Marcello di Cintio – författare

Marcello Di Cintio prepares for his “journey into the heart of Iran” with the utmost diligence. He takes lessons in Farsi, researches Persian poetry and sharpens his wrestling skills by returning to the mat after a gap of some years. Knowing that there is a special relationship between heroic poetry and the various styles of traditional Persian wrestling, he sets out to discover how Iranians “reconcile creativity with combat.”From the moment of his arrival in Tehran, the author is overwhelmed by hospitality. He immerses himself in male company in tea houses, conversing while smoking the qalyun or water pipe. Iranian men are only too willing to talk, especially about politics. Confusingly, he is told conflicting statements–that all Iranians love George Bush, that all Iranians hate George Bush; that life was infinitely better under the Shah, that the mullahs swept away the corruption of the Shah’s regime and made life better for all.Once out of Tehran, he learns where the traditional forms of wrestling are practised. His path through the country is directed by a search for the variant disciplines and local techniques of wrestling and a need to visit sites and shrines associated with the great Persian poets: Hafez, Ferdosi, Omar Khayyám, Attar, Shahriyar and many others. Everywhere his quest leads him, he discovers that poetry is loved and quoted by everyone from taxi-drivers to students.His engagement with Iranian culture is intimate: he wrestles (sometimes reluctantly) when invited, samples illegal home-brew alcohol, attends a wedding, joins mourners, learns a new way to drink tea and attempts to observe the Ramazan fast, though not a Muslim himself. Though he has inevitable brushes with officialdom, he never feels in danger, even when he hears that a Canadian photo-journalist has apparently been beaten to death in a police cell during the author’s visit. The outraged and horrified reaction of those around him to this violent act tightens the already close bond he has formed with the Persians.His greatest frustration is that he is unable to converse freely with Iranian women aware that an important part of his picture of Iran is thus absent. Yet the mosaic of incidents, encounters, vistas, conversations, atmospheres and acutely observed sights, smells and moments creates a detailed impression of a country and society that will challenge most, if not all, preconceptions.From the Hardcover edition.

For political readers and anyone invested in the Israeli-Palestinian conflict, Marcello Di Cintio''s Song of the Caged Bird is a refreshing look at Palestinian resistance--through literature and the power of books. When Marcello Di Cintio began teaching at the Palestine Writing Workshop in Ramallah, he avoided making reference to the occupation in his assignments at first--to see if his students addressed it on their own--and he soon learned that it touches all aspects of Palestinian life. Curious how Palestinian literature could operate with its people so tied to a single narrative, Di Cintio began a journey through the Palestinian world of books: from the monument to the poet Mahmoud Darwish to the volumes in the Nablus Prisoners'' library; from one of the West Bank''s most successful bookshops to a century-old library in Jerusalem run by a family with a lineage in that city many centuries older. What he found is a world of identity and resistance that is considerably more complex--and potentially more hopeful--than what we see splashed across our screens.

Across Palestine, from the Allenby Bridge and Ramallah, to Jerusalem and Gaza, Marcello Di Cintio has met with writers, poets, librarians, booksellers and readers, finding extraordinary stories in every corner. Stories of how revolutionary writing is smuggled from the Naqab Prison, and about what it is like to write with only two hours of electricity each day. Stories from the Gallery Cafe, whose opening three thousand creative intellectuals gathered to celebrate; and the lost generations of stories contained within the looted books that sit in Israel's National Library. Pay No Heed to the Rockets offers a window into the literary heritage of Palestine that transcends the narrow language of conflict, revealing a humanity often unreported. Paying homage to the memory of literary giants like Mahmoud Darwish and Ghassan Kanafani and the contemporary authors whom they continue to inspire, this evocative, lyrical journey shares both the anguish and inspiration of Palestine today.

Shortlisted for the Bressani Literary Prize • A Globe and Mail Book of the Year • A CBC Books Best Canadian Nonfiction of 2021In conversations with drivers ranging from veterans of foreign wars to Indigenous women protecting one another, Di Cintio explores the borderland of the North American taxi.“The taxi,” writes Marcello Di Cintio, “is a border.” Occupying the space between public and private, a cab brings together people who might otherwise never have met—yet most of us sit in the back and stare at our phones. Nowhere else do people occupy such intimate quarters and share so little. In a series of interviews with drivers, their backgrounds ranging from the Iraqi National Guard, to the Westboro Baptist Church, to an arranged marriage that left one woman stranded in a foreign country with nothing but a suitcase, Driven seeks out those missed conversations, revealing the unknown stories that surround us.Travelling across borders of all kinds, from battlefields and occupied lands to midnight fares and Tim Hortons parking lots, Di Cintio chronicles the many journeys each driver made merely for the privilege to turn on their rooflight. Yet these lives aren’t defined by tragedy or frustration but by ingenuity and generosity, hope and indomitable hard work. From night school and sixteen-hour shifts to schemes for athletic careers and the secret Shakespeare of Dylan’s lyrics, Di Cintio’s subjects share the passions and triumphs that drive them.Like the people encountered in its pages, Driven is an unexpected delight, and that most wondrous of all things: a book that will change the way you see the world around you. A paean to the power of personality and perseverance, it’s a compassionate and joyful tribute to the men and women who take us where we want to go.

Selected by editor Marcello Di Cintio, the 2024 edition of Best Canadian Essays showcases the best Canadian nonfiction writing published in 2022.Featuring:Lyndsie Bourgon • Nicole Boyce • Robert Colman • Daniel Allen Cox • Acadia Currah • Sadiqa de Meijer • Gabrielle Drolet • Hamed Esmaeilion • Kate Gies • David Huebert • Jenny Hwang • Fiona Tinwei Lam • Kyo Maclear • Sandy Pool

Winner of the 2026 City of Calgary W.O. Mitchell Book Prize • Finalist for the 2026 Wilfrid Eggleston Award for Nonfiction • A Globe 100 Best Book of 2025 • One of The Hill Times’ Top 100 Best Books in 2025 • Winner of the 2024 Dave Greber Freelance Writers Book AwardA series of profiles of foreign workers illuminates the precarity of global systems of migrant labor and the vulnerability of their most disenfranchised agents.In 2023, after weeks of investigation, United Nations Special Rapporteur Tomoyo Obokata came to a scathing conclusion: Canada’s Temporary Foreign Worker program is “a breeding ground for contemporary forms of slavery.” Workers complained of excessive hours and unpaid overtime; of being forced to perform dangerous tasks or ones not specified in their contracts; of being physically abused, intimidated, and sexually harassed; and of overcrowded, unsanitary living conditions that deprived them of their privacy and dignity.In Precarious: The Lives of Migrant Workers, Marcello Di Cintio ranges across the country speaking to those who have come from elsewhere to till our fields, bathe our elderly, and serve us our Double Doubles, uncovering stories of tremendous perseverance, resilience, and humanity, but also of precarity and vulnerability. He shows that vast swathes of our economy depend on the work of people we don’t see, while expanding our awareness of what migrant work now entails, and revealing that our mistreatment of the most vulnerable among us diminishes our own dignity.