Margaret Renkl – författare

This debut picture book from acclaimed and New York Times bestselling author Margaret Renkl—with collage illustrations by her brother, fine artist Billy Renkl—invites readers to observe and wonder about the various inhabitants in the vibrant ecosystem of a wildlife-friendly backyard garden. Features backmatter. If you were hungry squirrel in the weedy garden, where would you find an acorn? If you were a cottontail rabbit, where would you hide your bunnies? And if you were a child, sitting still and listening, what would the weedy garden say to you?Margaret Renkl, a beloved regular contributor to The New York Times and two-time recipient of the Southern Book Prize, writes beautifully about our changing natural world. In her debut picture book, she asks questions that draw young readers deeper and deeper into the garden, inviting observation and conversation along the way. Each page turn introduces a new plant or animal friend, buzzing and dancing with quiet wonder. The fine artist Billy Renkl, Margaret Renkl’s brother and frequent collaborator, brings the weedy garden to life through his signature mixed-media collages. Includes backmatter with more information about the residents of the garden, eco-friendly gardening tips, and instructions on how to make your own collage art project at home or in school.With evergreen themes of patience and respect for the natural world, The Weedy Garden will appeal to readers of Plant the Tiny Seed, On Meadowview Street, and Peter Brown’s The Curious Garden.

Winner of the Southern Book PrizeWinner of the PEN/Diamonstein-Spielvogel Award for the Art of the EssayFrom the author of the bestselling #ReadWithJenna/TODAY Show book club pick Late Migrations: A Natural History of Love and LossFor the past four years, Margaret Renkl’s columns have offered readers of The New York Times a weekly dose of natural beauty, human decency, and persistent hope from her home in Nashville. Now more than sixty of those pieces have been brought together in this sparkling new collection.“People have often asked me how it feels to be the ‘voice of the South,’” writes Renkl in her introduction. “But I’m not the voice of the South, and no one else is, either.” There are many Souths—red and blue, rural and urban, mountain and coast, Black and white and brown—and no one writer could possibly represent all of them. In Graceland, At Last, Renkl writes instead from her own experience about the complexities of her homeland, demonstrating along the way how much more there is to this tangled region than many people understand.In a patchwork quilt of personal and reported essays, Renkl also highlights some other voices of the South, people who are fighting for a better future for the region. A group of teenagers who organized a youth march for Black Lives Matter. An urban shepherd whose sheep remove invasive vegetation. Church parishioners sheltering the homeless. Throughout, readers will find the generosity of spirit and deep attention to the world, human and nonhuman, that keep readers returning to her columns each Monday morning.From a writer who “makes one of all the world’s beings” (NPR), Graceland, At Last is a book full of gifts for Southerners and non-Southerners alike.

Winner of the Southern Book PrizeWinner of the PEN/Diamonstein-Spielvogel Award for the Art of the EssayFor the past four years, Margaret Renkl’s columns have offered readers of The New York Times a weekly dose of natural beauty, human decency, and persistent hope from her home in Nashville. Now more than sixty of those pieces have been brought together in this sparkling new collection.“People have often asked me how it feels to be the ‘voice of the South,’” writes Renkl in her introduction. “But I’m not the voice of the South, and no one else is, either.” There are many Souths—red and blue, rural and urban, mountain and coast, Black and white and brown—and no one writer could possibly represent all of them. In Graceland, At Last, Renkl writes instead from her own experience about the complexities of her homeland, demonstrating along the way how much more there is to this tangled region than many people understand.In a patchwork quilt of personal and reported essays, Renkl also highlights some other voices of the South, people who are fighting for a better future for the region. A group of teenagers who organized a youth march for Black Lives Matter. An urban shepherd whose sheep remove invasive vegetation. Church parishioners sheltering the homeless. Throughout, readers will find the generosity of spirit and deep attention to the world, human and nonhuman, that keep readers returning to her columns each Monday morning.From a writer who “makes one of all the world’s beings” (NPR), Graceland, At Last is a book full of gifts for Southerners and non-Southerners alike.

From New York Times contributing opinion writer Margaret Renkl comes an unusual, captivating portrait of a family—and of the cycles of joy and grief that inscribe human lives within the natural world.Growing up in Alabama, Renkl was a devoted reader, an explorer of riverbeds and red-dirt roads, and a fiercely loved daughter. Here, in brief essays, she traces a tender and honest portrait of her complicated parents—her exuberant, creative mother; her steady, supportive father—and of the bittersweet moments that accompany a child’s transition to caregiver.And here, braided into the overall narrative, Renkl offers observations on the world surrounding her suburban Nashville home. Ringing with rapture and heartache, these essays convey the dignity of bluebirds and rat snakes, monarch butterflies and native bees. As these two threads haunt and harmonize with each other, Renkl suggests that there is astonishment to be found in common things: in what seems ordinary, in what we all share. For in both worlds—the natural one and our own—“the shadow side of love is always loss, and grief is only love’s own twin.”Gorgeously illustrated by the author’s brother, Billy Renkl, Late Migrations is an assured and memorable debut.

From New York Times contributing opinion writer Margaret Renkl comes an unusual, captivating portrait of a family—and of the cycles of joy and grief that inscribe human lives within the natural world.Growing up in Alabama, Renkl was a devoted reader, an explorer of riverbeds and red-dirt roads, and a fiercely loved daughter. Here, in brief essays, she traces a tender and honest portrait of her complicated parents—her exuberant, creative mother; her steady, supportive father—and of the bittersweet moments that accompany a child’s transition to caregiver.And here, braided into the overall narrative, Renkl offers observations on the world surrounding her suburban Nashville home. Ringing with rapture and heartache, these essays convey the dignity of bluebirds and rat snakes, monarch butterflies and native bees. As these two threads haunt and harmonize with each other, Renkl suggests that there is astonishment to be found in common things: in what seems ordinary, in what we all share. For in both worlds—the natural one and our own—“the shadow side of love is always loss, and grief is only love’s own twin.”Gorgeously illustrated by the author’s brother, Billy Renkl, Late Migrations is an assured and memorable debut.

REESE’S BOOK CLUB PICK * NEW YORK TIMES BESTSELLER“A beautiful love letter to nature and the world around us.”—Reese Witherspoon (Reese’s Book Club September ’24 Pick)THE PERFECT GIFT FOR NATURE LOVERS, BIRDERS, AND GARDENERS, WITH ORIGINAL COLOR ART THROUGHOUT * USA TODAY BESTSELLER * NATIONAL BESTSELLER  * INDIE NEXT PICKFrom the beloved New York Times opinion writer: a luminous book that traces the passing of seasons, both personal and natural.In The Comfort of Crows, Margaret Renkl presents a literary devotional: fifty-two chapters that follow the creatures and plants in her backyard over the course of a year. As we move through the seasons—from a crow spied on New Year’s Day, its resourcefulness and sense of community setting a theme for the year, to the lingering bluebirds of December, revisiting the nest box they used in spring—what develops is a portrait of joy and grief: joy in the ongoing pleasures of the natural world, and grief over winters that end too soon and songbirds that grow fewer and fewer.Along the way, we also glimpse the changing rhythms of a human life. Grown children, unexpectedly home during the pandemic, prepare to depart once more. Birdsong and night-blooming flowers evoke generations past. The city and the country where Renkl raised her family transform a little more with each passing day. And the natural world, now in visible flux, requires every ounce of hope and commitment from the author—and from us. For, as Renkl writes, “radiant things are bursting forth in the darkest places, in the smallest nooks and deepest cracks of the hidden world.”With fifty-two original color artworks by the author’s brother, Billy Renkl, The Comfort of Crows is a lovely and deeply moving book from a cherished observer of the natural world.