Mari Yoshihara - Böcker

Much has been written about Leonard Bernstein, a musician of extraordinary talent who was legendary for his passionate love of life and many relationships. In this work, Mari Yoshihara reveals the deeply emotional connections Bernstein formed with two little-known Japanese individuals, which she narrates through their personal letters that have never been seen before. Dearest Lenny interweaves an intimate story of love and art with a history of Bernstein's transformation from an American icon to a world maestro during the second half of the twentieth century. The articulate, moving letters of Kazuko Amano-a woman who began writing fan letters to Bernstein in 1947 and became a close family friend-and Kunihiko Hashimoto-a young man who fell in love with the maestro in 1979 and later became his business representative-convey the meaning Bernstein and his music had at various stages of their lives. The letters also shed light on how Bernstein's compositions, recordings, and performances touched his audiences around the world. The book further traces the making of a global Bernstein amidst the shifting landscape of classical music that made this American celebrity turn increasingly to Europe and Japan. The dramatic change in Japan's place in the world and its relationship to the United States during the postwar decades shaped Bernstein's connection to the country. Ultimately,Dearest Lenny is a story of relationships-between the two individuals and Bernstein, the United States and the world, art and commerce, artists and the state, private and public, conventions and transgressions, dreams and realities-that were at the core of Bernstein's greatest achievements and challenges and that made him truly a maestro of the world. Dearest Lenny paints a poignant portrait of individuals connected across cultures, languages, age, and status through correspondence and music-and the world that shaped their relationships.

As exemplified by Madame Butterfly, East-West relations have often been expressed as the relations between the masculine, dominant West and the feminine, submissive East. Yet, this binary model does not account for the important role of white women in the construction of Orientalism. Mari Yoshihara's study examines a wide range of white women who were attracted to Japan and China in the late nineteenth and early twentieth century and shows how, through their engagement with Asia, these women found new forms of expression, power, and freedom that were often denied to them in other realms of their lives in America. She demonstrates how white women's attraction to Asia shaped and was shaped by a complex mix of exoticism for the foreign, admiration for the refined, desire for power and control, and love and compassion for the people of Asia. Through concrete historical narratives and careful textual analysis, she examines the ideological context for America's changing discourse about Asia and interrogates the power and appeal--as well as the problems and limitations--of American Orientalism for white women's explorations of their identities. Combining the analysis of race and gender in the United States and the study of U.S.-Asian relations, Yoshihara's work represents the transnational direction of scholarship in American Studies and U.S. history. In addition, this interdisciplinary work brings together diverse materials and approaches, including cultural history, material culture, visual arts, performance studies, and literary analysis.

In Unpredictable Agents, twelve Japanese scholars of American studies tell their stories of how they encountered "America" and came to dedicate their careers to studying it. People in postwar Japan have experienced "America" in a number of ways—through literature, material goods, popular culture, foodways, GIs, missionaries, art, political figures, celebrities, and business. As the Japanese public wrestled with a complex mixture of admiration and confusion, yearning and repulsion, closeness and alienation toward the US, Japanese scholars specializing in American studies have become interlocutors in helping their compatriots understand the country. In scholarly literature, these intellectuals are often understood as complicit agents in US Cold War liberalism. By focusing on the human dimensions of the intellectuals’ lives and careers, Unpredictable Agents resists such a deterministic account of complicity while recognizing the relationship between power and knowledge and the historical and structural conditions in which these scholars and their work emerged. How did these scholars encounter "America" in the first place, and what exactly constitutes the "America" they have experienced? How did they come to be Americanists, and what does being Americanists mean for them? In short, what are the actual experiences of Japan’s Americanists, and what are their relationships to "America"? Reflecting both the interlocked web of politics, economics, and academics, as well as the evolving contours of Japan’s Americanists, the essays highlight the diverse paths through which these individuals have come to be "Americanists" and the complex meanings that identity carries for them. The stories reveal the obvious yet often neglected fact that Japanese scholars neither come from the same backgrounds nor occupy similar identities solely because of their shared ethnicity and citizenship. The authors were born in the period ranging from the 1940s to the 1980s in different parts of Japan—from Hokkaido to Okinawa—and raised in diverse familial and cultural environments, which shaped their identities as "Japanese" and their encounters with "America" in quite different ways. Together, the essays illustrate the complex positionalities, fluid identities, ambivalent embrace, and unpredictable agency of Japan’s Americanists who continue to chart their own course in and across the Pacific.

In Unpredictable Agents, twelve Japanese scholars of American studies tell their stories of how they encountered "America" and came to dedicate their careers to studying it. People in postwar Japan have experienced "America" in a number of ways—through literature, material goods, popular culture, foodways, GIs, missionaries, art, political figures, celebrities, and business. As the Japanese public wrestled with a complex mixture of admiration and confusion, yearning and repulsion, closeness and alienation toward the US, Japanese scholars specializing in American studies have become interlocutors in helping their compatriots understand the country. In scholarly literature, these intellectuals are often understood as complicit agents in US Cold War liberalism. By focusing on the human dimensions of the intellectuals’ lives and careers, Unpredictable Agents resists such a deterministic account of complicity while recognizing the relationship between power and knowledge and the historical and structural conditions in which these scholars and their work emerged. How did these scholars encounter "America" in the first place, and what exactly constitutes the "America" they have experienced? How did they come to be Americanists, and what does being Americanists mean for them? In short, what are the actual experiences of Japan’s Americanists, and what are their relationships to "America"? Reflecting both the interlocked web of politics, economics, and academics, as well as the evolving contours of Japan’s Americanists, the essays highlight the diverse paths through which these individuals have come to be "Americanists" and the complex meanings that identity carries for them. The stories reveal the obvious yet often neglected fact that Japanese scholars neither come from the same backgrounds nor occupy similar identities solely because of their shared ethnicity and citizenship. The authors were born in the period ranging from the 1940s to the 1980s in different parts of Japan—from Hokkaido to Okinawa—and raised in diverse familial and cultural environments, which shaped their identities as "Japanese" and their encounters with "America" in quite different ways. Together, the essays illustrate the complex positionalities, fluid identities, ambivalent embrace, and unpredictable agency of Japan’s Americanists who continue to chart their own course in and across the Pacific.