Suzanne Ramljak – författare

Based on the seventh instalment of the biennial Renwick Invitational, this striking volume, presents the work of Steven Young Lee, Kristen Morgin, Jennifer Trask, and Norwood Viviano. The four selected artists work in a remarkable variety of media including porcelain, raw clay, bone, gold, glass, metal, found objects and mineral pigments. Their visual sensibilities draw on sources ranging from traditional Asian pottery to vintage Americana, and from the romance of the Victorian Era to the algorhythmic precision of the computer. Together, they engage a current fascination in American craft with change, transformation, ruin, and reinvention.

Dive into the art world of the closely allied artists Mark Dion & Alexis Rockman. Mark Dion and Alexis Rockman: Journey to Nature’s Underworld accompanies the first two-person survey exhibition of these closely allied artists, offering a compelling tour through ecological concerns central to their celebrated careers and into the shadowy depths of the threatened natural world. Mark Dion and Alexis Rockman were among the earliest contemporary artists to address, and even anticipate, the epic ecological problems we now face. This publication unites some twenty-five sculptures and paintings by both artists along with selected works on paper and a major new collaborative diorama. As explored in the book’s introduction, an essay by Lucy R. Lippard, and a new joint interview, the artists probe our strained relationship with the environment and the consequences of reigning ideologies about nature.

Spanning the full career of the sculptor David Smith (1906–65), this study features some fifty sculptures alongside related paintings, reliefs, and works on paper to reclaim the primacy of nature within his expansive oeuvre.Smith’s adventurous approach to three-dimensional form has permanently expanded the vocabulary and range of sculptural practice. The first American artist to make welded metal sculptures and incorporate industrial means in his work, Smith’s enlistment of nature as material and prime setting for his art was equally innovative. As explored in the book’s introduction, reflections by the artist’s daughters, and an essay by Jed Morse, Smith’s creative vision is firmly rooted in landscape and the natural world.