decisions were an important expression of their civic pride, from ""Union forever"" groceries to ""States Rights"" sewing machines. He suggests that the notices helped to expand American democracy by allowing their diverse readership to participate in almost every aspect of the Civil War. As potential customers, free blacks and white women perused announcements for war-themed biographies, images, and other material wares that helped to define the meaning of the fighting. Advertisements also helped readers to become more savvy consumers and, ultimately, citizens, by offering them choices. White men and, in the Union after 1863, black men might volunteer for military service after reading a recruitment notice; or they might instead respond to the kind of notice for ""draft insurance"" that flooded newspapers after the Union and Confederate governments resorted to conscription to help fill the ranks. Marketing the Blue and Gray demonstrates how, through their sometimes-messy choices, advertising pages offered readers the opportunity to participate- or not- in the war effort.