Lucy R. Lippard – författare

In Six Years Lucy R. Lippard documents the chaotic network of ideas that has been labeled conceptual art. The book is arranged as an annotated chronology into which is woven a rich collection of original documents--including texts by and taped discussions among and with the artists involved and by Lippard, who has also provided a new preface for this edition. The result is a book with the character of a lively contemporary forum that offers an invaluable record of the thinking of the artists--a historical survey and essential reference book for the period.

LaMonte s highly charged works embody a challenge to historic conceptions of the female nude. Integrated into a comprehensive monograph are 250 images of her acclaimed series from glass, ceramic, bronze, and rusted iron-draped female figures to timely explorations in climatology and biomimetics. In this definitive look at a vital contemporary artist, essays by award-winning authors frame LaMonte s work in the context of female identity, music, art history, and science, placing her alongside other contemporary sculptors who have adopted the human body as an vehicle for expressing the human condition.

The New Press is proud to publish a new paperback edition of Mixed Blessings, the first book to discuss the cross-cultural process taking place in the work of contemporary Latino, Native, African, and Asian American artists. Rich with illustrations of artworks in many different media, and filled with incisive quotes and unsettling reports, it is more than a book about art; it is a complex meditation on the relationships of people to their cultures. Lucy R. Lippard, one of our most original and insightful writers on art, challenges conventional approaches and explores the role of images in a changing society. Among her subjects are the uncertainty of exile; the confusion of identity in attempts to climb out of the melting pot; and art that speaks for itself, reversing stereotypes and reclaiming history and memory. The New Press edition features a new introduction by Lippard that reconsiders the issues first presented in Mixed Blessings when it appeared in 1990 and evaluates the state of multicultural art today.

Colorfully written and illustrated memoir of the activist art writer Lucy Lippard Stuff: Instead of a Memoir is a short, abundantly illustrated autobiography of the American art writer, activist, and sometime curator Lucy R. Lippard. Describing tchotchkes, photographs, and art in her unpretentious New Mexico home, the author informally narrates key events and relationships in her 86-year-long, highly creative life, starting with her family roots and her childhood in New York, Louisiana, Virginia, and Maine. Through anecdotal and often humorous memories, we follow the author through her youth, adulthood, relationships, and her thirty-five years in New York City, where she organized dozens of exhibitions, authored hundreds of articles, and co-founded Heresies: A Feminist Journal of Art and Politics, the artist's-book center Printed Matter, and activist artists group PAD/D. Lippard touches on the roles she played in Conceptual Art and the Feminist Art movement in the 1960s through the 1980s. Her accounts of more recent years focus on the art, landscape, culture, and communities of the American Southwest, where she moved in the early 1990s. This "anti-memoir" also mentions Lippard's twenty-five books, but few of her many honors.

Dive into the art world of the closely allied artists Mark Dion & Alexis Rockman. Mark Dion and Alexis Rockman: Journey to Nature’s Underworld accompanies the first two-person survey exhibition of these closely allied artists, offering a compelling tour through ecological concerns central to their celebrated careers and into the shadowy depths of the threatened natural world. Mark Dion and Alexis Rockman were among the earliest contemporary artists to address, and even anticipate, the epic ecological problems we now face. This publication unites some twenty-five sculptures and paintings by both artists along with selected works on paper and a major new collaborative diorama. As explored in the book’s introduction, an essay by Lucy R. Lippard, and a new joint interview, the artists probe our strained relationship with the environment and the consequences of reigning ideologies about nature.