Lise Shapiro Sanders – författare

This volume offers an overview of what it was like to be female and to live and die in Victorian England (c. 1837-1901), by situating this experience within the scientific and social contexts of the times. With a temporal focus on women’s life experience, the book moves from childhood and youth, through puberty and adolescence, to pregnancy, birth, and motherhood, into senescence. Drawing on osteological sources, medical discourses, and examples from the literature and cultural history of the period, alongside social and environmental data derived from ethnographic and archival investigations, the authors explore the experience of being female in the Victorian era for women across classes. In synthesizing current research on demographic statistics, maternal morbidity and mortality, and bioarchaeological evidence on patterns of aging and death, they analyze how changing social ideals, cultural and environmental variability, shifting economies, and evolving medical and scientific understanding about the body combined to shape female health and identity in the nineteenth century. Victorian women faced a variety of challenges, including changing attitudes regarding appropriate behavior, social roles, and beauty standards, while grappling with new understandings of the role played by gender and sexuality in shaping women’s lives from youth to old age. The book concludes by considering the relevance of how Victorian narratives of womanhood and the experience of being female have influenced perceptions of female health and cultural constructions of identity today.

This two-volume collection of British primary sources examines institutions such as hotels, inns, arcades, bazaars, co-operatives, shops and department stores in the long nineteenth century, which were often coded as ‘luxurious’. This period was marked not only by an increase of individual consumerism but also by the institutionalisation of opulent, often purpose-built spaces such as the much-admired new grand hotels, supposedly an American invention, and department stores, modelled on the French grands magasins. These environments were tied to leisure (no longer a prerogative of the upper classes) and thus to modernity. In addition to addressing the luxurious side of these institutions, including architectural innovation and interior decoration, we also consider the other side of luxury, examining the experience of staff and period debates over the morality of consumption.This edition seeks to explore a fascinating but hitherto often neglected side of the British nineteenth century by bringing together a collection of annotated primary texts and visual material documenting these ‘temples of luxury’ as they were seen by their contemporaries.

This volume offers an overview of what it was like to be female and to live and die in Victorian England (c. 1837-1901), by situating this experience within the scientific and social contexts of the times. With a temporal focus on women’s life experience, the book moves from childhood and youth, through puberty and adolescence, to pregnancy, birth, and motherhood, into senescence. Drawing on osteological sources, medical discourses, and examples from the literature and cultural history of the period, alongside social and environmental data derived from ethnographic and archival investigations, the authors explore the experience of being female in the Victorian era for women across classes. In synthesizing current research on demographic statistics, maternal morbidity and mortality, and bioarchaeological evidence on patterns of aging and death, they analyze how changing social ideals, cultural and environmental variability, shifting economies, and evolving medical and scientific understanding about the body combined to shape female health and identity in the nineteenth century. Victorian women faced a variety of challenges, including changing attitudes regarding appropriate behavior, social roles, and beauty standards, while grappling with new understandings of the role played by gender and sexuality in shaping women’s lives from youth to old age. The book concludes by considering the relevance of how Victorian narratives of womanhood and the experience of being female have influenced perceptions of female health and cultural constructions of identity today.

Perhaps the best-known among modernist-era magazines, the British socialist weekly The New Age (edited by A. R. Orage from 1907 to 1922) is often mischaracterised as 'anti-feminist' or 'anti-suffragist'. Yet in its early years, this book argues, The New Age served as a crucial forum for feminist fiction and debate – largely thanks to the contributions of Beatrice Hastings and Katherine Mansfield. Too often, Hastings is relegated to a biographical footnote, and Mansfield’s early fiction, if read at all, is divorced from its periodical context. As the first book-length examination of the feminist content of The New Age and of these two writers, this study establishes Hastings’ importance to early twentieth-century women’s history and literary culture, while enriching our understanding of the feminist debates that shaped Mansfield’s writings. Recovering periodical debates concerning marriage, motherhood, citizenship and sexuality, this book expands our sense of pre-war modern feminism.

Asserts that the popular romance offered new possibilities for young working women as social actors and media consumers in early 20th-century Britain.Young working women were the target audience for popular romance fiction and film in early 20th-century Britain, and as such, were often seen as impressionable consumers of escapist fantasies. Reading for Pleasure complicates this narrative, revealing how women writers, readers, and audiences reimagined the romance. Reading bestselling novels by Elinor Glyn and E. M. Hull, weekly magazines for girls and young women, and the writings of birth control campaigner Marie Stopes and socialist feminist Ethel Carnie Holdsworth, among others, Lise Shapiro Sanders offers an interdisciplinary study of early 20th-century popular romance fiction written by and for women, in the context of the star discourses and fan cultures of silent cinema. She examines how the popular romance resonated with the lives and experiences of young working women, exploring topics such as fashion, beauty, and consumption; desire, pleasure, and affect; sexuality and contraception; feminism, labor, and political activism.By examining the historical foundations of the popular romance, Reading for Pleasure argues that we can glean important insights into young women’s social and political agency, both in the early 20th century and today.