Maria Berlova – författare
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3 produkter
3 produkter
2 194 kr
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Performing Power explores 18th-century fabrication of the royal image by focusing on the example of King Gustav III (1746–1792) – one of Sweden’s most acclaimed and controversial monarchs – who conspicuously chose theater as the primary media for his image-making and role construction.The text postulates that Gustav III was motivated by theater’s ability to aid him in fulfilling Enlightenment’s tenet of broadly educating the populace and inculcating it with royal ideology. That he was an amateur actor, stage director, and playwright were other engines driving his choice. The project challenges and expands the commonly accepted perception of Gustav III’s contribution to Swedish theater, which has generally been limited to founding its National Opera, developing its national drama, and forming its national dramatic repertoire. Maria Berlova presents Gustav III as a performing King who strategically used political events as a framework through which he could embody the image of the ideal or enlightened monarch as presented by Voltaire. Through this, Performing Power explores the tight relationship and complex bond between theatrical arts and politics. This unique study will be of great interest to students and scholars in theater studies, 18th-century culture, and politics.
586 kr
Skickas inom 10-15 vardagar
Performing Power explores 18th-century fabrication of the royal image by focusing on the example of King Gustav III (1746–1792) – one of Sweden’s most acclaimed and controversial monarchs – who conspicuously chose theater as the primary media for his image-making and role construction.The text postulates that Gustav III was motivated by theater’s ability to aid him in fulfilling Enlightenment’s tenet of broadly educating the populace and inculcating it with royal ideology. That he was an amateur actor, stage director, and playwright were other engines driving his choice. The project challenges and expands the commonly accepted perception of Gustav III’s contribution to Swedish theater, which has generally been limited to founding its National Opera, developing its national drama, and forming its national dramatic repertoire. Maria Berlova presents Gustav III as a performing King who strategically used political events as a framework through which he could embody the image of the ideal or enlightened monarch as presented by Voltaire. Through this, Performing Power explores the tight relationship and complex bond between theatrical arts and politics. This unique study will be of great interest to students and scholars in theater studies, 18th-century culture, and politics.
1 177 kr
Skickas inom 10-15 vardagar
Unpacking the phenomenon of celebrity presidents, this book explores how theatrical techniques function as expedient yet potentially dangerous tools in contemporary politics.What can be done once politics is seen only as performance, and hybrid wars or nuclear annihilation are perceived to be just another spectacle?By limiting its scope to former actors and showbusiness figures, this book centers on the prominent 20th- and 21st-century populist leaders Ronald Reagan, Donald Trump, and Volodymyr Zelensky. It explores how such figures transitioned from theatrical engagements to the presidency, including how their political life was reframed as a theatrical event.This book reveals the various ways these presidents approached political performance and incorporated entertainment elements into it in order to shift the norms of political representation and disrupt communication modes. It further explores how these populist figures personalized and fictionalized their presidential role by means of storytelling and the bodily enactment of their myth.In contrast to the methodology of TV entertainment used in Reagan’s era, modern technology has permitted Trump and Zelensky to embrace an innovative ‘distributed aesthetics’ approach. Owing to its virtual nature, this technique transcends spatial and temporal limitations, while simultaneously rendering celebrity presence ubiquitous and exaggerating the illusion of intimacy between ruler and populace.