Lee Fratantuono – författare

Pushing the Boundaries of Historia collects together 20 chapters, whose coverage extends from the prehistory of Greece through early Christianity in the Roman Empire to the reception of classical texts by contemporary playwrights and poets. The essays range beyond Greece and Rome to the ancient realms of Persia and China and explore a vast array of ancient authors – Homer, Herodotus, Thucydides, Euripides, Vergil, Ovid, Livy, and Tacitus.Written by philologists, historians, epigraphers, palaeographers, archaeologists, and art historians, it brings together the best of old and new traditions of classical study, from senior emeritus faculty with established records of scholarly productivity, to the newest generation of classics and archaeology professors. What draws together the disparate strands of academic inquiry found in these pages is a passion for understanding how the lessons of the world of the ancient Greeks, Romans, and their still lamentably understudied neighbors, can offer commentary on the contemporary world.

Few television science fiction series have had the enduring appeal of the original, late 1970s Battlestar Galactica. Despite lasting only one season (1978-1979), almost half a century later Battlestar remains a cultural touchstone and major influence on genre productions in a variety of media. For all its popularity, however, Battlestar remains a largely unstudied series, with relatively few resources available for those interested in learning more about the show, including both its development and its afterlife.This companion is the definitive resource for fans of the series. It contains all the essential facts that fans would expect, such as plot and other details of each episode, but uniquely also explores the scholarly and philosophical influences on the series. Battlestar Galactica borrows extensively from classical mythology and biblical sources, as well as from myths and folklore associated with nation-building and the timeless wonder of travel stories. In many regards, Battlestar is nothing less than an Aeneid in outer space, telling the story of how an exiled, defeated people seeks a return to their ancestral home, surmounting countless perils along the way. Fratantuono brings his expertise in classical mythology and ancient history to bear on the series.There are new interviews with stars Dirk Benedict (Lt. Starbuck) and Cathey Paine (the voice of Galactica's computer, C.O.R.A). Comprehensive information is provided on series merchandise, a concise overview of the short-lived Galactica, 1980), and the connection of the series to Buck Rogers in the 25th Century. There is no comparable guide available.

Pushing the Boundaries of Historia collects together 20 chapters, whose coverage extends from the prehistory of Greece through early Christianity in the Roman Empire to the reception of classical texts by contemporary playwrights and poets. The essays range beyond Greece and Rome to the ancient realms of Persia and China and explore a vast array of ancient authors – Homer, Herodotus, Thucydides, Euripides, Vergil, Ovid, Livy, and Tacitus.Written by philologists, historians, epigraphers, palaeographers, archaeologists, and art historians, it brings together the best of old and new traditions of classical study, from senior emeritus faculty with established records of scholarly productivity, to the newest generation of classics and archaeology professors. What draws together the disparate strands of academic inquiry found in these pages is a passion for understanding how the lessons of the world of the ancient Greeks, Romans, and their still lamentably understudied neighbors, can offer commentary on the contemporary world.

Book XVI of Tacitus' Annals is the last of the surviving books of the great Roman historian's monumental account of the reigns of the emperors from Tiberius to Nero. The unfinished book offers a stunning portrait of Nero in his last years, a man now free of the restraining influences of his mother Agrippina and tutor Seneca. Annals XVI presents such unforgettable scenes as the spectacle of Petronius' suicide, and the mad quest of Nero to find the gold of the Carthaginian queen Dido.This edition provides a commentary to the entire book, with notes carefully aimed at first-time readers of Tacitus as well as more advanced students. An introduction provides a guide to what we know of Tacitus' life and work, as well as to the reign of Nero and Tacitus' depiction of an empire in transition, of a Rome teetering on the verge of chaos and collapse. A full vocabulary at the end of the volume is a vital resource for students preparing this text for class work or assessment.

A good argument could be made that the Battle of Actium was the most significant military engagement in Roman history. On a bright September day, the naval forces of Octavian clashed with those of Antony and Cleopatra off the coast of western Greece. The victory Octavian enjoyed that day set the state for forty-four years of what would come to be known as the Augustan Peace, and was in no small way the dawn of the Roman Empire.Yet, despite its significance, what exactly happened at Actium has been a mystery, despite significant labours and effort on the part of many classicists and military historians both amateur and professional. Professor Lee Fratantuono re-examines the ancient evidence and presents a compelling and solidly documented account of what took place in the waters off the promontory of Leucas in late August and early September of 31 B.C.

Metamorphoses is an epic-style, narrative poem written in hexameters. Original, inventive and charming, the poem tells the stories of myths featuring transformations, from the creation of the universe to the death and deification of Julius Caesar. Book X contains some of Ovid's most memorable stories: Orpheus and Eurydice, Pygmalion, Atalanta and Hippomenes (with the race for the golden apples), Venus and Adonis, and Myrrha.This edition contains the Latin text as well as in-depth commentary notes that provide language support, explain difficult words and phrases, highlight literary features and supply background knowledge. The introduction presents an overview of Ovid and the historical and literary context, as well as a plot synopsis and a discussion of the literary genre. Suggested reading is also included.

A good argument could be made that the Battle of Actium was the most significant military engagement in Roman history. On a bright September day, the naval forces of Octavian clashed with those of Antony and Cleopatra off the coast of western Greece. The victory Octavian enjoyed that day set the state for forty-four years of what would come to be known as the Augustan Peace, and was in no small way the dawn of the Roman Empire. Yet, despite its significance, what exactly happened at Actium has been a mystery, despite significant labours and effort on the part of many classicists and military historians both amateur and professional. Professor Lee Fratantuono re-examines the ancient evidence and presents a compelling and solidly documented account of what took place in the waters off the promontory of Leucas in late August and early September of 31 B.C.

Lucretius’ philosophical epic De Rerum Natura (On the Nature of Things) is a lengthy didactic and narrative celebration of the universe and, in particular, the world of nature and creation in which humanity finds its abode. This earliest surviving full scale epic poem from ancient Rome was of immense influence and significance to the development of the Latin epic tradition, and continues to challenge and haunt its readers to the present day. A Reading of Lucretius’ De Rerum Natura offers a comprehensive commentary on this great work of Roman poetry and philosophy. Lee Fratantuono reveals Lucretius to be a poet with deep and abiding interest in the nature of the Roman identity as the children of both Venus (through Aeneas) and Mars (through Romulus); the consequences (both positive and negative) of descent from the immortal powers of love and war are explored in vivid epic narrative, as the poet progresses from his invocation to the mother of the children of Aeneas through to the burning funeral pyres of the plague at Athens. Lucretius’ epic offers the possibility of serenity and peaceful reflection on the mysteries of the nature of the world, even as it shatters any hope of immortality through its bleak vision of post mortem oblivion. And in the process of defining what it means both to be human and Roman, Lucretius offers a horrifying vision of the perils of excessive devotion both to the gods and our fellow men, a commentary on the nature of pietas that would serve as a warning for Virgil in his later depiction of the Trojan Aeneas.

Lucretius’ philosophical epic De Rerum Natura (On the Nature of Things) is a lengthy didactic and narrative celebration of the universe and, in particular, the world of nature and creation in which humanity finds its abode. This earliest surviving full scale epic poem from ancient Rome was of immense influence and significance to the development of the Latin epic tradition, and continues to challenge and haunt its readers to the present day. A Reading of Lucretius’ De Rerum Natura offers a comprehensive commentary on this great work of Roman poetry and philosophy. Lee Fratantuono reveals Lucretius to be a poet with deep and abiding interest in the nature of the Roman identity as the children of both Venus (through Aeneas) and Mars (through Romulus); the consequences (both positive and negative) of descent from the immortal powers of love and war are explored in vivid epic narrative, as the poet progresses from his invocation to the mother of the children of Aeneas through to the burning funeral pyres of the plague at Athens. Lucretius’ epic offers the possibility of serenity and peaceful reflection on the mysteries of the nature of the world, even as it shatters any hope of immortality through its bleak vision of post mortem oblivion. And in the process of defining what it means both to be human and Roman, Lucretius offers a horrifying vision of the perils of excessive devotion both to the gods and our fellow men, a commentary on the nature of pietas that would serve as a warning for Virgil in his later depiction of the Trojan Aeneas.

The third century AD was one of unprecedented crisis and chaos for the Roman Empire. Nightmares both internal and external threatened to spell the end of Rome's thousand-year history. Diocletian was born either a slave or a freedman, and he grew up to become the saviour of Rome in her hour of crisis, a powerful military and political leader who transformed the Roman Empire from a hotbed of unceasing strife and turmoil into a renewed, restored, revivified and stable polity. His more than twenty years of power were marked by the ill-fated Great Persecution of the Christians, an undertaking that would prove to be one of the less successful initiatives of his reign, even as in its own way it helped to pave the way for the coming of an equally famous, successful emperor in the person of Constantine the Great. The present study seeks to provide an introduction to the life and times of Diocletian for the general reader, offering a balanced portrait of an immensely talented man in a time of trial and tumult, an accomplished emperor who knew when it was time to retire to his gardens.

While the military exploits of Pompey the Great are well known to students of Roman history, the impressive deeds of his sons Sextus and Gnaeus are less well known. After the defeat and death of their father in 48 BC, the sons of Pompey carried on the struggle against Julius Caesar in Spain, Africa, and Sicily. In 45 BC the brothers were defeated at the epic battle of Munda, which Caesar rated the hardest-won victory of his career, and Gnaeus was killed. Sextus Pompey, however, escaped and went to Sicily, from where he continued the war against the Caesarian faction for a further ten years. He developed the island as his own private de facto kingdom, a secure naval base that supported his powerful fleet in far-flung operations. Allying himself with Caesar’s assassins, he fought the forces of the Second Triumvirate, not least Caesar’s adoptive son Octavian (the future Emperor Augustus) and his master admiral Agrippa, until finally caught and executed in 35 BC. Lee Fratantuono skilfully narrates the role of the sons of Pompey in these dramatic events: politics, diplomacy and epic battles by land and sea.

Pompey’s career in command began at a young age, taking control of his deceased father’s legions in support of Sulla during the civil war with Marius. A precocious and ambitious talent, he held repeated commands before he was the legal age. Sulla called him ‘the teenage butcher’. He served in the Sertorian War in Spain (recovering from an early defeat), helped crush Spartacus’ revolt then freed the Eastern Mediterranean from the depradations of Cilician pirates in a matter of weeks. He brought a victorious end to the long-running Third Mithridatic War and brought the whole of Asia Minor, Syria, Lebanon, Jordan and Judea under Roman influence by a mix of force and diplomacy. For good reason he was hailed even in his own lifetime as the ‘Roman Alexander’ and Lee Fratantuono gives these events the detailed coverage they deserve.All this came before the events for which he is usually remembered: his great civil war against Julius Caesar. There is detailed analysis of the opening moves in Italy, Pompey’s victory over Caesar at Dyrrhachium and the climactic battle at Pharsalus in September 48 BC. Pompey was defeated, fled ignominiously and was assassinated, leaving his two sons to carry on the war.

Few surviving works of classical literature have cast the haunting, hilarious, insightful, and eerie spell conjured by the Satyricon of the Neronian courtier and eventual victim Petronius. Fragmentary, opaque, and enigmatic, at times it seems that deception and obfuscation are the favorite tricks of its author. A Reading of Petronius’ Satyricon offers a fresh look at this genre-defying masterpiece, proceeding episode by episode and scene by scene through a vision of the hell that humanity has fashioned for itself. Petronius mercilessly and exactingly appraises Rome’s embrace of the Golden Age dreams of the Augustan principate, judging his fellow citizens and himself by the yardstick of the Neronian reign that broods over them like an avenging specter. Petronius' Satyricon offers medicine for ambulatory corpses, a prescription that consists of notifying the dead of the diagnosis, and of pointing out the inevitable and eminently logical antidote for those consumed by insatiable hunger and unfulfillable longing. Bitterly sardonic and preternaturally serene, Lee Fratantuono’s reading reveals Petronius to be nothing less than the ultimate literary voice of a dying dynasty, a prose and poetic verbal magician of serious intention, a virtuoso in the art of unmasking the ghoulish horror and inconsolable sadness that lurk often just below the surface of the comic.