Marguerite Corporaal – författare

Irish Global Migration and Memory: Transnational Perspectives of Ireland’s Famine Exodus brings together leading scholars in the field who examine the experiences and recollections of Irish emigrants who fled from their famine-stricken homeland in the mid-nineteenth century. The book breaks new ground in its comparative, transnational approach and singular focus on the dynamics of cultural remembrance of one migrant group, the Famine Irish and their descendants, in multiple Atlantic and Pacific settings. Its authors comparatively examine the collective experiences of the Famine Irish in terms of their community and institution building; cultural, ethnic, and racial encounters with members of other groups; and especially their patterns of mass-migration, integration, and remembrance of their traumatic upheaval by their descendants and host societies. The disruptive impact of their mass-arrival had reverberations around the Atlantic world. As an early refugee movement, migrant community, and ethnic minority, Irish Famine emigrants experienced and were recollected to have faced many of the challenges that confronted later immigrant groups in their destinations of settlement. This book is especially topical and will be of interest not only to Irish, migration, and refugee scholars, but also the general public and all who seek to gain insight into one of Europe’s foundational moments of forced migration that prefigures its current refugee crisis.This book was originally published as a special issue of Atlantic Studies: Global Currents.

The Great Famine radically transformed Ireland; nearly one million people of the rural countryside died, and the eviction of farmers led to massive emigration. The Famine encouraged anti-English, nationalist sentiments, and this trauma is seen as pivotal in the development of an Irish anticolonial consciousness and in the identity formation of transatlantic Irish communities. In Relocated Memories, Corporaal challenges the persistent assumption that the first decades after the Great Irish Famine were marked by a pervasive silence on the catastrophe. Discussing works by well-known authors such as William Carleton and Anthony Trollope as well as more obscure texts by, among others, Dillon O’Brien and Susanna Meredith, Corporaal charts the reconfigurations of memory in fiction across generations and national borders.

Famines and the Making of Heritage is the first book to bring together groundbreaking research on the role of European famines in the nineteenth and twentieth centuries in relation to heritage making, museology, commemoration, education, and monument creation.Featuring contributions from famine experts across Europe and North America, the volume adopts a pioneering transnational perspective, and discusses issues such as contestable and repressed heritage, materiality, dark tourism, education on famines, oral history, multidirectional memory, and visceral empathy. Questioning why educational curricula and practices in schools and on heritage sites are region- or nation-oriented or transnational, chapters also consider whether they emphasise conflict or mutual understanding. Contributions also consider how present issues of European concern – such as globalisation, commodification, human rights, poverty, and migration – intersect with the heritage and memory of modern European famines. Lastly, the book considers what role emigrant and diasporic communities within and outside Europe play in the development of famine heritage and educational practices – and whether famine heritage is accessible to them.Famines and the Making of Heritage provides a crucial resource for museum and heritage scholars, students and professionals working on or with difficult or dark heritages, as well as those interested in the study of famines and legacies of troubled pasts.

Famines and the Making of Heritage is the first book to bring together groundbreaking research on the role of European famines in the nineteenth and twentieth centuries in relation to heritage making, museology, commemoration, education, and monument creation.Featuring contributions from famine experts across Europe and North America, the volume adopts a pioneering transnational perspective, and discusses issues such as contestable and repressed heritage, materiality, dark tourism, education on famines, oral history, multidirectional memory, and visceral empathy. Questioning why educational curricula and practices in schools and on heritage sites are region- or nation-oriented or transnational, chapters also consider whether they emphasise conflict or mutual understanding. Contributions also consider how present issues of European concern – such as globalisation, commodification, human rights, poverty, and migration – intersect with the heritage and memory of modern European famines. Lastly, the book considers what role emigrant and diasporic communities within and outside Europe play in the development of famine heritage and educational practices – and whether famine heritage is accessible to them.Famines and the Making of Heritage provides a crucial resource for museum and heritage scholars, students and professionals working on or with difficult or dark heritages, as well as those interested in the study of famines and legacies of troubled pasts.

Irish Global Migration and Memory: Transnational Perspectives of Ireland’s Famine Exodus brings together leading scholars in the field who examine the experiences and recollections of Irish emigrants who fled from their famine-stricken homeland in the mid-nineteenth century. The book breaks new ground in its comparative, transnational approach and singular focus on the dynamics of cultural remembrance of one migrant group, the Famine Irish and their descendants, in multiple Atlantic and Pacific settings. Its authors comparatively examine the collective experiences of the Famine Irish in terms of their community and institution building; cultural, ethnic, and racial encounters with members of other groups; and especially their patterns of mass-migration, integration, and remembrance of their traumatic upheaval by their descendants and host societies. The disruptive impact of their mass-arrival had reverberations around the Atlantic world. As an early refugee movement, migrant community, and ethnic minority, Irish Famine emigrants experienced and were recollected to have faced many of the challenges that confronted later immigrant groups in their destinations of settlement. This book is especially topical and will be of interest not only to Irish, migration, and refugee scholars, but also the general public and all who seek to gain insight into one of Europe’s foundational moments of forced migration that prefigures its current refugee crisis.This book was originally published as a special issue of Atlantic Studies: Global Currents.

The Great Irish Famine of the 1840s left a profound impact on Irish culture, as recent ground-breaking historical and literary research has revealed. Less well documented and explored, however, is the relationship of the Famine and related experiences (hunger, migration, eviction, poverty, institutions and social memory) to visual and material cultures. This book aims to explore how the material and visual cultures of Ireland and its diaspora (including painting, engraving, photography, devotional objects, ritual, drama, film, television, and graphic novels) intersect with the multiple impacts and experiences of the Famine. In tracing the Famine’s impact in Ireland, Northern Ireland, and across the diaspora over almost two centuries, it adopts transgenerational as well as transnational approaches to the subject of cultural memory.Interest in the Famine has increased rather than declined since its sesquicentenary, acquiring new relevance in the wake of Ireland’s recent economic collapse and the international contemporary refugee crisis, with which frequent parallels have been drawn. This book arrives in the midst of the Decade of Centenaries, the sequence of key commemorations in Ireland and Northern Ireland that has attracted widespread international public attention. As such, its essays resonate with current developments in Irish cultural history, commemoration and memory, and advances new approaches to studies of memory and materiality.

The sesquicentenary of the Great Irish Famine saw the emergence of seminal, often revisionist, scholarship addressing the impact of the catastrophe on Ireland’s economy (including its relations with Britain) and investigating topics such as the suffering of the rural classes, landlord and tenant relations, Poor Laws and relief operations. The Great Irish Famine and Social Class represents a significant new stage in Irish Famine scholarship, adopting a broader interdisciplinary approach that includes ground-breaking demographical, economic, cultural and literary research on poverty, poor relief and class relations during one of Europe’s most devastating food crises. The volume incorporates a comparative European framework, as well as exploring the issue of class in relation to the British and North American Famine diaspora.

An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library.As the prominence of the recent #WakingTheFeminists movement illustrates, the Irish theatre world is highly conscious of the ways in which theatre can foster social emancipation. This volume of essays uncovers a wide range of marginalised histories by reflecting on the emancipatory role that the Dublin Gate Theatre (est. 1928) has played in Irish culture and society, both historically and in more recent times. The Gate’s founders, Hilton Edwards and Michéal mac Liammóir, promoted the work of many female playwrights and created an explicitly cosmopolitan stage on which repressive ideas about gender, sexuality, class and language were questioned. During Selina Cartmell’s current tenure as director, cultural diversity and social emancipation have also featured prominently on the Gate’s agenda, with various productions exploring issues of ethnicity in contemporary Ireland. The Gate thus offers a unique model for studying the ways in which cosmopolitan theatres, as cultural institutions, give expression to and engage with the complexities of identity and diversity in changing, globalised societies.CONTRIBUTORS: David Clare, Marguérite Corporaal, Mark Fitzgerald, Barry Houlihan, Radvan Markus, Deirdre McFeely, Justine Nakase, Siobhan O'Gorman, Mary Trotter, Grace Vroomen, Ian R. Walsh, Feargal Whelan

An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library.As the prominence of the recent #WakingTheFeminists movement illustrates, the Irish theatre world is highly conscious of the ways in which theatre can foster social emancipation. This volume of essays uncovers a wide range of marginalised histories by reflecting on the emancipatory role that the Dublin Gate Theatre (est. 1928) has played in Irish culture and society, both historically and in more recent times. The Gate’s founders, Hilton Edwards and Michéal mac Liammóir, promoted the work of many female playwrights and created an explicitly cosmopolitan stage on which repressive ideas about gender, sexuality, class and language were questioned. During Selina Cartmell’s current tenure as director, cultural diversity and social emancipation have also featured prominently on the Gate’s agenda, with various productions exploring issues of ethnicity in contemporary Ireland. The Gate thus offers a unique model for studying the ways in which cosmopolitan theatres, as cultural institutions, give expression to and engage with the complexities of identity and diversity in changing, globalised societies.CONTRIBUTORS: David Clare, Marguérite Corporaal, Mark Fitzgerald, Barry Houlihan, Radvan Markus, Deirdre McFeely, Justine Nakase, Siobhan O'Gorman, Mary Trotter, Grace Vroomen, Ian R. Walsh, Feargal Whelan

The Famine Diaspora and Irish American Women’s Writing considers the works of eleven North American female authors who wrote for or descended from the Irish Famine generation: Anna Dorsey, Christine Faber, Elizabeth Gurley Flynn, Mother Jones, Kate Kennedy, Margaret Dixon McDougall, Mary Meaney, Alice Nolan, Fanny Parnell, Mary Anne Sadlier, and Elizabeth Hely Walshe. This collection examines the ways the writings of these women contributed significantly to the construction of Irish North-American identities, and played a crucial role in the dissemination of Famine memories transgenerationally as well as transnationally. The included annotated excerpts from these women writers’ works and the accompanying essays by prominent international scholars offer insights on the sociopolitical position of the Irish in North America, their connections with the homeland, women’s activities in transnational (often Catholic) publishing networks and women writers’ mediation of Ireland’s cultural heritage. Furthermore, the volume illustrates the generic variety of Irish American women’s writing of the Famine generation, which comprises political treatises, novels, short stories and poetry, and bears witness to these female authors’ profound engagement with political and social issues, such as the conditions of the poor and woman’s vote.

The Famine Diaspora and Irish American Women’s Writing considers the works of eleven North American female authors who wrote for or descended from the Irish Famine generation: Anna Dorsey, Christine Faber, Elizabeth Gurley Flynn, Mother Jones, Kate Kennedy, Margaret Dixon McDougall, Mary Meaney, Alice Nolan, Fanny Parnell, Mary Anne Sadlier, and Elizabeth Hely Walshe. This collection examines the ways the writings of these women contributed significantly to the construction of Irish North-American identities, and played a crucial role in the dissemination of Famine memories transgenerationally as well as transnationally. The included annotated excerpts from these women writers’ works and the accompanying essays by prominent international scholars offer insights on the sociopolitical position of the Irish in North America, their connections with the homeland, women’s activities in transnational (often Catholic) publishing networks and women writers’ mediation of Ireland’s cultural heritage. Furthermore, the volume illustrates the generic variety of Irish American women’s writing of the Famine generation, which comprises political treatises, novels, short stories and poetry, and bears witness to these female authors’ profound engagement with political and social issues, such as the conditions of the poor and woman’s vote.

The 150th anniversary of Ireland’s Great Famine in the 1990s generated a significant increase in scholarship on the history of the crisis and its social and cultural aftermath. Two decades later, interest in the Irish Famine – both scholarly and popular – has soared once again. A key event in Irish cultural memory, the crisis still crops up regularly in public discourse within Ireland and among the Irish diaspora. This volume, containing essays by distinguished scholars such as Peter Gray, Margaret Kelleher and Chris Morash, offers new perspectives on the Famine and its contexts. Addressing the challenges and opportunities for Irish Famine studies today, the book presents a stimulating dialogue between a wide range of disciplinary approaches to the Famine and its legacies.

Irish Studies and the Dynamics of Memory presents the latest research from Irish studies scholars across a variety of disciplines, including history, literature, theatre, photography and folklore, and generates new and challenging insights into the dynamics of cultural remembrance in Irish society. Featuring contributions by leading researchers in the field such as Guy Beiner, Graham Dawson and Emilie Pine, this collection demonstrates how the examination of Irish cultural legacies can illuminate our understanding of processes of identity formation, heritage policies, canonization, musealization and the transgenerational and transcultural inflections of the past. Investigating topics such as trauma, contested politics and commemorative practices, and exploring recent theoretical developments, the volume offers an interdisciplinary overview of the recent cross-fertilization between memory studies and Irish studies.

Exploring the effects of traveling, migration, and other forms of cultural contact, particularly within Europe, this edited collection explores the act of traveling and the representation of traveling by Irish men and women from diverse walks of life in the period between Grattan’s Parliament (1782) and World War I (1914).

Exploring the effects of traveling, migration, and other forms of cultural contact, particularly within Europe, this edited collection explores the act of traveling and the representation of traveling by Irish men and women from diverse walks of life in the period between Grattan’s Parliament (1782) and World War I (1914).