Linda Gregerson – författare

A long-awaited yet startlingly urgent new collection from “a contemporary master”*—a fierce, big-hearted eye on our last, tumultuous decade, and our fragile environment *Los Angeles Review of BooksLinda Gregerson’s long-awaited new collection is a tour de force, a compendium of lives touched by the radical fragility of the planet and, ultimately, the endless astonishment and paradox of being human within the larger ecosystem, “in a world where every breath I take is luck.”From the Syrian refugee and ecological crises, to police brutality and COVID, to the Global Seed Vault buried under permafrost, the poems ask: How does consciousness relate to the individual body, the individual to the communal, the community to our environment? How do we mourn a loved one, and how do we mourn strangers?The magnificent poems in Canopy catalogue and reckon with humanity and the natural world, mortality, rage, love, grief, and survival.

A long-awaited yet startlingly urgent new collection from ';a contemporary master'*a fierce, big-hearted eye on our last, tumultuous decade, and our fragile environment *Los Angeles Review of Books Linda Gregerson's long-awaited new collection is a tour de force, a compendium of lives touched by the radical fragility of the planet and, ultimately, the endless astonishment and paradox of being human within the larger ecosystem, ';in a world where every breath I take is luck.' From the Syrian refugee and ecological crises, to police brutality and COVID, to the Global Seed Vault buried under permafrost, the poems ask: How does consciousness relate to the individual body, the individual to the communal, the community to our environment? How do we mourn a loved one, and how do we mourn strangers? The magnificent poems in Canopy catalogue and reckon with humanity and the natural world, mortality, rage, love, grief, and survival.

The Reformation of the Subject is a study of the cultural contradictions that gave birth to the English Protestant epic. In lucid and theoretically sophisticated language, Linda Gregerson examines the fraught ideological, political and gender conflicts that are woven into the texture of The Faerie Queene and Paradise Lost. She reminds us that Reformation iconoclasts viewed verbal images with the same aversion as visual images, because they too were capable of waylaying the human imagination. Through a series of detailed readings, Gregerson examines the different strategies adopted by Spenser and Milton as they sought to distinguish their poems from idols yet preserve the shaping power that iconoclasts have long attributed to icons. Tracing the transformation of the epic poem into an instrument for the reformation of the political subject, Gregerson thus provides an illuminating contribution to our understanding of the ways in which subjectivities are historically produced.

The Reformation of the Subject is a study of the cultural contradictions that gave birth to the English Protestant epic. In lucid and theoretically sophisticated language, Linda Gregerson examines the fraught ideological, political and gender conflicts that are woven into the texture of The Faerie Queene and Paradise Lost. She reminds us that Reformation iconoclasts viewed verbal images with the same aversion as visual images, because they too were capable of waylaying the human imagination. Through a series of detailed readings, Gregerson examines the different strategies adopted by Spenser and Milton as they sought to distinguish their poems from idols yet preserve the shaping power that iconoclasts have long attributed to icons. Tracing the transformation of the epic poem into an instrument for the reformation of the political subject, Gregerson thus provides an illuminating contribution to our understanding of the ways in which subjectivities are historically produced.

In her first book of collected work, prize-winning poet Linda Gregerson mines nearly forty years of poetry, bringing us a full range of her talents. Ten new poems introduce Prodigal, followed by fifty poems, culled from Gregerson's five collections, that range broadly in subject from class in America to our world's ravaged environment to the wonders of parenthood to the intersection of science and art to the passion of the Roman gods, and beyond. This selection reinforces Gregerson’s standing as “one of poetry’s mavens . . . whose poetics seek truth through the precise apprehension of the beautiful while never denying the importance of rationality” (Chicago Tribune). A brilliant stylist, known for her formal experiments as well as her perfected lines, Gregerson is a poet of great vision. Here, the growth of her art and the breadth of her interests offer a snapshot of a major poet's intellect in the midst of her career.

A stirring, brilliantly crafted collection, Linda Gregerson''s third volume of poetry examines mortality in all its beauty and horror. Fluently rendered in Gregerson''s distinctive three-line stanzas, these poems explore subjects from autism to genealogy to ecology. Their occasions are diverse -- a barn fire, a wounded deer, a child''s determined struggle with a bicycle -- but their instinct is always to wrest from the impure world a vernacular of praise.

A magnificent new collection from National Book Award finalist and Kingsley Tufts Award winner Linda Gregerson In eloquent poems about Ariadne, Theseus, and Dido, the death of a father, a bombing raid in Lebanon, and in a magnificent series detailing Masaccio’s Brancacci frescoes, The Selvage deftly traces the “line between” the “wonder and woe” of human experience. Keenly attuned to the precariousness of our existence in a fractured world—of “how little the world will spare us”—Gregerson explores the cruelty of human and political violence, such as the recent island massacre in Norway and “the current nightmare” of war and terrorism. And yet, running as a “counterpoint” to violence and cruelty is “The reigning brilliance / of the genome and / the risen moon . . . ,” “The / arachnid’s exoskeleton. The kestrel’s eye.” The Selvage is the boldest evidence yet that Linda Gregerson’s unique combination of dramatic lyricism and fierce intelligence transcends current fashions to claim an enduring place in American poetry.

Religion and empire were inseparable forces in the early modern Atlantic world. Religious passions and conflicts drove much of the expansionist energy of post-Reformation Europe, providing both a rationale and a practical mode of organizing the dispersal and resettlement of hundreds of thousands of people from the Old World to the New World. Exhortations to conquer new peoples were the lingua franca of Western imperialism, and men like the mystically inclined Christopher Columbus were genuinely inspired to risk their lives and their fortunes to bring the gospel to the Americas. And in the thousands of religious refugees seeking asylum from the vicious wars of religion that tore the continent apart in the sixteenth and seventeenth centuries, these visionary explorers found a ready pool of migrants-English Puritans and Quakers, French Huguenots, German Moravians, Scots-Irish Presbyterians-equally willing to risk life and limb for a chance to worship God in their own way.Focusing on the formative period of European exploration, settlement, and conquest in the Americas, from roughly 1500 to 1760, Empires of God brings together historians and literary scholars of the English, French, and Spanish Americas around a common set of questions: How did religious communities and beliefs create empires, and how did imperial structures transform New World religions? How did Europeans and Native Americans make sense of each other's spiritual systems, and what acts of linguistic and cultural transition did this entail? What was the role of violence in New World religious encounters? Together, the essays collected here demonstrate the power of religious ideas and narratives to create kingdoms both imagined and real.