Lucy Hughes-Hallett – författare

*PLUTARCH AWARD FOR THE BEST BIOGRAPHY OF 2024* *SHORTLISTED FOR THE DUFF COOPER PRIZE* ‘SUBLIME’ A NEW STATESMAN BOOK OF THE YEAR 2024‘STUNNINGLY GOOD’ THE TIMES BEST HISTORY BOOKS 2024‘COMPULSIVE’ A PROSPECT BOOK OF THE YEAR 2024 ‘BRILLIANT’ A SPECTATOR BOOK OF THE YEAR 2024 ‘A delicious, grippingly paced tale of rogues, riotous sex, regicide and realpolitik’INDEPENDENT BEST BOOKS FOR CHRISTMAS‘This is the page-turner that Buckingham’s short, racy life deserves’DAILY TELEGRAPH‘Vivid, erudite and sympathetic … The Scapegoat shows that [Hughes-Hallett’s] eye for the seamy realities of an extraordinary life is as sharp as ever’ THE TIMES‘Lord Buckingham rockets off the page of this gloriously epic, seductively detailed biography’ OLIVIA LAINGAs King James I’s favourite, Buckingham was also his confidant, gatekeeper, right-hand man and lover. When Charles I succeeded his father, he was similarly enthralled and made Buckingham his best friend and mentor. A dazzling figure on horseback and a skilful player of the political game, Buckingham rapidly transformed the influence his beauty gave him into immense wealth and power. He became one of the most flamboyant and enigmatic Englishmen at the heart of seventeenth-century royal and political life.With a novelist’s touch, Lucy Hughes-Hallett transports us into a courtly world of masques and dancing, exquisite clothes, the art of Rubens and Van Dyck, gender-fluidity, same-sex desire and appallingly rudimentary medicine. Witch hunts coexisted with Francis Bacon’s empiricism and public opinion was becoming a political force. Falling from grace spectacularly, Buckingham came to represent everything that was wrong with the country.From kidnappings and murder plots to men weeping in Parliament over civil liberties, The Scapegoat navigates love, war-fever and pacifism in a society on the brink of cataclysmic change. In this immersive and authoritative account, Hughes-Hallett summons an era that still resonates today.-‘Written with such verve and invention … Fascinating book’ TOM SUTCLIFFE, BBC RADIO 4's FRONT ROW'The Scapegoat brilliantly dramatises the complex and glittering Duke of Buckingham and the political and sexual intrigue of the court of James I. Hughes-Hallett combines the instincts and talents of a novelist with a historian's vivid sense of period and social change’ COLM TÓIBÍN‘A flamboyant character, an epic rise and tragic fall, brought to life with intelligence, tenderness and profound scholarship’ ADAM ZAMOYSKI‘Buckingham’s rise and fall is as old as Tiberius’ love for Sejanus and as contemporary as a celeb crash-and-burn. Hughes-Hallett is a matchless historian with an unfailing eye for the revealing detail’ SUE PRIDEAUX‘A true Jacobean drama, except bloodier and sexier. Lucy Hughes-Hallett writes with gusto and insight’ PAUL THEROUX‘Compulsively readable and elegantly written … [Lucy Hughes-Hallett] has brought Buckingham gloriously alive’ FINANCIAL TIMES‘Crisp and vivid … The story is a tragic one, no less so for being told here with verve, erudition and empathy’ NEW STATESMAN‘Richly multilayered … Hughes-Hallett proves herself alive to the nuances of gender and sexuality in the early seventeenth century…refreshingly light and contemporary, while at the same time suited to the seventeenth century’ TLS‘This is an absorbing, even thrilling journey through the dark and tangled networks of Stuart England … outstanding’ DIANE PURKISS

THE TIMES BIOGRAPHY OF THE DECADE WINNER OF THE 2013 SAMUEL JOHNSON PRIZE FOR NON-FICTION WINNER OF THE 2013 COSTA BOOK AWARDS BIOGRAPHY OF THE YEAR The story of Gabriele D’Annunzio, poet, daredevil – and Fascist.In September 1919 Gabriele D’Annunzio, successful poet and occasional politician, declared himself Commandante of the city of Fiume in modern day Croatia. His intention – to establish a utopia based on his fascist and artistic ideals. It was the dramatic pinnacle to an outrageous career.Lucy Hughes-Hallett charts the controversial life of D’Annunzio, the debauched artist who became a national hero. His evolution from idealist Romantic to radical right-wing revolutionary is a political parable. Through his ideological journey, culminating in the failure of the Fiume endeavour, we witness the political turbulence of early 20th century Europe and the emergence of fascism.In ‘The Pike’, Hughes-Hallett addresses the cult of nationalism and the origins of political extremism – and at the centre of the book stands the charismatic D’Annunzio: a figure as deplorable as he is fascinating.

‘One of the best novels of the year so far’ The Times A SPECTATOR BOOK OF THE YEAR ‘Unlike anything I’ve read. Haunting and huge, and funny and sensuous. It’s wonderful’ Tessa Hadley ‘I just enjoyed it so very much’ Philip Pullman It is the 17th century and a wall is being built around a great house. Wychwood is an enclosed world, its ornamental lakes and majestic avenues planned by Mr Norris, landscape-maker. A world where everyone has something to hide after decades of civil war, where dissidents shelter in the forest, lovers linger in secret gardens, and migrants, fleeing the plague, are turned away from the gate.Three centuries later, another wall goes up overnight, dividing Berlin, while at Wychwood, over one hot, languorous weekend, erotic entanglements are shadowed by news of historic change. A little girl, Nell, observes all.Nell grows up and Wychwood is invaded. There is a pop festival by the lake, a TV crew in the dining room and a Great Storm brewing. As the Berlin wall comes down, a fatwa signals a different ideological faultline and a refugee seeks safety in Wychwood.From the multi-award-winning author of The Pike comes a breathtakingly ambitious, beautiful and timely novel about game keepers and witches, agitators and aristocrats, about young love and the pathos of aging, and about how those who wall others out risk finding themselves walled in.

*PLUTARCH AWARD FOR THE BEST BIOGRAPHY OF 2024* *SHORTLISTED FOR THE DUFF COOPER PRIZE* ‘SUBLIME’ A NEW STATESMAN BOOK OF THE YEAR 2024‘STUNNINGLY GOOD’ THE TIMES BEST HISTORY BOOKS 2024‘COMPULSIVE’ A PROSPECT BOOK OF THE YEAR 2024 ‘BRILLIANT’ A SPECTATOR BOOK OF THE YEAR 2024 From the winner of the Baillie Gifford Prize, an extraordinary story of the meteoric rise and fall of George Villiers, the first Duke of Buckingham. ‘A delicious, grippingly paced tale of rogues, riotous sex, regicide and realpolitik’INDEPENDENT BEST BOOKS FOR CHRISTMAS‘This is the page-turner that Buckingham’s short, racy life deserves’DAILY TELEGRAPH‘Vivid, erudite and sympathetic … The Scapegoat shows that [Hughes-Hallett’s] eye for the seamy realities of an extraordinary life is as sharp as ever’ THE TIMES‘Lord Buckingham rockets off the page of this gloriously epic, seductively detailed biography’ OLIVIA LAINGAs King James I’s favourite, Buckingham was also his confidant, gatekeeper, right-hand man and lover. When Charles I succeeded his father, he was similarly enthralled and made Buckingham his best friend and mentor. A dazzling figure on horseback and a skilful player of the political game, Buckingham rapidly transformed the influence his beauty gave him into immense wealth and power. He became one of the most flamboyant and enigmatic Englishmen at the heart of seventeenth-century royal and political life.With a novelist’s touch, Lucy Hughes-Hallett transports us into a courtly world of masques and dancing, exquisite clothes, the art of Rubens and Van Dyck, gender-fluidity, same-sex desire and appallingly rudimentary medicine. Witch hunts coexisted with Francis Bacon’s empiricism and public opinion was becoming a political force. Falling from grace spectacularly, Buckingham came to represent everything that was wrong with the country.From kidnappings and murder plots to men weeping in Parliament over civil liberties, The Scapegoat navigates love, war-fever and pacifism in a society on the brink of cataclysmic change. In this immersive and authoritative account, Hughes-Hallett summons an era that still resonates today.-‘Written with such verve and invention … Fascinating book’ TOM SUTCLIFFE, BBC RADIO 4's FRONT ROW'The Scapegoat brilliantly dramatises the complex and glittering Duke of Buckingham and the political and sexual intrigue of the court of James I. Hughes-Hallett combines the instincts and talents of a novelist with a historian's vivid sense of period and social change’ COLM TÓIBÍN‘A flamboyant character, an epic rise and tragic fall, brought to life with intelligence, tenderness and profound scholarship’ ADAM ZAMOYSKI‘Buckingham’s rise and fall is as old as Tiberius’ love for Sejanus and as contemporary as a celeb crash-and-burn. Hughes-Hallett is a matchless historian with an unfailing eye for the revealing detail’ SUE PRIDEAUX‘A true Jacobean drama, except bloodier and sexier. Lucy Hughes-Hallett writes with gusto and insight’ PAUL THEROUX‘Compulsively readable and elegantly written … [Lucy Hughes-Hallett] has brought Buckingham gloriously alive’ FINANCIAL TIMES‘Crisp and vivid … The story is a tragic one, no less so for being told here with verve, erudition and empathy’ NEW STATESMAN‘Richly multilayered … Hughes-Hallett proves herself alive to the nuances of gender and sexuality in the early seventeenth century…refreshingly light and contemporary, while at the same time suited to the seventeenth century’ TLS‘This is an absorbing, even thrilling journey through the dark and tangled networks of Stuart England … outstanding’ DIANE PURKISS

Not since Angela Carter’s The Bloody Chamber have old stories been made to feel so electrically new. Not since Wim Winders’ Wings of Desire have the numinous and the everyday been so magically combined.  It's in the nature of myth to be infinitely adaptable.Each of these startlingly original stories is set in modern Britain. Their characters include a people-trafficking gang-master and a prostitute, a migrant worker and a cocksure estate agent, an elderly musician doubly befuddled by dementia and the death of his wife, a pest-controller suspected of paedophilia and a librarian so well-behaved that her parents wonder anxiously whether she’ll ever find love.They’re ordinary people, preoccupied, as we all are now, by the deficiencies of the health service, by criminal gangs and homelessness, by the pitfalls of dating in the age of #metoo. All of their stories, though, are inspired by ones drawn from Graeco-Roman myth, from the Bible or from folk-lore.The ancients invented myths to express what they didn’t understand. These witty fables, elegantly written and full of sharp-eyed observation of modern life, are also visionary explorations of potent mysteries and strange passions, charged with the hallucinatory beauty and horror of their originals.

'Brilliant and discursive' Antonia Fraser, Sunday Times'Hughes-Hallett's exemplary reappraisal … throws a searching light on two thousand years of male erotic fantasy' Joan Smith, New StatesmanWinner of the FAWCETT PRIZE and EMILY TOTH AWARDIn the 2,000 years since her death, Cleopatra has been recreated over and over again by poets, artists and filmmakers, each time in a form that fits the prejudices, anxieties and yearnings of the age that produced it. To Chaucer she was the model of a good wife, while to Cecil B. DeMille she was ‘the wickedest woman in history’.In this revised edition of Lucy Hughes-Hallett’s award-winning cultural history, the real Cleopatra – one of the most powerful women in the ancient world – is skilfully revealed alongside a legion of imaginary counterparts and the sexual, racial and political messages they carry.