Lilli Hollein – författare

Felice Rix-Ueno studied under Josef Hoffmann, a co-founder of the Wiener Werkstätte (1903–1932). Inspired by the Japanese formal language, she formed her own style, which was expressed in particularly imaginative fabric and wallpaper patterns, fashion and home accessories, and wall paintings. After her marriage to the Japanese architect Isaburo Ueno, she moved to Japan in 1926. There they created joint works that received much attention, such as the Star Bar in Kyoto, which was shown in the famous exhibition Modern Architecture in New York’s MoMa in 1932. Felice Rix-Ueno, who was already prominently represented in the successful MAK exhibition Women Artists of the Wiener Werkstätte, is given a substantial monographic treatment for the first time outside Japan with this catalog. Important artist of the Wiener Werkstätte and beyond Fabric patterns, wallpapers, fashion and home accessories, commercial graphics, and wall paintings Large exhibition at the MAK Vienna, 22 Nov 2023–21 Apr 2024

New social challenges and innovative forms of work influence the design of objects just as much as new production techniques, marketing opportunities, and distribution channels. The catalog presents 100 selected objects – furniture, household appliances, tools, lighting, consumer electronics and accessories as well as designs for personal care, health, and mobility – and reveals the diversity and innovative power of Austrian product design from 2000 to 2025. These objects are role models of quality design in terms of functionality, technological innovation, resource conservation, and ergonomics. They also demonstrate wit, charisma, and emotional appeal. Even in familiar objects, there are surprising and exciting things to discover. Austrian design in the 21st Century Exhibition at the MAK Vienna: September 18, 2024 to May 18, 2025100 objects, 100 designers—25 years, 25 categories: Alpine · Circular · Compact · Concept · Craft · Design parlant · Do-Easy · Empowerment · Human–Machine · Invisible · Joints · Lo-Tek · Luxury · Material Opportunities · Participation · Possible Tools · Pre-Product · Reduction · Re-Typification · Subtle · Super Normal · Tuning · Update · Viennese Postproduction · Zeitgeist

"How did UK activists outfox 700 police? Why was Hong Kong traffic stopped by ‘mini Stonehenges’? And could an octagonal treehouse and a crow’s nest really have saved a German forest? Our writer enjoys a 200-year history of resistance architecture." — The GuardianProtest movements shape public space not only through their messages, but in many cases also through their - mostly temporary - buildings. Frankfurt’s Deutsches Architekturmuseum DAM and Vienna’s MAK - Museum of Applied Arts are exploring this thesis in a joint exhibition project. The exhibition and the book coinciding with it explore the topic based on examples spanning from 1830 to 2022.Protest Architecture is the first-ever international survey of the architecture of protest and presents it in all its manifold forms and, in some cases, ambivalence. It is conceived as an encyclopedia with around 170 entries, supplemented by 14 more expansive case studies. A preceding chronology portrays some 80 protest movements and their architectural manifestations through concise texts and one image each, including examples from all over the world, such as the 1830 July Revolution in Paris, the 1848 March Revolution in Berlin, the 1911 Sugar Workers Strike in Queensland (Australia), the 1936-37 General Motors Sit-down Strike in Flint, MI (USA), the 1969-98 Troubles in Northern Ireland, Freetown Christiania in Copenhagen since 1971, the 1986 People Power Revolution in Manila, the 1999 WTO Protests in Seattle, WA (USA), the 2011 Arab Spring revolutions on Cairo’s Tahrir Square and Manama’s Pearl Roundabout, the 2013–14 Euromaidan uprisings in Kyiv, the 2015–16 #FeesMustFall student protests in Pretoria, the 2019 Acampamento Terra Livre in Brasilia, the 2020–21 Indian Farmers Protests, and the 2022 Freedom Convoy in Ottawa.Text in English and German.

The Museum of Applied Arts (MAK) in Vienna holds a unique collection of Italian maiolica from the 15th to the 18th century, which is now being published almost in its entirety for the very first time. Maiolica tableware, Italy’s luxury export, spread to the courts of northern Europe from the early 16th century. Today, the MAK’s holdings from former imperial, ecclesiastical, aristocratic, and private ownership enter into a dialogue with maiolica from well-known Austrian and Central European collections. Timothy Wilson, professor emeritus at Balliol College Oxford and former Keeper of Western Art at the Ashmolean Museum in Oxford, and Rainald Franz, curator at MAK, together with other experts provide an extensive insight into the development of maiolica in its cultural and historical context. Thus a scholarly exploration of one of the best collections of maiolica in the world has now been scientifically examined for the very first time.With contributions by Rainald Franz, Michael Göbl, Nikolaus Hofer, and Timothy Wilson.