Lucy Sante – författare
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21 produkter
21 produkter
Häftad, Engelska, 2003
211 kr
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Häftad, Engelska, 2026
225 kr
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A pioneering feminist adventure in an alternate world before the concept of gender. Introduced by Lucy Sante, author of the acclaimed memoir of transition I Heard Her Call My Name, this pioneering 1909 feminist utopia is productively discombobulating. When Mary Hatherley, an intrepid British explorer, is kicked in the head by the camel she was riding through the Arabian desert, she finds herself transported to what seems to be an alternate version of Earth. Arriving in Armeria, she discovers a society in which the very concept of gender is unknown. Like Mary, the reader will become disoriented, enjoyably so: By avoiding the use of gendered pronouns, the story s author (herself a gender-fluid activist) challenges our assumptions about gendered social paradigms.
E-bok
Engelska, 2012175 kr
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The acclaimed author of Low Life reinvents the memoir in a cunning, lyrical book that is at once a personal history and a meditation on the construction of identity.Born in Belgium but raised in New Jersey, Luc Sante transformed himself from a pious, timid Belgian boy into a loutish American adolescent, who eschewed French while fantasizing about the pop star Françoise Hardy. To show how this transformation came about--and why it remained incomplete--The Factory of Facts combines family anecdote and ancestral legend; detailed forays into Belgian history, language, and religion; and deft synopses of the American character.From the Trade Paperback edition.
Häftad, Engelska, 2016
297 kr
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E-bok
Engelska, 2015168 kr
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Paris, the City of Light. We think of it as the city of the Eiffel Tower and the Louvre, of white façades, discreet traffic and well-mannered exchanges. But there was another Paris, hidden from view and virtually extinct today - the Paris of the working and criminal classes that shaped the city over the past two centuries. In the voices of Balzac and Hugo, assorted boulevardiers, barflies, rabble-rousers and tramps, Sante takes the reader on a vividjourney through the seamy underside of Paris: the improvised accommodations of the original bohemians; the flea markets, the rubbish tips, and the hovels. The Other Paris is a lively tour of labour conditions, prostitution, drinking, crime, and popular entertainment, of the reporters, réaliste singers, pamphleteers, serial novelists, and poets who chronicled their evolution. It upends the story of the French capital, reclaiming the city from the bon vivants and the speculators, and lighting a candle to the works and days of the forgotten poor.
Inbunden, Engelska, 2024
322 kr
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“Reading this book is a joy... much to say about the trans journey and will undoubtedly become a standard for those in need of guidance. ” — The Washington Post"Sante’s bold devotion to complexity and clarity makes this an exemplary memoir. It is a clarion call to live one’s most authentic life.” — The Boston Globe“Not to be missed, I Heard Her Call My Name is a powerful example of self-reflection and a vibrant exploration of the modern dynamics of gender and identity.” — Lit Hub’s Most Anticipated Books of 2024An iconic writer’s lapidary memoir of a life spent pursuing a dream of artistic truth while evading the truth of her own gender identity, until, finally, she turned to face who she really wasFor a long time, Lucy Sante felt unsure of her place. Born in Belgium, the only child of conservative working-class Catholic parents who transplanted their little family to the United States, she felt at home only when she moved to New York City in the early 1970s and found her people among a band of fellow bohemians. Some would die young, to drugs and AIDS, and some would become jarringly famous. Sante flirted with both fates, on her way to building an estimable career as a writer. But she still felt like her life a performance. She was presenting a façade, even to herself.Sante’s memoir braids together two threads of personal narrative: the arc of her life, and her recent step-by-step transition to a place of inner and outer alignment. Sante brings a loving irony to her account of her unsteady first steps; there was much she found she still needed to learn about being a woman after some sixty years cloaked in a man’s identity, in a man’s world. A marvel of grace and empathy, I Heard Her Call My Name parses with great sensitivity many issues that touch our lives deeply, of gender identity and far beyond.
Häftad, Engelska, 2025
155 kr
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“Reading this book is a joy... much to say about the trans journey and will undoubtedly become a standard for those in need of guidance. ” — The Washington Post"Sante’s bold devotion to complexity and clarity makes this an exemplary memoir. It is a clarion call to live one’s most authentic life.” — The Boston Globe“Not to be missed, I Heard Her Call My Name is a powerful example of self-reflection and a vibrant exploration of the modern dynamics of gender and identity.” — Lit Hub’s Most Anticipated Books of 2024An iconic writer’s lapidary memoir of a life spent pursuing a dream of artistic truth while evading the truth of her own gender identity, until, finally, she turned to face who she really wasFor a long time, Lucy Sante felt unsure of her place. Born in Belgium, the only child of conservative working-class Catholic parents who transplanted their little family to the United States, she felt at home only when she moved to New York City in the early 1970s and found her people among a band of fellow bohemians. Some would die young, to drugs and AIDS, and some would become jarringly famous. Sante flirted with both fates, on her way to building an estimable career as a writer. But she still felt like her life a performance. She was presenting a façade, even to herself.Sante’s memoir braids together two threads of personal narrative: the arc of her life, and her recent step-by-step transition to a place of inner and outer alignment. Sante brings a loving irony to her account of her unsteady first steps; there was much she found she still needed to learn about being a woman after some sixty years cloaked in a man’s identity, in a man’s world. A marvel of grace and empathy, I Heard Her Call My Name parses with great sensitivity many issues that touch our lives deeply, of gender identity and far beyond.
Inbunden, Engelska, 2024
304 kr
Skickas inom 5-8 vardagar
A NEW YORK TIMES BEST BOOK OF 2024‘A joy’ THE WASHINGTON POST‘Vibrant’ LIT HUB‘Moving’ THE NEW YORK TIMES‘Powerful’ NEW YORKERLucy Sante has often felt like an outsider. Born in Belgium to conservative Catholic working-class parents, she was transplanted to the United States without ever entirely settling here. But a feeling of home finally arrived when she moved to New York City in the early 1970s amidst her fellow bohemians. Through those electric years, some of her friends would die young, from drugs and AIDS, and others would become jarringly famous. Lucy flirted with both fates, on her way to building a glittering career as a writer. But she could never shake that feeling.When she was finally ready, Lucy decided to confront the façade she’d been presenting to everyone, including herself, over these years. I Heard Her Call My Name is the story of that confrontation, of a life with a missing piece that with transition, falls into place. This a memoir of grace and wit that parses the issues of gender identity and far beyond with unbounding humility and hope.'Radical, humble and wise' HERMIONE HOBY'An astonishing, once-in-a-lifetime achievement' HUA HSU'Vivid, encompassing and compassionate' CATHERINE LACEY
Inbunden, Engelska, 2022
235 kr
Skickas inom 5-8 vardagar
From 1907 to 1967, a network of reservoirs and aqueducts was built across more than one million acres in upstate New York, including Greene, Delaware, Sullivan, and Ulster Counties. This feat of engineering served to meet New York City’s ever-increasing need for water, sustaining its inhabitants and cementing it as a center of industry. West of the Hudson, it meant that twenty-six villages, with their farms, forest lands, orchards, and quarries, were bought for a fraction of their value, demolished, and submerged, profoundly altering ecosystems in ways we will never fully appreciate.This paradox of victory and loss is at the heart of Nineteen Reservoirs, Lucy Sante’s meticulous account of how New York City secured its seemingly limitless fresh water supply, and why it cannot be taken for granted. In inimitable form, Sante plumbs the historical record to surface forgotten archives and images, bringing lost places back to life on the page. Her immaculately calibrated sensitivity honors both perspectives on New York City’s reservoir system and helps us understand the full import of its creation.An essential history of the New York City region that will reverberate far beyond it, Nineteen Reservoirs examines universal divisions in our resources and priorities—between urban and rural, rich and poor, human needs and animal habitats. This is an unmissable account of triumph, tragedy, and unintended consequences.With 29 present-day photographs by Tim Davis
Häftad, Engelska, 2025
132 kr
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A NEW YORK TIMES BEST BOOK OF 2024‘Moving’ THE NEW YORK TIMES‘A joy’ THE WASHINGTON POST‘Vibrant’ LIT HUB‘Powerful’ NEW YORKERLucy Sante has often felt like an outsider. Born in Belgium to conservative Catholic working-class parents, she was transplanted to the United States without ever entirely settling here. But a feeling of home finally arrived when she moved to New York City in the early 1970s amidst her fellow bohemians. Through those electric years, some of her friends would die young, from drugs and AIDS, and others would become jarringly famous. Lucy flirted with both fates, on her way to building a glittering career as a writer. But she could never shake that feeling.When she was finally ready, Lucy decided to confront the façade she’d been presenting to everyone, including herself, over these years. I Heard Her Call My Name is the story of that confrontation, of a life with a missing piece that with transition, falls into place. This a memoir of grace and wit that parses the issues of gender identity and far beyond with unbounding humility and hope.'Radical, humble and wise' HERMIONE HOBY'An astonishing, once-in-a-lifetime achievement' HUA HSU'Vivid, encompassing and compassionate' CATHERINE LACEY
Ljudbok
Engelska, 2024184 kr
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Brought to you by Penguin.Lucy Sante has often felt like an outsider. Born in Belgium to conservative Catholic working-class parents, she was transplanted to the United States without ever entirely settling here. But a feeling of home finally arrived when she moved to New York City in the early 1970s amidst her fellow bohemians. Through those electric years, some of her friends would die young, from drugs and AIDS, and others would become jarringly famous. Lucy flirted with both fates, on her way to building a glittering career as a writer. But she could never shake that feeling.When she was finally ready, Lucy decided to confront the façade she’d been presenting to everyone, including herself, over these years. I Heard Her Call My Name is the story of that confrontation, of a life with a missing piece that with transition, falls into place. This a memoir of grace and wit that parses the issues of gender identity and far beyond with unbounding humility and hope.©2024 Lucy Sante (P)2024 Penguin Audio
Häftad, Engelska, 2024
187 kr
Skickas
From 1907 to 1967, a network of reservoirs and aqueducts was built across more than one million acres in upstate New York, including Greene, Delaware, Sullivan, and Ulster Counties. This feat of engineering served to meet New York City’s ever-increasing need for water, sustaining its inhabitants and cementing it as a center of industry. West of the Hudson, it meant that twenty-six villages, with their farms, forest lands, orchards, and quarries, were bought for a fraction of their value, demolished, and submerged, profoundly altering ecosystems in ways we will never fully appreciate.This paradox of victory and loss is at the heart of Nineteen Reservoirs, Lucy Sante’s meticulous account of how New York City secured its seemingly limitless fresh water supply, and why it cannot be taken for granted. In inimitable form, Sante plumbs the historical record to surface forgotten archives, bringing lost places back to life on the page. Her immaculately calibrated sensitivity honors both perspectives on New York City’s reservoir system and helps us understand the full import of its creation.An essential history of the New York City region that will reverberate far beyond it, Nineteen Reservoirs examines universal divisions in our resources and priorities—between urban and rural, rich and poor, human needs and animal habitats. This is an unmissable account of triumph, tragedy, and unintended consequences.
Häftad, Engelska, 2016
237 kr
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Häftad, Engelska, 2020, 12-15 år
273 kr
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E-bok
Engelska, 2020137 kr
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In his second collection (after Kill All Your Darlings, 2007), Luc Sante pays homage to Patti Smith, Rene Ricard, and Georges Simenon; traces the history of tabloids; surveys the landscape that gave birth to the Beastie Boys; explores the back alleys of vernacular photography; sounds a threnody for the forgotten dead of New York City.
The glue holding the collection together is autobiography. Every item carries deep personal significance, and most are rooted in lived experience, in particular Sante''s youth on the Lower East Side of New York in the fertile 1970s and ''80s. He traces his deep engagement with music, his experience of the city, his progression as an artist and observer, his love life and ambitions. Maybe the People Would Be the Times is organized as a series of sequences, in which one piece leads into the next. Memoir flows into essay, fiction into critical writing, humor into poetry, the pieces answering and echoing one another, examining subjects from multiple vantages. The collection shows Sante at his most lyrical, impassioned, and imaginative, a writer for whom every assignment brings the challenge of inventing a new form.
E-bok
Engelska, 2007148 kr
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In his books and in a string of wide-ranging and inventive essays, Luc Sante has shown himself to be not only one of our pre-eminent stylists, but also a critic of uncommon power and range. He is “one of the handful of living masters of the American language, as well as a singular historian and philosopher of American experience,” says the New Yorker’s Peter Schjeldahl. Kill All Your Darlings is the first collection of Sante’s articles—many of which first appeared in the New York Review of Books and the Village Voice—and offers ample justification for such high praise. Sante is best known for his groundbreaking work in urban history (Low Life), and for a particularly penetrating form of autobiography (The Factory of Facts). These subjects are also reflected in several essays here, but it is the author’s intense and scrupulous writing about music, painting, photography, and poetry that takes center stage. Alongside meditations on cigarettes, factory work, and hipness, and his critical tour de force, “The Invention of the Blues,” Sante offers his incomparable take on icons from Arthur Rimbaud to Bob Dylan, René Magritte to Tintin, Buddy Bolden to Walker Evans, Allen Ginsberg to Robert Mapplethorpe.
Häftad, Engelska, 2024
264 kr
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Häftad, Engelska, 2022
445 kr
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Häftad, Engelska, 2026
232 kr
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Inbunden, Engelska, 2023
420 kr
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Before becoming the critically acclaimed filmmaker responsible for such iconic films as Dr. Strangelove and The Shining, Stanley Kubrick spent five years as a photographer for Look magazine. The Bronx native joined the staff in 1945, when he was only 17 years old, and shot humanist slice-of-life features that celebrate and expose New York City and its inhabitants.Through a Different Lens reveals the keen and evocative vision of a burgeoning creative genius in a range of feature stories and images, from everyday folk at the laundromat to a day in the life of a debutant, from a trip to the circus to Columbia University. It features around 300 images, many previously unseen, as well as rare Look magazine tear sheets and an introduction by noted photography critic Lucy Sante.These still photographs attest to Kubrick’s innate talent for compelling storytelling, and serve as clear indicators of how this genius would soon transition to making some of the greatest movies of all time.
Inbunden, Engelska, 2018
486 kr
Tillfälligt slut
For more than half a century, Annie Leibovitz has been taking culture-defining photographs. Her portraits of politicians, performers, athletes, businesspeople, and royalty make up a gallery of our time, imprinted on our collective consciousness by both the singularity of their subjects and Leibovitz’s inimitable style.The catalogue to an installation at the LUMA Foundation in Arles, France, Annie Leibovitz: The Early Years, 1970–1983 returns to Leibovitz’s origins. It begins with a moment of artistic revelation: the spontaneous shot that made Leibovitz think she could transition from painting to photography as her area of study at the San Francisco Art Institute. The meticulously and personally curated collection, including contact sheets and Polaroids, provides a vivid document both of Leibovitz’s development as a young artist and of a pivotal era.Leibovitz’s reportage-like photo stories for Rolling Stone, which she began working for when she was still a student, record such heady political, cultural, and counter-cultural developments as the Vietnam War protests, the launch of Apollo 17, the presidential campaign of 1972, Richard Nixon’s resignation in 1974, and the Rolling Stones on tour in 1975. Then, as now, Leibovitz won the trust of the prominent and famous, and the book’s pages are animated by many familiar faces, among them Muhammad Ali, Mick Jagger, Keith Richards, Ken Kesey, Patti Smith, Bruce Springsteen, Joan Didion, and Debbie Harry, as well as John Lennon and Yoko Ono, captured in their now iconic embrace just hours before Lennon was assassinated.Throughout the book, the portraits and reportage are linked to images of cars, driving, and even a series on California highway patrolmen. In many ways, it’s a celebration of life on the road—the frenetic rhythms, the chance encounters, the meditative opportunities. And with its rich archival aspects, it is also a tribute to an earlier time and a young photographer enmeshed in a culture that was itself in transition.