Lawrence Switzky – författare
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The three plays in this volume are some of George Bernard Shaw's most popular and frequently performed works. They demonstrate the development of Shavian comedy and contain early formulations of his idea of the Superman, an extraordinary individual who catalyzes the evolution of mankind. Arms and the Man (1894) was Shaw's first commercial success and the first public confirmation that he could make playwriting his profession. It is the first of what Shaw called his "pleasant plays',comedies that critique idealism in general rather than specific social problems (as his earlier plays did). Specifically, Shaw undermines the romance of wartime courage, reckless heroism, and nationalist pride among British spectators while using the Serbo-Bulgarian War of 1886 as an exotic veneer. Shaw wrote The Devil's Disciple (1897) for William Terriss, an actor known for his swashbuckling roles who had requested a play that would 'contain every "surefire" melodramatic situation' --mistaken identities, terrifying adventures and last-second escapes, and frequent emotional outpourings..Caesar and Cleopatra (1898) is Shaw's revision of Shakespeare's Julius Caesar and Antony and Cleopatra as well as a fusion of the pragmatism and unconventionality of the heroes of Arms and the Man and The Devil's Disciple into a portrait of jocular, morally serious leadership.
Shakespeare’s Things
Shakespearean Theatre and the Non-Human World in History, Theory, and Performance
Inbunden, Engelska, 2019
2 690 kr
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Floating daggers, enchanted handkerchiefs, supernatural storms, and moving statues have tantalized Shakespeare’s readers and audiences for centuries. The essays in Shakespeare’s Things: Shakespearean Theatre and the Non-Human World in History, Theory, and Performance renew attention to non-human influence and agency in the plays, exploring how Shakespeare anticipates new materialist thought, thing theory, and object studies while presenting accounts of intention, action, and expression that we have not yet noticed or named. By focusing on the things that populate the plays—from commodities to props, corpses to relics—they find that canonical Shakespeare, inventor of the human, gives way to a lesser-known figure, a chronicler of the ceaseless collaboration among persons, language, the stage, the object world, audiences, the weather, the earth, and the heavens.
Shakespeare’s Things
Shakespearean Theatre and the Non-Human World in History, Theory, and Performance
Häftad, Engelska, 2021
734 kr
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Floating daggers, enchanted handkerchiefs, supernatural storms, and moving statues have tantalized Shakespeare’s readers and audiences for centuries. The essays in Shakespeare’s Things: Shakespearean Theatre and the Non-Human World in History, Theory, and Performance renew attention to non-human influence and agency in the plays, exploring how Shakespeare anticipates new materialist thought, thing theory, and object studies while presenting accounts of intention, action, and expression that we have not yet noticed or named. By focusing on the things that populate the plays—from commodities to props, corpses to relics—they find that canonical Shakespeare, inventor of the human, gives way to a lesser-known figure, a chronicler of the ceaseless collaboration among persons, language, the stage, the object world, audiences, the weather, the earth, and the heavens.
2 198 kr
Kommande
Responding to a need among health humanities scholars and clinicians to grapple with medicine’s performative aspects, this open access book argues there are deep connections between theatre and medicine which can guide transformative insights in both disciplines.This book contends that understanding the performative aspects of caregivers’ and patients’ roles can tangibly improve medical outcomes. It features chapters and interviews from a wide range of scholars in the medical, health humanities, theatre, performance, and disability studies, as well as key stakeholders such as doctors, medical educators, disability activists, home caregivers and patients. Moving beyond existing applications of the arts in narrative medicine and medical education, it is clear that patients’ and doctors’ performances cannot be understood in isolation, nor does interpretation happen in only one direction.Multiple theatre and performance genres are discussed, including spoken drama, opera, performance art, object performance, ritual, postdramatic theatre, forum theatre, and medical performances on film. By analyzing the ensemble drama of illness, by proposing enhancements to medicine’s “hidden curriculum” through roleplay, dramaturgy, and actor training in theatre and social performance theory, and by bringing patients and caregivers into the conversation, this book offers new research and real-world benefits.The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com.