Dorota Sajewska – författare

This book is a critical, transdisciplinary examination of a broad range of philosophical ideas, theoretical concepts, and artistic projects of community in the 20th and 21st century in the context of global/local social and political changes. This volume opens new vitas by focusing on carefully selected instances of multipronged crises in which existing concepts of commonality are questioned, reformulated, or even speculatively designed with a (better) future in view. As many authors of this volume argue, in the face of today’s unprecedented global ecological and economic challenges speculative design is of utmost importance as it can foster alternative, unthought-of forms of connectivity that go far beyond progressivist narratives of nation, corporation, and nuclear family. Focusing on the situations of upheaval, both historical and fabulated, the collection not only examines how multipronged crises trigger antagonisms between egalitarian forms of communitas and the normative concept of the nation (and other normative forms of communities) as a community that separates and excludes. It also looks closely at philosophical and artistic projects that strive to go beyond the dichotomies and typically extrapolated utopias, envisaging new political economies, ways of living and alternative relational structures. It will be of great interest to students and scholars in performance studies, cultural studies, political studies, media studies, postcolonial and decolonial studies, critical anthropology.

This book is a critical, transdisciplinary examination of a broad range of philosophical ideas, theoretical concepts, and artistic projects of community in the 20th and 21st century in the context of global/local social and political changes. This volume opens new vitas by focusing on carefully selected instances of multipronged crises in which existing concepts of commonality are questioned, reformulated, or even speculatively designed with a (better) future in view. As many authors of this volume argue, in the face of today’s unprecedented global ecological and economic challenges speculative design is of utmost importance as it can foster alternative, unthought-of forms of connectivity that go far beyond progressivist narratives of nation, corporation, and nuclear family. Focusing on the situations of upheaval, both historical and fabulated, the collection not only examines how multipronged crises trigger antagonisms between egalitarian forms of communitas and the normative concept of the nation (and other normative forms of communities) as a community that separates and excludes. It also looks closely at philosophical and artistic projects that strive to go beyond the dichotomies and typically extrapolated utopias, envisaging new political economies, ways of living and alternative relational structures. It will be of great interest to students and scholars in performance studies, cultural studies, political studies, media studies, postcolonial and decolonial studies, critical anthropology.

Performing Waste offers groundbreaking insights into the vibrant interdisciplinary field of waste studies through the lens of performance and artistic practice.This pioneering collection examines how waste and wasting are performed across diverse media and genres, from Afrofuturist musical works to contemporary scrap art installations. Distinguished international scholars present original research using situated methodologies, including ethnographic approaches, to analyse compelling case studies that span global contexts. The volume explores eco-trauma and toxic kinship in artistic works, investigates the relationship between extractivism and knowledge production, and examines critical sites like the Polish-Belorussian border and e-waste processing in Ghana and Peru. By reframing familiar environmental narratives and introducing novel perspectives on waste agency, materiality, and performance, the collection challenges conventional understandings of our discarded materials and practices. Each contribution illuminates how waste performance can help us reimagine ecological relationships and envision alternative futures beyond extractivist paradigms.This volume is an essential reading for students and scholars in environmental humanities, posthumanist theory, decolonial studies, eco-arts, media studies, and performance studies, as well as anyone concerned with creative responses to our global waste crisis.

Performing Waste offers groundbreaking insights into the vibrant interdisciplinary field of waste studies through the lens of performance and artistic practice.This pioneering collection examines how waste and wasting are performed across diverse media and genres, from Afrofuturist musical works to contemporary scrap art installations. Distinguished international scholars present original research using situated methodologies, including ethnographic approaches, to analyse compelling case studies that span global contexts. The volume explores eco-trauma and toxic kinship in artistic works, investigates the relationship between extractivism and knowledge production, and examines critical sites like the Polish-Belorussian border and e-waste processing in Ghana and Peru. By reframing familiar environmental narratives and introducing novel perspectives on waste agency, materiality, and performance, the collection challenges conventional understandings of our discarded materials and practices. Each contribution illuminates how waste performance can help us reimagine ecological relationships and envision alternative futures beyond extractivist paradigms.This volume is an essential reading for students and scholars in environmental humanities, posthumanist theory, decolonial studies, eco-arts, media studies, and performance studies, as well as anyone concerned with creative responses to our global waste crisis.

Performing Waste offers groundbreaking insights into the vibrant interdisciplinary field of waste studies through the lens of performance and artistic practice.This pioneering collection examines how waste and wasting are performed across diverse media and genres, from Afrofuturist musical works to contemporary scrap art installations. Distinguished international scholars present original research using situated methodologies, including ethnographic approaches, to analyse compelling case studies that span global contexts. The volume explores eco-trauma and toxic kinship in artistic works, investigates the relationship between extractivism and knowledge production, and examines critical sites like the Polish-Belorussian border and e-waste processing in Ghana and Peru. By reframing familiar environmental narratives and introducing novel perspectives on waste agency, materiality, and performance, the collection challenges conventional understandings of our discarded materials and practices. Each contribution illuminates how waste performance can help us reimagine ecological relationships and envision alternative futures beyond extractivist paradigms.This volume is an essential reading for students and scholars in environmental humanities, posthumanist theory, decolonial studies, eco-arts, media studies, and performance studies, as well as anyone concerned with creative responses to our global waste crisis.