Lisa Hinrichsen – författare
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5 produkter
5 produkter
Inbunden, Engelska, 2021
1 009 kr
Skickas inom 10-15 vardagar
Rather than a media history of the region or a history of southern media, Remediating Region: New Media and the U.S. South formulates a critical methodology for studying the continuous reinventions of regional space across media platforms. This innovative collection demonstrates that structures of media undergird American regionalism through the representation of a given geography's peoples, places, and ideologies. It also outlines how the region answers back to the national media by circulating ever-shifting ideas of place via new platforms that allow for self-representation outside previously sanctioned media forms.Remediating Region recognizes that all media was once new media. In examining how changes in information and media modify concepts of region, it both articulates the virtual realities of the twenty-first-century U.S. South and historicizes the impact of "new" media on a region that has long been mediated. Eleven essays examine media moments ranging from the nineteenth century to the present day, among them Frederick Douglass's utilization of early photography, video game representations of a late capitalist landscape, rural queer communities' engagement with social media platforms, and contemporary technologies focused on revitalizing Indigenous cultural practices.Interdisciplinary in scope and execution, Remediating Region argues that on an increasingly networked planet, concerns over the mediated region continue to inform how audiences and participants understand their entrée into a global world through local space.
Häftad, Engelska, 2021
438 kr
Skickas inom 10-15 vardagar
Rather than a media history of the region or a history of southern media, Remediating Region: New Media and the U.S. South formulates a critical methodology for studying the continuous reinventions of regional space across media platforms. This innovative collection demonstrates that structures of media undergird American regionalism through the representation of a given geography's peoples, places, and ideologies. It also outlines how the region answers back to the national media by circulating ever-shifting ideas of place via new platforms that allow for self-representation outside previously sanctioned media forms.Remediating Region recognizes that all media was once new media. In examining how changes in information and media modify concepts of region, it both articulates the virtual realities of the twenty-first-century U.S. South and historicizes the impact of "new" media on a region that has long been mediated. Eleven essays examine media moments ranging from the nineteenth century to the present day, among them Frederick Douglass's utilization of early photography, video game representations of a late capitalist landscape, rural queer communities' engagement with social media platforms, and contemporary technologies focused on revitalizing Indigenous cultural practices.Interdisciplinary in scope and execution, Remediating Region argues that on an increasingly networked planet, concerns over the mediated region continue to inform how audiences and participants understand their entrée into a global world through local space.
Inbunden, Engelska, 2026
1 154 kr
Kommande
Grounded in critical theory, southern studies, archival methodologies, and anticolonial thought, Record, Document, Archive illuminates how the U.S. South is made knowable through the acts, objects, and systems that produce records, documents, and archives. Rather than treating "the South" as a fixed geography or predetermined object of study, this innovative, forward-thinking collection reframes region as an ontological and epistemological project shaped by—and resistant to—Eurocentric regimes of documentality. Bringing together activists, archivists, and scholars across disciplines, the essays in Record, Document, Archive trace the extent to which documentality has governed life and death in the U.S. South, from Indigenous Removal, enslavement, and Jim Crow to contemporary regimes of immigration enforcement, border policing, and the legal erasure of queer and undocumented lives. "Record" emphasizes embodied, affective, and more-than-human acts of marking experience. "Document" interrogates the pedagogical, legal, and evidentiary force of documentation, highlighting counter-hegemonic methods that unsettle dominant southern narratives. "Archive" addresses curation, access, and governance, advancing liberatory memory work that confronts archival violence and privilege while imagining new possibilities for justice-oriented futures. By attending to the anticipatory acts that precede narrative and law, Record, Document, Archive opens pathways toward "southern elsewheres"—modes of knowing, remembering, and belonging that resist rigid epistemologies and orient scholarship toward liberation.
Häftad, Engelska, 2026
466 kr
Kommande
Grounded in critical theory, southern studies, archival methodologies, and anticolonial thought, Record, Document, Archive illuminates how the U.S. South is made knowable through the acts, objects, and systems that produce records, documents, and archives. Rather than treating "the South" as a fixed geography or predetermined object of study, this innovative, forward-thinking collection reframes region as an ontological and epistemological project shaped by—and resistant to—Eurocentric regimes of documentality. Bringing together activists, archivists, and scholars across disciplines, the essays in Record, Document, Archive trace the extent to which documentality has governed life and death in the U.S. South, from Indigenous Removal, enslavement, and Jim Crow to contemporary regimes of immigration enforcement, border policing, and the legal erasure of queer and undocumented lives. "Record" emphasizes embodied, affective, and more-than-human acts of marking experience. "Document" interrogates the pedagogical, legal, and evidentiary force of documentation, highlighting counter-hegemonic methods that unsettle dominant southern narratives. "Archive" addresses curation, access, and governance, advancing liberatory memory work that confronts archival violence and privilege while imagining new possibilities for justice-oriented futures. By attending to the anticipatory acts that precede narrative and law, Record, Document, Archive opens pathways toward "southern elsewheres"—modes of knowing, remembering, and belonging that resist rigid epistemologies and orient scholarship toward liberation.
Häftad, Engelska, 2026
466 kr
Kommande
As the first collection dedicated to the relationship between television and the U.S. South, Small-Screen Souths addresses the growing interest in how mass culture represents the region and influences popular perceptions of it. In sixteen essays divided into three thematic sections, scholars of southern culture analyze representations of the South in a variety of television shows spanning the history of the medium, from classic network programs such as The Andy Griffith Show and Designing Women to some of today's popular franchises like Duck Dynasty and The Walking Dead. The first section, "Politics and Identity in the Televisual South," focuses on how television constructs understandings of race, gender, sexuality, and class, often adapting to changing configurations of community and identity. The next section, "Caricatures, Commodities, and Catharsis in the Rural South," examines the tension between depictions of southern rural communities and assumptions about abject whiteness, particularly conceptions of poverty and profitized culture. The concluding section, "(Dis)Locating the South," considers the influence of postcolonialism, globalization, and cosmopolitanism in understanding television featuring the region. Throughout, the essays investigate the profuse, often contradictory ways that the U.S. South has been represented on television, seeking to expand and pluralize myopic perspectives of the region. By analyzing depictions of the South from the classical network era to the contemporary post-broadcast age, Small-Screen Souths offers a broad historical scope and a multiplicity of theoretical and interdisciplinary perspectives on what it means to see the South from the television screen.