Louise Mirrer – författare
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Through a detailed analysis of medieval Spain's best known literary works, this book examines two common images of woman--the sexually attractive matron of the Christian upper classes, and the beautiful, pure, and sexually ripe upper-class Muslim or Jewish woman who is submissive to Christians. Suggesting a link between these images and the issues of political and military power, religious difference, and language in the context of reconquest Castile, the book argues that female representation in the literature provides a resolution of Christian-Muslim military conflict.This volume is the first in the field of medieval Hispanic studies to reexamine the canon in the light of recent critical work on language, gender, power, and the effects of domination. It shows how the texts imaginarily liberate Christian women from the authority of their husbands, in order to demonstrate how women's access to the discourses of power leads to tragedy and ruin for the men who fail to silence them.Women, Jews, and Muslims in the Texts of Reconquest Castile makes the argument that dominant-"other" struggle, waged on the terrains of gender, religion, and war, is the most appropriate paradigm for discussing literary texts produced in the last centuries of reconquest. More than any other culture, medieval Spain reminds us of the provisional nature of national, religious, and sexual identity. Exploring the gendering of subjects in society, the volume will be of interest to those in cultural and gender studies, Hispanic studies, medieval studies, and Middle Eastern studies. All texts are translated, and maps and illustrations help orient the reader.Louise Mirrer is Professor and Chair, Department of Spanish and Portuguese, University of Minnesota.
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Founded in 1804, the New-York Historical Society is New York City's oldest museum, with a rich history of scholarship, research, and illuminating exhibitions. The museum collection of the New-York Historical Society comprises more than 1.6 million works of art, featuring an impressive collection of Tiffany lamps, paintings by celebrated American portraitists, all the known preparatory watercolours for John James Audubon's Birds of America, and exquisite works by artists of the Hudson River School - including Thomas Cole's monumental series The Course of Empire. The Library is internationally known as a major research venue for the study of American and New York history. Its rich collections include more than five million manuscript items, 350,000 books, and several million photographs, prints, architectural renderings, and related holdings. The Library's vast holdings of printed ephemera documenting daily life, culture, commerce, and politics from the 18th through the earlier 20th centuries are unrivaled. The collections provide a continuous record of New York and American history from the founding of New Amsterdam through the tragic events of 9/11. The Library's deepest areas of original source material include the Colonial and Revolutionary eras, the Early Republic, the Civil War, and the Gilded Age, with emphases on slavery and Abolition, temperance, social welfare, urban life, and architecture. Now celebrating a groundbreaking renovation and the dedication of its Center for the Study of Women's History, the Museum and Library present highlights from their remarkable holdings, from the folk art collection of sculptor Elie Nadelman to iconic ephemera from all eras of American history, for the first time as a Tiny Folio. An ideal souvenir for the New-York Historical Society's visitors, this charming volume also features a special section of works depicting the city itself, alongside full-colour photography and short introductory texts.