Jenny Uglow – författare

Thomas Bewick's (1753-1828) "History of British Birds" was the first field guide of its kind for ordinary people, illustrated with woodcuts of astonishing accuracy and beauty. In "Nature's Engraver", Jenny Uglow tells the story of Bewick - the farmer's son from Tyneside who became one of Britain's greatest and most popular engravers. It is a story of violent change, radical politics, lost ways of life, and the beauty of the wild - a journey to the beginning of our lasting obsession with the natural world.

Jenny Uglow narrates the story of Walter Crane, an intriguing and most prolific figure not only in illustration, but in political culture more broadly. Uglow expertly weaves a fascinating study of how Crane’s art and politics developed from his childhood love of Pre-Raphaelite painting to the influences of Morris and William Blake on the journals, books, banners, pamphlets and postcards he went on to create as he forged a new style for the international socialist movement. Comprising a staggering range of visual material, Crane’s images became a symbolic code that leapt over linguistic boundaries. This book is a brilliant record of an artist who blended styles and influences like no one before him.

A fully illustrated overview of the life and work of the universally loved Quentin Blake, released ahead of the artist’s 90th birthday in December 2022. Quentin Blake is an artist who has charmed and inspired generations of readers. Tracing Blake’s art and career from his very first drawings – published in Punch when he was 16 – through his collaborations with writers from Roald Dahl and John Yeoman to Russell Hoban and David Walliams, to his large-scale works for hospitals and public spaces and right up to his most recent passions and projects, acclaimed author Jenny Uglow here presents a fully illustrated overview of Quentin Blake’s extraordinary body of work, with accompanying commentary by the artist himself. With unprecedented access to the artist’s entire archive, The Quentin Blake Book reveals the stories behind some of Blake’s most famous creations, while also providing readers with an intimate insight into the unceasing creativity of this remarkable artist.

William Hogarth is a house-hold name across the country, his prints hang in our pubs and leap out from our history-books. He painted the great and good but also the common people. His art is comically exuberant, 'carried away by a passion for the ridiculous', as Hazlitt said.Jenny Uglow, acclaimed author of Elizabeth Gaskell, Nature's Engraver and In These Times, uncovers the man, but also the world he sprang from and the lives he pictured. He moved in the worlds of theatre, literature, journalism and politics, and found subjects for his work over the whole gamut of eighteenth century London, from street scenes to drawing rooms, and from churches to gambling halls and prisons. After striving years as an engraver and painter, Hogarth leapt into lasting fame with A Harlot's Progress and A Rake's Progress, but remained highly critical of the growing gulf between the luxurious lives of the ruling elite and the wretched poverty of the massess.William Hogarth was an artist of flamboyant, overflowing imagination, he was a satirist with an unerring eye; a painter of vibrant colour and tenderness; an ambitious professional who broke all the art-world taboos. Never content, he wanted to excel at everything - from engraving to history painting - and a note of risk runs through his life.Shortlisted for the Whitbread Prize, Hogarth: A Life and a World brings art history to life in the voices of Hogarth's own age. The result is an unforgettable portrait of a great artist and a proud, stubborn, comic, vulnerable man.

Winner of the Portico PrizeShortlisted for the Whitbread Biography of the YearHigh-spirited, witty and passionate, Elizabeth Gaskell wrote some of the most enduring novels of the Victorian age, including Mary Barton, North and South and Wives and Daughters. This biography traces Elizabeth's youth in rural Knutsford, her married years in the tension-ridden city of Manchester and her wide network of friends in London, Europe and America. Standing as a figure caught up in the religious and political radicalism of nineteenth century Britain, the book looks at how Elizabeth observed, from her Manchester home, the brutal but transforming impact of industry, enjoying a social and family life, but distracted by her need to write down the truth of what she saw.In this widely acclaimed biography, Elizabeth Gaskell emerges as an artist of unrecognized complexity, shrewdly observing the political, religious and feminist arguments of nineteenth century Britain, with enjoyment, passion and wit. Jenny Uglow is the bestselling author of Nature's Engraver, which won the National Arts Writers Award, and A Gambling Man: Charles II and the Restoration, which was shortlisted for the 2010 Samuel Johnson Prize. Her most recent books include Nature's Engraver, the story of Thomas Bewick, and In These Times, a history of the home front during the Napoleonic Wars.

Led by Erasmus Darwin, the Lunar Society of Birmingham was formed from a group of amateur experimenters, tradesmen and artisans who met and made friends in the Midlands in the 1760s. Most came from humble families, all lived far from the centre of things, but they were young and their optimism was boundless: together they would change the world. Among them were the ambitious toy-maker Matthew Boulton and his partner James Watt, of steam-engine fame; the potter Josiah Wedgwood; the larger-than-life Erasmus Darwin, physician, poet, inventor and theorist of evolution (a forerunner of his grandson Charles Darwin). Later came Joseph Priestley, discoverer of oxygen and fighting radical.Led by Erasmus Darwin they joined a small band of allies, formed the Lunar Society of Birmingham (so called because it met at each full moon) and kick-started the Industrial Revolution. Blending science, art, and commerce, the Lunar Men built canals, launched balloons, named plants, gases and minerals, changed the face of England and the china in its drawing rooms, and plotted to revolutionise its soul.Jenny Uglow's The Lunar Men is a vivid and swarming group portrait that brings to life the friendships, political passions, love affairs, and love of knowledge (and power) that drove these extraordinary men. It echoes the thud of pistons and the wheeze and snort of engines, and brings to life the tradesmen, artisans, and tycoons who shaped and fired the modern age.Winner of the PEN Hessel-Tiltman prize for history, and the James Tait Black Memorial Prize for biography, The Lunar Men captures the creation of the modern world with lucid intelligence, sympathy and wisdom. Jenny Uglow is also the prize-winning author of Nature's Engraver, Elizabeth Gaskell: A Habit of Stories and most recently, In These Times.

'Terrific . . . fabulously rich and insightful.' Dominic Sandbrook'Intense, involved, absorbing.' Frances Wilson Charles II was thirty when he crossed the Channel in fine May weather in 1660. His Restoration was greeted with maypoles and bonfires, like spring after long years of Cromwell's rule. But there was no going back, no way he could 'restore' the old. Certainty had vanished. The divinity of kingship fled with his father's beheading. 'Honour' was now a word tossed around in duels. 'Providence' could no longer be trusted. As the country was rocked by plague, fire and war, people searched for new ideas by which to live. Exactly ten years later Charles II would stand again on the shore at Dover, laying the greatest bet of his life in a secret deal with his cousin, Louis XIV.The Restoration decade was one of experiment: from the science of the Royal Society to the startling role of credit and risk, from the shocking licence of the court to the failed attempts at toleration of different beliefs. Negotiating all these, Charles II, the 'slippery sovereign', played odds and took chances, dissembling and manipulating his followers. The theatres were restored, but the king was the supreme actor. Yet while his grandeur, his court and his colourful sex life were on display, his true intentions lay hidden.A Gambling Man is a portrait of Charles II, exploring his elusive nature through the lens of these ten vital years - and a portrait of a vibrant, violent, pulsing world, racked with plague, fire and war, in which the risks the king took forged the fate of the nation, on the brink of the modern world.

** Winner of the National Arts Writers Award **'Fascinating . . . hugely enjoyable.' Alan Titchmarsh 'As delightful to look at as it is to read.' Sunday Times 'It is hard to imagine a better biographer for this subject than Uglow.' Frances Wilson Thomas Bewick wrote A History of British Birds at the end of the eighteenth century, just as Britain fell in love with nature. This was one of the wildlife books that marked the moment, the first 'field-guide' for ordinary people, illustrated by woodcuts of astonishing accuracy and beauty. But it was far more than that, for in the vivid vignettes scattered through the book Bewick drew the life of the country people of the North East - a world already vanishing under the threat of enclosures.In Nature's Engraver: The life of Thomas Bewick, Jenny Uglow tells the story of the farmer's son from Tyneside who revolutionised wood-engraving and influenced book illustration for a century to come. It is a story of violent change, radical politics, lost ways of life and the beauty of the wild - a journey to the beginning of our lasting obsession with the natural world.'The most perfect historian imaginable' Peter Ackroyd

The Pinecone is set in the village of Wreay, near Carlisle, where a masterpiece in Victorian architecture stands - the strangest and most magical church in England. This vivid, original book tells the story of its builder, Sarah Losh, strong-willed and passionate, an architect and an intellectual who dumbfounded critics with her genius and originality. Born into an old Cumbrian family, heiress to an industrial fortune, Sarah combined a zest for progress with a love of the past. The church is Losh's masterpiece, richly decorated with symbolic carvings there are images of ammonites, scarabs and poppies, and everywhere there are pinecones, her signature in stone. The church is a dramatic rendering of the power of myth and the great natural cycles of life and death and rebirth.The Pinecone is also the story of Sarah's radical family, friends of Wordsworth and Coleridge; of the love between sisters and the life of a village; of the struggle of the weavers, the coming of the railways, the findings of geology and the fate of a young northern soldier in the Afghan war. Above all, though, it is about the joy of making and the skill of local, unsung craftsmen.Award-winning Jenny Uglow (author of The Lunar Men, Nature's Engraver and In These Times) crafts this moving story of a beautiful and ornate church, a pioneering and imaginative woman, and the changing life of a small northern village in the face of the Industrial Revolution.

Shortlisted for the Duff Cooper PrizeAs the Napoleonic wars raged, what was life really like for those left at home? Award-winning social historian Jenny Uglow reveals the colourful and turbulent everyday life of Georgian Britain through the diaries, letters and records of farmers, bankers, aristocrats and mill-workers. Here, lost voices of ordinary people are combined with those of figures we know, from Austen and Byron to Turner and Constable. In These Times movingly tells the story of how people really lived in one of the most momentous and exciting periods in history.

A Daily Telegraph, Times, Evening Standard, TLS and Spectator Book of the Year.Winner of the Hawthornden Prize.Edward Lear is well-loved for his 'nonsenses', from joyous limericks to great love songs, and for his wonderful natural history paintings, landscapes and travel writing. But although Lear belongs to the age of Darwin and Dickens, his genius for the absurd and his dazzling word-play make him a very modern spirit. He was also a man of great simplicity and charm - children loved him - yet his humour masked epilepsy, depression and loneliness. Jenny Uglow's beautifully illustrated biography brings us his swooping moods, passionate friendships and restless travels. Above all it shows how this uniquely gifted man lived all his life on the boundaries of disciplines and desires - an exile of the heart.

As children, learning to read, we look first at the illustrations - but how do these tell their stories differently to the words? Words & Pictures explores this question through three encounters between writers and artists. It looks at how artists have responded to two great, contrasting works, Paradise Lost and Pilgrim's Progress; at Hogarth and Fielding, great innovators, sharing common aims; and at Wordsworth and Bewick, a poet and engraver, both working separately, but both imbued with the spirit of their age. A brief coda turns to a fourth relationship: writers and artists who collaborate from the start, like Dickens and Phiz, and Lewis Carroll and Tenniel. Sometimes amusing, sometimes moving, this is a book to pore over and enjoy. The visions it considers link daily life to the universal, the passionate and the sublime.

'A joy to read.' Sunday Times'Outstanding.' Daily Telegraph'Excellent.' The Spectator'Superb.' Literary Review'Scintillating . . . A gripping, mysterious love story which also sheds light on British culture between the wars.' Financial TimesIn 1922, Cyril Power, a fifty-year-old architect, left his family to work with the twenty-four-year-old Sybil Andrews. They would be together for twenty years. Both became famous for their dynamic, modernist linocuts - streamlined, full of movement and brilliant colour, summing up the hectic interwar years. Theirs was a scintillating world of Futurists, Surrealists and pioneering abstraction, but alongside the buzz of the new, of machines and speed, shops and sport and dance, they also looked back, to medieval myths and early music, to country ways disappearing from sight.

'Uglow makes us feel the life beyond the facts.' GUARDIAN'Few can match Uglow's skill at conjuring up a scene, or illuminating a character.' SUNDAY TIMES'Charming . . . Like Radio 4's shipping forecast for naturalists.' Andrea Wulf, FINANCIAL TIMES'A glorious celebration of curiosity and nature.' OBSERVERA BOOK OF THE YEAR IN THE TIMES, THE SPECTATOR, FINANCIAL TIMES, OBSERVER AND NEW STATESMANIn 1781, Gilbert White was a country curate, living in the Hampshire village he had known all his life. Fascinated by the fauna, flora and people around him, he kept journals for many years, and, at that time, was halfway to completing his path-breaking The Natural History of Selborne. No one had written like this before, with such close observation, humour, and sympathy: his spellbinding book has remained in print ever since, treasured by generations of readers. Jenny Uglow illuminates this quirky, warm-hearted man, 'the father of ecology', by following a single year in his Naturalist's Journal. As his diary jumps from topic to topic, she accompanies Gilbert from frost to summer drought, from the migration of birds to the sex lives of snails and the coming of harvest.Fresh, alive and original - and packed with rich colour illustrations - A Year with Gilbert White invites us to see the natural world anew, with astonishment and wonder.'A feast of a book, it is beautifully illustrated and compulsively readable.'LITERARY REVIEW'The author brings her subject endearingly alive . . . [an] enriching book.' NATURE

'Uglow makes us feel the life beyond the facts.' GUARDIAN'Few can match Uglow's skill at conjuring up a scene, or illuminating a character.' SUNDAY TIMES'Charming . . . Like Radio 4's shipping forecast for naturalists.' Andrea Wulf, FINANCIAL TIMES'A glorious celebration of curiosity and nature.' OBSERVERA BOOK OF THE YEAR IN THE TIMES, THE SPECTATOR, FINANCIAL TIMES, OBSERVER AND NEW STATESMANIn 1781, Gilbert White was a humble country curate. He was also halfway to completing his path-breaking The Natural History of Selborne. No one had written like this before, with such close observation, humour, and sympathy. His spellbinding book has remained in print ever since, treasured by generations of readers. It would lead many to consider him 'the father of ecology'.Jenny Uglow illuminates this quirky, warm-hearted man. Tracing a single year of his daily fascination with the fauna, flora and people around him, she accompanies Gilbert from frost to summer drought, from the migration of birds to the sex lives of snails and the coming of harvest.Fresh, alive and original A Year with Gilbert White invites us to see the natural world anew, with astonishment and wonder.'A feast of a book, it is beautifully illustrated and compulsively readable.'LITERARY REVIEW'The author brings her subject endearingly alive . . . [an] enriching book.' NATURE

Get out in your garden and discover the history hidden in the hedges.Did the Romans have rakes? Did the monks get muddy? Did potatoes seem really, really weird when they arrived on our shores?Drawn from Jenny Uglow's own love for plants, this lively 'potted' history of gardening in Britain takes us on a garden tour from the thorn hedges around prehistoric settlements to the rage for ornamental grasses and 'outdoor rooms' today. Tracking down the ordinary folk who worked the earth - from weeding women to florists - as well as aristocrats and grand designers and famous plant-hunters, A Little History of British Gardening is brought to life by gorgeously vivid illustrations and Uglow's insightful wisdom. Not only dealing with flowery meads, grottoes and vistas, landscapes and ha-has, parks and allotments, Uglow explains, for example, how the Tudors made their curious knots; how housewives used herbs to stop freckles; how the suburbs dug for victory in World War II.With a brief guide to particular historic or evocative gardens open to the public, this is a book to put in your pocket when planning a crisp, winter's day out - but also to read in your armchair with a well-earned glass of red, after a hard day's graft in your own garden.'Enchanting, stirringly evocative and fascinating' Daily Mail'This book will be a joy for any gardener' Independent