As the nineteenth century progressed into the twentieth, novels about politically active women became increasingly common. Until now, however, no one has studied this body of writing as a distinct tradition in American literature. In Romancing the Vote, Leslie Petty recovers this tradition and also examines how the fiction written about the women's rights and related movements contributed to the creation and continued vitality of those movements.Petty examines the novels as paradigms of feminist activism and reform communities and elucidates how they, whether wittingly or not, model ways to create similar communities in the real world. She demonstrates how the narratives provide insight into the hopes and anxieties surrounding some of the most important political movements in American history and how they encapsulate the movements' paradoxical blend of progressive and conservative ideologies.The major works discussed are Elizabeth Boynton Harbert's Out of Her Sphere (1871), Lillie Devereux Blake's Fettered for Life (1874), Henry James's The Bostonians (1886), Frances Ellen Watkins Harper's Iola Leroy (1892), Hamlin Garland's A Spoil of Office (1892), Marjorie Shuler's For Rent—One Pedestal (1917), Elizabeth Jordan's edited volume The Sturdy Oak (1917), and Oreola Williams Haskell's Banner Bearers: Tales of the Suffrage Campaigns (1920).Although these works discredit many traditional notions about gender and inspire their readers to seek fairness and equality for many American women, they often simultaneously perpetuate discriminatory ideas about other marginalized groups. They not only privilege the experiences of white women but also rely on widespread anxieties about racial and ethnic minorities to demonstrate the need for gender reform. By focusing on such tensions between conventional and unconventional ideas about gender, race, and class, Petty shows how the fiction of this period helps to situate first-wave feminism within a larger historical and cultural context.

As the nineteenth century progressed into the twentieth, novels about politically active women became increasingly common. Until now, however, no one has studied this body of writing as a distinct tradition in American literature. In Romancing the Vote, Leslie Petty recovers this tradition and also examines how the fiction written about the women's rights and related movements contributed to the creation and continued vitality of those movements.Petty examines the novels as paradigms of feminist activism and reform communities and elucidates how they, whether wittingly or not, model ways to create similar communities in the real world. She demonstrates how the narratives provide insight into the hopes and anxieties surrounding some of the most important political movements in American history and how they encapsulate the movements' paradoxical blend of progressive and conservative ideologies.The major works discussed are Elizabeth Boynton Harbert's Out of Her Sphere (1871), Lillie Devereux Blake's Fettered for Life (1874), Henry James's The Bostonians (1886), Frances Ellen Watkins Harper's Iola Leroy (1892), Hamlin Garland's A Spoil of Office (1892), Marjorie Shuler's For Rent-One Pedestal (1917), Elizabeth Jordan's edited volume The Sturdy Oak (1917), and Oreola Williams Haskell's Banner Bearers: Tales of the Suffrage Campaigns (1920).Although these works discredit many traditional notions about gender and inspire their readers to seek fairness and equality for many American women, they often simultaneously perpetuate discriminatory ideas about other marginalized groups. They not only privilege the experiences of white women but also rely on widespread anxieties about racial and ethnic minorities to demonstrate the need for gender reform. By focusing on such tensions between conventional and unconventional ideas about gender, race, and class, Petty shows how the fiction of this period helps to situate first-wave feminism within a larger historical and cultural context.

As the nineteenth century progressed into the twentieth, novels about politically active women became increasingly common. Until now, however, no one has studied this body of writing as a distinct tradition in American literature. In Romancing the Vote, Leslie Petty recovers this tradition and also examines how the fiction written about the women's rights and related movements contributed to the creation and continued vitality of those movements.Petty examines the novels as paradigms of feminist activism and reform communities and elucidates how they, whether wittingly or not, model ways to create similar communities in the real world. She demonstrates how the narratives provide insight into the hopes and anxieties surrounding some of the most important political movements in American history and how they encapsulate the movements' paradoxical blend of progressive and conservative ideologies.The major works discussed are Elizabeth Boynton Harbert's Out of Her Sphere (1871), Lillie Devereux Blake's Fettered for Life (1874), Henry James's The Bostonians (1886), Frances Ellen Watkins Harper's Iola Leroy (1892), Hamlin Garland's A Spoil of Office (1892), Marjorie Shuler's For Rent—One Pedestal (1917), Elizabeth Jordan's edited volume The Sturdy Oak (1917), and Oreola Williams Haskell's Banner Bearers: Tales of the Suffrage Campaigns (1920).Although these works discredit many traditional notions about gender and inspire their readers to seek fairness and equality for many American women, they often simultaneously perpetuate discriminatory ideas about other marginalized groups. They not only privilege the experiences of white women but also rely on widespread anxieties about racial and ethnic minorities to demonstrate the need for gender reform. By focusing on such tensions between conventional and unconventional ideas about gender, race, and class, Petty shows how the fiction of this period helps to situate first-wave feminism within a larger historical and cultural context.

As the nineteenth century progressed into the twentieth, novels about politically active women became increasingly common. Until now, however, no one has studied this body of writing as a distinct tradition in American literature. In Romancing the Vote, Leslie Petty recovers this tradition and also examines how the fiction written about the women's rights and related movements contributed to the creation and continued vitality of those movements.Petty examines the novels as paradigms of feminist activism and reform communities and elucidates how they, whether wittingly or not, model ways to create similar communities in the real world. She demonstrates how the narratives provide insight into the hopes and anxieties surrounding some of the most important political movements in American history and how they encapsulate the movements' paradoxical blend of progressive and conservative ideologies.The major works discussed are Elizabeth Boynton Harbert's Out of Her Sphere (1871), Lillie Devereux Blake's Fettered for Life (1874), Henry James's The Bostonians (1886), Frances Ellen Watkins Harper's Iola Leroy (1892), Hamlin Garland's A Spoil of Office (1892), Marjorie Shuler's For Rent-One Pedestal (1917), Elizabeth Jordan's edited volume The Sturdy Oak (1917), and Oreola Williams Haskell's Banner Bearers: Tales of the Suffrage Campaigns (1920).Although these works discredit many traditional notions about gender and inspire their readers to seek fairness and equality for many American women, they often simultaneously perpetuate discriminatory ideas about other marginalized groups. They not only privilege the experiences of white women but also rely on widespread anxieties about racial and ethnic minorities to demonstrate the need for gender reform. By focusing on such tensions between conventional and unconventional ideas about gender, race, and class, Petty shows how the fiction of this period helps to situate first-wave feminism within a larger historical and cultural context.

Contributions by Ruth R. Caillouet, Mary C. Carruth, Nancy Dixon, Kathleen Downes, Edward J. Dupuy, Shari Evans, Paul Fess, Carina Evans Hoffpauir, Leslie Petty, Heidi Podlasi-Labrenz, Tierney S. Powell, Shanna M. Salinas, Matthew Teutsch, and Marcus Charles TribbettVoices and Visions: Essays on New Orleans's Literary History examines a rich combination of writers and texts, from antebellum works like Martin R. Delany’s novel, Blake, and the poetry of Les Cenelles to Patricia Smith’s recent collection of poems, Blood Dazzler. The thirteen essays in Voices and Visions treat two hundred years of literature and include discussions on canonical, contemporary, and experimental writers. Authors often associated with New Orleans such as Kate Chopin, George Washington Cable, and Walker Percy are treated in new ways, as are well-known writers who are not often thought of in relation to the city: Charles Chesnutt, Eudora Welty, Zora Neale Hurston, and Joy Harjo. Examining this wide array of voices demonstrates the myriad ways New Orleans’s storied past has affected its present. Scholars find enduring themes—race, gender, religion, disease, art—but do so in the context of emerging conversations. Essayists in the volume address such topics as New Orleans as part of the global South and the Black diaspora, the transformation of New Orleans after Hurricane Katrina, and the recovery of previously lost voices, including those of Native Americans and immigrants. They also discuss the legacy of pandemics and racial violence that in more recent years has been manifest in the COVID-19 outbreak and the Black Lives Matter movement.

As the nineteenth century progressed into the twentieth, novels about politically active women became increasingly common. Until now, however, no one has studied this body of writing as a distinct tradition in American literature. In Romancing the Vote, Leslie Petty recovers this tradition and also examines how the fiction written about the women's rights and related movements contributed to the creation and continued vitality of those movements.Petty examines the novels as paradigms of feminist activism and reform communities and elucidates how they, whether wittingly or not, model ways to create similar communities in the real world. She demonstrates how the narratives provide insight into the hopes and anxieties surrounding some of the most important political movements in American history and how they encapsulate the movements' paradoxical blend of progressive and conservative ideologies.The major works discussed are Elizabeth Boynton Harbert's Out of Her Sphere (1871), Lillie Devereux Blake's Fettered for Life (1874), Henry James's The Bostonians (1886), Frances Ellen Watkins Harper's Iola Leroy (1892), Hamlin Garland's A Spoil of Office (1892), Marjorie Shuler's For Rent—One Pedestal (1917), Elizabeth Jordan's edited volume The Sturdy Oak (1917), and Oreola Williams Haskell's Banner Bearers: Tales of the Suffrage Campaigns (1920).Although these works discredit many traditional notions about gender and inspire their readers to seek fairness and equality for many American women, they often simultaneously perpetuate discriminatory ideas about other marginalized groups. They not only privilege the experiences of white women but also rely on widespread anxieties about racial and ethnic minorities to demonstrate the need for gender reform. By focusing on such tensions between conventional and unconventional ideas about gender, race, and class, Petty shows how the fiction of this period helps to situate first-wave feminism within a larger historical and cultural context.

As the nineteenth century progressed into the twentieth, novels about politically active women became increasingly common. Until now, however, no one has studied this body of writing as a distinct tradition in American literature. In Romancing the Vote, Leslie Petty recovers this tradition and also examines how the fiction written about the women's rights and related movements contributed to the creation and continued vitality of those movements.Petty examines the novels as paradigms of feminist activism and reform communities and elucidates how they, whether wittingly or not, model ways to create similar communities in the real world. She demonstrates how the narratives provide insight into the hopes and anxieties surrounding some of the most important political movements in American history and how they encapsulate the movements' paradoxical blend of progressive and conservative ideologies.The major works discussed are Elizabeth Boynton Harbert's Out of Her Sphere (1871), Lillie Devereux Blake's Fettered for Life (1874), Henry James's The Bostonians (1886), Frances Ellen Watkins Harper's Iola Leroy (1892), Hamlin Garland's A Spoil of Office (1892), Marjorie Shuler's For Rent-One Pedestal (1917), Elizabeth Jordan's edited volume The Sturdy Oak (1917), and Oreola Williams Haskell's Banner Bearers: Tales of the Suffrage Campaigns (1920).Although these works discredit many traditional notions about gender and inspire their readers to seek fairness and equality for many American women, they often simultaneously perpetuate discriminatory ideas about other marginalized groups. They not only privilege the experiences of white women but also rely on widespread anxieties about racial and ethnic minorities to demonstrate the need for gender reform. By focusing on such tensions between conventional and unconventional ideas about gender, race, and class, Petty shows how the fiction of this period helps to situate first-wave feminism within a larger historical and cultural context.

As the nineteenth century progressed into the twentieth, novels about politically active women became increasingly common. Until now, however, no one has studied this body of writing as a distinct tradition in American literature. In Romancing the Vote, Leslie Petty recovers this tradition and also examines how the fiction written about the women's rights and related movements contributed to the creation and continued vitality of those movements.Petty examines the novels as paradigms of feminist activism and reform communities and elucidates how they, whether wittingly or not, model ways to create similar communities in the real world. She demonstrates how the narratives provide insight into the hopes and anxieties surrounding some of the most important political movements in American history and how they encapsulate the movements' paradoxical blend of progressive and conservative ideologies.The major works discussed are Elizabeth Boynton Harbert's Out of Her Sphere (1871), Lillie Devereux Blake's Fettered for Life (1874), Henry James's The Bostonians (1886), Frances Ellen Watkins Harper's Iola Leroy (1892), Hamlin Garland's A Spoil of Office (1892), Marjorie Shuler's For Rent—One Pedestal (1917), Elizabeth Jordan's edited volume The Sturdy Oak (1917), and Oreola Williams Haskell's Banner Bearers: Tales of the Suffrage Campaigns (1920).Although these works discredit many traditional notions about gender and inspire their readers to seek fairness and equality for many American women, they often simultaneously perpetuate discriminatory ideas about other marginalized groups. They not only privilege the experiences of white women but also rely on widespread anxieties about racial and ethnic minorities to demonstrate the need for gender reform. By focusing on such tensions between conventional and unconventional ideas about gender, race, and class, Petty shows how the fiction of this period helps to situate first-wave feminism within a larger historical and cultural context.

As the nineteenth century progressed into the twentieth, novels about politically active women became increasingly common. Until now, however, no one has studied this body of writing as a distinct tradition in American literature. In Romancing the Vote, Leslie Petty recovers this tradition and also examines how the fiction written about the women's rights and related movements contributed to the creation and continued vitality of those movements.Petty examines the novels as paradigms of feminist activism and reform communities and elucidates how they, whether wittingly or not, model ways to create similar communities in the real world. She demonstrates how the narratives provide insight into the hopes and anxieties surrounding some of the most important political movements in American history and how they encapsulate the movements' paradoxical blend of progressive and conservative ideologies.The major works discussed are Elizabeth Boynton Harbert's Out of Her Sphere (1871), Lillie Devereux Blake's Fettered for Life (1874), Henry James's The Bostonians (1886), Frances Ellen Watkins Harper's Iola Leroy (1892), Hamlin Garland's A Spoil of Office (1892), Marjorie Shuler's For Rent-One Pedestal (1917), Elizabeth Jordan's edited volume The Sturdy Oak (1917), and Oreola Williams Haskell's Banner Bearers: Tales of the Suffrage Campaigns (1920).Although these works discredit many traditional notions about gender and inspire their readers to seek fairness and equality for many American women, they often simultaneously perpetuate discriminatory ideas about other marginalized groups. They not only privilege the experiences of white women but also rely on widespread anxieties about racial and ethnic minorities to demonstrate the need for gender reform. By focusing on such tensions between conventional and unconventional ideas about gender, race, and class, Petty shows how the fiction of this period helps to situate first-wave feminism within a larger historical and cultural context.

Contributions by Ruth R. Caillouet, Mary C. Carruth, Nancy Dixon, Kathleen Downes, Edward J. Dupuy, Shari Evans, Paul Fess, Carina Evans Hoffpauir, Leslie Petty, Heidi Podlasi-Labrenz, Tierney S. Powell, Shanna M. Salinas, Matthew Teutsch, and Marcus Charles TribbettVoices and Visions: Essays on New Orleans's Literary History examines a rich combination of writers and texts, from antebellum works like Martin R. Delany’s novel, Blake, and the poetry of Les Cenelles to Patricia Smith’s recent collection of poems, Blood Dazzler. The thirteen essays in Voices and Visions treat two hundred years of literature and include discussions on canonical, contemporary, and experimental writers. Authors often associated with New Orleans such as Kate Chopin, George Washington Cable, and Walker Percy are treated in new ways, as are well-known writers who are not often thought of in relation to the city: Charles Chesnutt, Eudora Welty, Zora Neale Hurston, and Joy Harjo. Examining this wide array of voices demonstrates the myriad ways New Orleans’s storied past has affected its present. Scholars find enduring themes—race, gender, religion, disease, art—but do so in the context of emerging conversations. Essayists in the volume address such topics as New Orleans as part of the global South and the Black diaspora, the transformation of New Orleans after Hurricane Katrina, and the recovery of previously lost voices, including those of Native Americans and immigrants. They also discuss the legacy of pandemics and racial violence that in more recent years has been manifest in the COVID-19 outbreak and the Black Lives Matter movement.