Lucy Sante – författare

“A cacophonous poem of democracy and greed, like the streets of New York themselves.” ―John Vernon, Los Angeles Times Book ReviewLucy Sante's Low Life is a portrait of America's greatest city, the riotous and anarchic breeding ground of modernity. This is not the familiar saga of mansions, avenues, and robber barons, but the messy, turbulent, often murderous story of the city's slums; the teeming streets--scene of innumerable cons and crimes whose cramped and overcrowded housing is still a prominent feature of the cityscape.Low Life voyages through Manhattan from four different directions. Part One examines the actual topography of Manhattan from 1840 to 1919; Part Two, the era's opportunities for vice and entertainment--theaters and saloons, opium and cocaine dens, gambling and prostitution; Part Three investigates the forces of law and order which did and didn't work to contain the illegalities; Part Four counterposes the city's tides of revolt and idealism against the city as it actually was.Low Life provides an arresting and entertaining view of what New York was actually like in its salad days. But it's more than simply a book about New York. It's one of the most provocative books about urban life ever written--an evocation of the mythology of the quintessential modern metropolis, which has much to say not only about New York's past but about the present and future of all cities.

Brought to you by Penguin.Lucy Sante has often felt like an outsider. Born in Belgium to conservative Catholic working-class parents, she was transplanted to the United States without ever entirely settling here. But a feeling of home finally arrived when she moved to New York City in the early 1970s amidst her fellow bohemians. Through those electric years, some of her friends would die young, from drugs and AIDS, and others would become jarringly famous. Lucy flirted with both fates, on her way to building a glittering career as a writer. But she could never shake that feeling.When she was finally ready, Lucy decided to confront the façade she’d been presenting to everyone, including herself, over these years. I Heard Her Call My Name is the story of that confrontation, of a life with a missing piece that with transition, falls into place. This a memoir of grace and wit that parses the issues of gender identity and far beyond with unbounding humility and hope.©2024 Lucy Sante (P)2024 Penguin Audio

In his second collection (after Kill All Your Darlings, 2007), Luc Sante pays homage to Patti Smith, Rene Ricard, and Georges Simenon; traces the history of tabloids; surveys the landscape that gave birth to the Beastie Boys; explores the back alleys of vernacular photography; sounds a threnody for the forgotten dead of New York City.

The glue holding the collection together is autobiography. Every item carries deep personal significance, and most are rooted in lived experience, in particular Sante''s youth on the Lower East Side of New York in the fertile 1970s and ''80s. He traces his deep engagement with music, his experience of the city, his progression as an artist and observer, his love life and ambitions. Maybe the People Would Be the Times is organized as a series of sequences, in which one piece leads into the next. Memoir flows into essay, fiction into critical writing, humor into poetry, the pieces answering and echoing one another, examining subjects from multiple vantages. The collection shows Sante at his most lyrical, impassioned, and imaginative, a writer for whom every assignment brings the challenge of inventing a new form.