Małgorzata Sugiera – författare

This book is a critical, transdisciplinary examination of a broad range of philosophical ideas, theoretical concepts, and artistic projects of community in the 20th and 21st century in the context of global/local social and political changes. This volume opens new vitas by focusing on carefully selected instances of multipronged crises in which existing concepts of commonality are questioned, reformulated, or even speculatively designed with a (better) future in view. As many authors of this volume argue, in the face of today’s unprecedented global ecological and economic challenges speculative design is of utmost importance as it can foster alternative, unthought-of forms of connectivity that go far beyond progressivist narratives of nation, corporation, and nuclear family. Focusing on the situations of upheaval, both historical and fabulated, the collection not only examines how multipronged crises trigger antagonisms between egalitarian forms of communitas and the normative concept of the nation (and other normative forms of communities) as a community that separates and excludes. It also looks closely at philosophical and artistic projects that strive to go beyond the dichotomies and typically extrapolated utopias, envisaging new political economies, ways of living and alternative relational structures. It will be of great interest to students and scholars in performance studies, cultural studies, political studies, media studies, postcolonial and decolonial studies, critical anthropology.

This book is a critical, transdisciplinary examination of a broad range of philosophical ideas, theoretical concepts, and artistic projects of community in the 20th and 21st century in the context of global/local social and political changes. This volume opens new vitas by focusing on carefully selected instances of multipronged crises in which existing concepts of commonality are questioned, reformulated, or even speculatively designed with a (better) future in view. As many authors of this volume argue, in the face of today’s unprecedented global ecological and economic challenges speculative design is of utmost importance as it can foster alternative, unthought-of forms of connectivity that go far beyond progressivist narratives of nation, corporation, and nuclear family. Focusing on the situations of upheaval, both historical and fabulated, the collection not only examines how multipronged crises trigger antagonisms between egalitarian forms of communitas and the normative concept of the nation (and other normative forms of communities) as a community that separates and excludes. It also looks closely at philosophical and artistic projects that strive to go beyond the dichotomies and typically extrapolated utopias, envisaging new political economies, ways of living and alternative relational structures. It will be of great interest to students and scholars in performance studies, cultural studies, political studies, media studies, postcolonial and decolonial studies, critical anthropology.

Entangled Performance Histories is the first book-length study that applies the concept of "entangled histories" as a new paradigm in the field of theater and performance historiography."Entangled histories" denotes the interconnectedness of multiple histories that cannot be addressed within national frameworks. The concept refers to interconnected pasts, in which historical processes of contact and exchange between performance cultures affected all involved. Presenting case studies from across the world—spanning Africa, the Arab-speaking world, Asia, the Americas and Europe—the book’s contributors systematically expand, exemplify and examine the concept of "entangled histories," thus introducing various innovative concepts, theories and methodologies for investigating reciprocally consequential processes of interweaving performance cultures from the past. Bringing together examples of entanglements in theater and performance histories from a broad variety of geographical and historical backgrounds, the book’s contributions build together a broad basis for a possible and necessary paradigmatic shift in the field of theater and performance historiography.Ideal for researchers and students of history, theater, performance, drama and dance, this volume opens novel perspectives on the possibilities and challenges of investigating the entangled histories of theater and performance cultures on a global scale.

Entangled Performance Histories is the first book-length study that applies the concept of "entangled histories" as a new paradigm in the field of theater and performance historiography."Entangled histories" denotes the interconnectedness of multiple histories that cannot be addressed within national frameworks. The concept refers to interconnected pasts, in which historical processes of contact and exchange between performance cultures affected all involved. Presenting case studies from across the world—spanning Africa, the Arab-speaking world, Asia, the Americas and Europe—the book’s contributors systematically expand, exemplify and examine the concept of "entangled histories," thus introducing various innovative concepts, theories and methodologies for investigating reciprocally consequential processes of interweaving performance cultures from the past. Bringing together examples of entanglements in theater and performance histories from a broad variety of geographical and historical backgrounds, the book’s contributions build together a broad basis for a possible and necessary paradigmatic shift in the field of theater and performance historiography.Ideal for researchers and students of history, theater, performance, drama and dance, this volume opens novel perspectives on the possibilities and challenges of investigating the entangled histories of theater and performance cultures on a global scale.

Performing Waste offers groundbreaking insights into the vibrant interdisciplinary field of waste studies through the lens of performance and artistic practice.This pioneering collection examines how waste and wasting are performed across diverse media and genres, from Afrofuturist musical works to contemporary scrap art installations. Distinguished international scholars present original research using situated methodologies, including ethnographic approaches, to analyse compelling case studies that span global contexts. The volume explores eco-trauma and toxic kinship in artistic works, investigates the relationship between extractivism and knowledge production, and examines critical sites like the Polish-Belorussian border and e-waste processing in Ghana and Peru. By reframing familiar environmental narratives and introducing novel perspectives on waste agency, materiality, and performance, the collection challenges conventional understandings of our discarded materials and practices. Each contribution illuminates how waste performance can help us reimagine ecological relationships and envision alternative futures beyond extractivist paradigms.This volume is an essential reading for students and scholars in environmental humanities, posthumanist theory, decolonial studies, eco-arts, media studies, and performance studies, as well as anyone concerned with creative responses to our global waste crisis.

Performing Waste offers groundbreaking insights into the vibrant interdisciplinary field of waste studies through the lens of performance and artistic practice.This pioneering collection examines how waste and wasting are performed across diverse media and genres, from Afrofuturist musical works to contemporary scrap art installations. Distinguished international scholars present original research using situated methodologies, including ethnographic approaches, to analyse compelling case studies that span global contexts. The volume explores eco-trauma and toxic kinship in artistic works, investigates the relationship between extractivism and knowledge production, and examines critical sites like the Polish-Belorussian border and e-waste processing in Ghana and Peru. By reframing familiar environmental narratives and introducing novel perspectives on waste agency, materiality, and performance, the collection challenges conventional understandings of our discarded materials and practices. Each contribution illuminates how waste performance can help us reimagine ecological relationships and envision alternative futures beyond extractivist paradigms.This volume is an essential reading for students and scholars in environmental humanities, posthumanist theory, decolonial studies, eco-arts, media studies, and performance studies, as well as anyone concerned with creative responses to our global waste crisis.

Performing Waste offers groundbreaking insights into the vibrant interdisciplinary field of waste studies through the lens of performance and artistic practice.This pioneering collection examines how waste and wasting are performed across diverse media and genres, from Afrofuturist musical works to contemporary scrap art installations. Distinguished international scholars present original research using situated methodologies, including ethnographic approaches, to analyse compelling case studies that span global contexts. The volume explores eco-trauma and toxic kinship in artistic works, investigates the relationship between extractivism and knowledge production, and examines critical sites like the Polish-Belorussian border and e-waste processing in Ghana and Peru. By reframing familiar environmental narratives and introducing novel perspectives on waste agency, materiality, and performance, the collection challenges conventional understandings of our discarded materials and practices. Each contribution illuminates how waste performance can help us reimagine ecological relationships and envision alternative futures beyond extractivist paradigms.This volume is an essential reading for students and scholars in environmental humanities, posthumanist theory, decolonial studies, eco-arts, media studies, and performance studies, as well as anyone concerned with creative responses to our global waste crisis.

This volume is a response to the growing need for new methodological approaches to the rapidly changing landscape of new forms of performative practices. The authors address a host of contemporary phenomena situated at the crossroads between science and fiction which employ various media and merge live participation with mediated hybrid experiences at both affective and cognitive level. All essays collected here move across disciplinary divisions in order to provide an account of these new tendencies, thus providing food for thought for a wide readership ranging from performative studies to the social sciences, philosophy and cultural studies.

The fundamental assumption behind the volume is that the current civilizational crisis, manifested in such phenomena as climate change, environmental catastrophes, pandemics and wars, puts into question the biopolitical means of optimizing the life of populations and individuals. To narrow down the thematic concerns of the volume, the chapters are centered around the notion of body, fundamental for the majority of theoretical takes on biopolitics. The volume shows that in the current age of catastrophes bodies are not only shaped and individualized through procedures of institutionalized discipline, but by an entanglement of environmental and planetary factors, typically omitted in extant accounts of biopolitics. The chapters go beyond biopolitics, because they show bodies as sites of operation of non-human or more-than-human agencies that work on scales inaccessible to human sensorium.