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3 produkter
3 produkter
497 kr
Skickas inom 5-8 vardagar
Michelangelo was one of the biggest international art stars of his time, but being Michelangelo was no easy thing: he was stalked by fans, lauded and lambasted by critics, and depicted in unauthorized portraits. Still Lives traces the process by which artists such as Michelangelo, Durer, and Titian became early modern celebrities. Artists had been subjects of biographies since antiquity, but Renaissance artists were the first whose faces were sometimes as recognizable as their art. Maria Loh shows how this transformation was aided by the rapid expansion of portraiture and self-portraiture as independent genres in painting and sculpture. She examines the challenges confronting artists in this new image economy: What did it mean to be an image maker haunted by one's own image? How did these changes affect the everyday realities of artists and their workshops? And how did images of artists contribute to the way they envisioned themselves as figures in a history that would outlive them? Richly illustrated, Still Lives is an original exploration of the invention of the artist portrait and a new form of secular stardom.
602 kr
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The first comprehensive monograph on this leading American contemporary figurative painterSpinneret draws inspiration from the eponymous silk-producing organ that spiders use to weave their webs. Anthony Cudahy’s figurative paintings tenderly piece together enigmatic scenes of specific objects and equivocal environments from interwoven references drawn from queer archives, art history, film, poetry, friends, and autobiography. Plate sections feature brief written reflections on Cudahy’s themes, style, and motifs from fellow artists and writers Ian Lewandowski, Paul Legault, Anna Glantz, Philemona Williamson, Lily Wong, Justin Liam O’Brien, Billy Sullivan, John Belknap, and Elizabeth Glaessner. Spinneret spans the last half-decade of Cudahy’s career to date, including brand new work, and unpacks his richly layered artistic practice. Organized by five artistic themes – slippages, allegories, fragments, figures, spaces – it captures the ongoing push and pull, conceptually and materially, across the artist’s practice.
193 kr
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At the end of his long, prolific life, Titian was rumoured to paint directly on the canvas with his bare hands. He would slide his fingers across bright ridges of oil paint, loosening the colours, blending, blurring, and then bringing them together again. With nothing more than the stroke of a thumb or the flick of a nail, Titian’s touch brought the world to life. The clinking of glasses, the clanging of swords, and the cry of a woman’s grief. The sensation of hair brushing up against naked flesh. The sudden blush of unplanned desire, and the dry taste of fear in a lost, shadowy place. Titian’s art was a synaesthetic experience. To see was at once to hear, to smell, to taste, and to touch. But while Titian was fully attached to the world around him, he also held the universe in his hands. Like a magician, he could conjure appearances out of thin air. Like a philosopher, his exploration into the very nature of things channelled and challenged the controversial ideas of his day. But as a painter, he created the world. Dogs, babies, rubies and pearls. Falcons, flowers, gloves and stone. Shepherds, mothers, gods and men. Paint, canvas, blood, sweat and tears. In a series of close visual investigations, Maria H. Loh guides the reader through the lush, vibrant world of Titian’s touch.